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      <image:title>Read - The Edit - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Read - The Edit - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Read - Worksheets A,B,&amp;amp;C - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Read - Worksheets A,B,&amp;amp;C - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Read - Worksheets A,B,&amp;amp;C - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.thesitemagazine.com/read/join-post-novis</loc>
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    <lastmod>2024-05-13</lastmod>
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    <loc>https://www.thesitemagazine.com/read/the-green-people</loc>
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    <lastmod>2024-05-13</lastmod>
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      <image:title>Read - Umwelten: The Green People</image:title>
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      <image:title>Read - Umwelten: The Green People</image:title>
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      <image:title>Read - Umwelten: The Green People</image:title>
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      <image:title>Read - Umwelten: The Green People</image:title>
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      <image:title>Read - Umwelten: The Green People</image:title>
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      <image:title>Read - Umwelten: The Green People</image:title>
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      <image:title>Read - Umwelten: The Green People</image:title>
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      <image:title>Read - Umwelten: The Green People</image:title>
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  <url>
    <loc>https://www.thesitemagazine.com/read/murder-of-crows</loc>
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    <priority>0.5</priority>
    <lastmod>2024-05-13</lastmod>
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      <image:title>Read - Murder of Crows - Make it stand out</image:title>
      <image:caption>Artwork by Jishnu Bandyopadhyay</image:caption>
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  <url>
    <loc>https://www.thesitemagazine.com/read/template-3dwrw-eydea-d3kr7-kthdm-h8fsf</loc>
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    <priority>0.5</priority>
    <lastmod>2024-05-13</lastmod>
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  <url>
    <loc>https://www.thesitemagazine.com/read/the-rules-of-the-road</loc>
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    <priority>0.5</priority>
    <lastmod>2024-05-13</lastmod>
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      <image:title>Read - The Rules of the Road: Canfield Drive as a Site of Architectural Discrimination - Make it stand out</image:title>
      <image:caption>3D scan of Canfield Drive on May 6, 2018. Picture in the centre of the road is the site where Michael Brown laid and bled for four-and-a-half hours. 3D scan by Linda Zhang and Alisha Kapoor</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/44c27212-a7df-47c3-b1bc-3f31c1873afc/210308_VisualEssaySite13.jpg</image:loc>
      <image:title>Read - The Rules of the Road: Canfield Drive as a Site of Architectural Discrimination - Make it stand out</image:title>
      <image:caption>Image illustrating quilted tiles by Amelia Gan and Sabrina Logrono</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/37f2cf9a-426d-480e-91bb-5e43edca8e11/210308_VisualEssaySite4%282%29.jpg</image:loc>
      <image:title>Read - The Rules of the Road: Canfield Drive as a Site of Architectural Discrimination - Make it stand out</image:title>
      <image:caption>Illustration of fingerprint embedded with 3D scan of site. Illustration by Amelia Gan and Sabrina Logrono</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/dd312eaa-3c34-4775-a8b3-773771d07bc8/Screenshot+2024-05-05+194815.jpg</image:loc>
      <image:title>Read - The Rules of the Road: Canfield Drive as a Site of Architectural Discrimination - Make it stand out</image:title>
      <image:caption>Image still from video showing carving process for Tile 08. Image stills by Amelia Gan and Sabrina Logrono</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/d0889744-fa86-4c3b-956b-3a52ff473d6a/210308_VisualEssaySite3.jpg</image:loc>
      <image:title>Read - The Rules of the Road: Canfield Drive as a Site of Architectural Discrimination - Make it stand out</image:title>
      <image:caption>3D scan of Canfield Drive on May 6, 2018, overlaid with the illustration of witness-account locations, castings (pink), and police vehicle location (blue). 3D scan and illustration by Linda Zhang and Alisha Kapoor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1403c7b7-1d51-45fc-a89a-986cec4893e9/210308_VisualEssaySite14.jpg</image:loc>
      <image:title>Read - The Rules of the Road: Canfield Drive as a Site of Architectural Discrimination - Make it stand out</image:title>
      <image:caption>3D scan of Canfield Drive on May 6, 2018. Pictured at the centre of the road is the segment of the road that lay beneath Michael Brown’s body and was excavated at the request of the Brown family. Clearly visible is the darker rectangle of new asphalt laid to fill the void that was left behind, disrupting the yellow lines which otherwise normatively separate and structure the lanes of traffic flowing along the road. 3D scan by Linda Zhang and Alisha Kapoor</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/bb8ba966-aec7-49ff-8870-335bf31d9ff7/210308_VisualEssaySite12.jpg</image:loc>
      <image:title>Read - The Rules of the Road: Canfield Drive as a Site of Architectural Discrimination - Make it stand out</image:title>
      <image:caption>Image illustrating quilted tiles by Amelia Gan and Sabrina Logrono</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/c9e6e085-2d74-41d2-b983-c3ff4b464194/210308_VisualEssaySite5%281%29.jpg</image:loc>
      <image:title>Read - The Rules of the Road: Canfield Drive as a Site of Architectural Discrimination - Make it stand out</image:title>
      <image:caption>Illustration of draping and reenactment of actions. Illustration by Amelia Gan and Sabrina Logrono</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/ac6abff3-8675-4d11-93f6-2212243a4ddd/Fig+5.jpg</image:loc>
      <image:title>Read - The Rules of the Road: Canfield Drive as a Site of Architectural Discrimination - Make it stand out</image:title>
      <image:caption>Photograph showing slipcasting process wherein coloured ceramic slip is added to plaster mold in layers. Photograph by Amelia Gan and Sabrina Logrono</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/14331844-369a-44a2-bfc0-799372de020b/210308_VisualEssaySite15.jpg</image:loc>
      <image:title>Read - The Rules of the Road: Canfield Drive as a Site of Architectural Discrimination - Make it stand out</image:title>
      <image:caption>3D scan of Canfield Drive on May 6, 2018. 3D Scan by Linda Zhang and Alisha Kapoor</image:caption>
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  <url>
    <loc>https://www.thesitemagazine.com/read/the-memory-of-soil</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/19f1d529-519a-43c1-84e6-2c393d0b0e2b/Image+7+%28back%29.jpg</image:loc>
      <image:title>Read - Temporal Displacement and the Memory of Soil - Make it stand out</image:title>
      <image:caption>The US Bureau of Reclamation was in business with the War Relocation Authority to plan incarceration camps because incarceration camps need good soil. Photograph by Clem Albers for the War Relocation Authority, from the archive “War Relocation Authority Photographs of Japanese-American Evacuation and Resettlement, 1942-1945” BANC PIC 1967.014--PIC, The Bancroft Library, University of California, Berkeley</image:caption>
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      <image:title>Read - Temporal Displacement and the Memory of Soil - Make it stand out</image:title>
      <image:caption>Existing practices of the working landscape, 2020. Drawing by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/b56dea68-34b5-4021-a2c2-2e7bee08603d/Image+10+%28back%29.jpg</image:loc>
      <image:title>Read - Temporal Displacement and the Memory of Soil - Make it stand out</image:title>
      <image:caption>The Japanese-American prisoners make gardens with lava rocks that protected the Modoc. Photograph by Francis Stewart for the War Relocation Authority, from the archive “War Relocation Authority Photographs of Japanese-American Evacuation and Resettlement, 1942-1945” BANC PIC 1967.014--PIC, The Bancroft Library, University of California, Berkeley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/2e174c49-9434-4928-b971-36f1e55344ce/Image+8+%28front%29.jpg</image:loc>
      <image:title>Read - Temporal Displacement and the Memory of Soil - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/adbffc02-7cf4-4d2e-87f4-25ac331b3bfb/Image+15.jpg</image:loc>
      <image:title>Read - Temporal Displacement and the Memory of Soil - Make it stand out</image:title>
      <image:caption>The remaining foundation of a guard tower at the former Tule Lake incarceration camp, 2019. Photograph by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/58f9a215-ee3a-4c16-a5af-fc5add6f2899/Image+13.jpg</image:loc>
      <image:title>Read - Temporal Displacement and the Memory of Soil - Make it stand out</image:title>
      <image:caption>Living Soil Library Display Plots, 2020. Drawing by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/796b68df-a258-41ec-a886-19c8b731538c/Image+8+%28back%29.jpg</image:loc>
      <image:title>Read - Temporal Displacement and the Memory of Soil - Make it stand out</image:title>
      <image:caption>The Japanese-American prisoners farm turnips and daikon and potatoes in good soil. They irrigate the fields by moving soil. Photograph by Francis Stewart for the War Relocation Authority, from the archive “War Relocation Authority Photographs of Japanese-American Evacuation and Resettlement, 1942-1945” BANC PIC 1967.014--PIC, The Bancroft Library, University of California, Berkeley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/2e39df01-d8e6-49d9-bcbb-9c78c29781b4/Image+7+%28front%29.jpg</image:loc>
      <image:title>Read - Temporal Displacement and the Memory of Soil - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/87426cb4-acc9-4455-853d-785421cc690c/Image+17.jpg</image:loc>
      <image:title>Read - Temporal Displacement and the Memory of Soil - Make it stand out</image:title>
      <image:caption>Healing Soil Garden Practice / Operation, 2020. Drawing by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/6f73497c-8f75-44f7-b624-ff70737b2662/Image+18.jpg</image:loc>
      <image:title>Read - Temporal Displacement and the Memory of Soil - Make it stand out</image:title>
      <image:caption>The Agency of Soil, 2019. Photograph by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/ebb67718-5422-4472-ae2c-981a0354fd18/Image+16.jpg</image:loc>
      <image:title>Read - Temporal Displacement and the Memory of Soil - Make it stand out</image:title>
      <image:caption>Healing Soil Garden, 2020. Drawing by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/23a8ede1-7da2-45ee-b07e-88a90c86340e/Image+1%281%29.jpg</image:loc>
      <image:title>Read - Temporal Displacement and the Memory of Soil - Make it stand out</image:title>
      <image:caption>Soil samples from the site, 2019. Photographs by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/59aef647-0bf7-44f7-a944-e30adbe4d999/Image+9+%28front%29.jpg</image:loc>
      <image:title>Read - Temporal Displacement and the Memory of Soil - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/88d48666-a9f1-4ebe-8e34-89c306a02533/Image+10+%28front%29.jpg</image:loc>
      <image:title>Read - Temporal Displacement and the Memory of Soil - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/65fdf62a-0c01-4507-ba51-e529aba2b524/Image+3%281%29.jpg</image:loc>
      <image:title>Read - Temporal Displacement and the Memory of Soil - Make it stand out</image:title>
      <image:caption>A small pump and canal on Lower Klamath Wildlife Refuge, 2019. Photograph by the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/403b08bc-12ca-4d28-b6f0-c6c21e374cf2/Image+9+%28back%29.jpg</image:loc>
      <image:title>Read - Temporal Displacement and the Memory of Soil - Make it stand out</image:title>
      <image:caption>The Japanese-American prisoners make marks on the lava rocks next to the marks of the Modoc. Photograph by Chas E. Mace for the War Relocation Authority, from the archive “War Relocation Authority Photographs of Japanese-American Evacuation and Resettlement, 1942-1945” BANC PIC 1967.014--PIC, The Bancroft Library, University of California, Berkeley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/e9df8c01-8447-4c1c-8ddf-b94771f4582e/Image+11.jpg</image:loc>
      <image:title>Read - Temporal Displacement and the Memory of Soil - Make it stand out</image:title>
      <image:caption>The Japanese-American prisoners make gardens with lava rocks that protected the Modoc. Lava rock as a material connector between the Modoc War and rock gardens at the internment camp barracks, 2019. Section drawing and collage by the author, with found archival material</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/how-not-to-preserve-yourself</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/4a6adc11-40e4-4576-ba98-28979b25ef5b/Image+1.jpg</image:loc>
      <image:title>Read - How (Not) to Preserve Yourself - Make it stand out</image:title>
      <image:caption>Lan Florence Yee, PROOF-Chinatown Anti-Displacement Garden (detail), hand embroidery on inkjet printed cotton voile, 37” x 51”, 2020. Photo courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/6952d8c0-e47b-43f8-b53c-713dde314909/Image+2.JPG</image:loc>
      <image:title>Read - How (Not) to Preserve Yourself - Make it stand out</image:title>
      <image:caption>Lan Florence Yee, PROOF-Chinatown Anti-Displacement Garden, hand embroidery on inkjet printed cotton voile, 37” x 51”, 2020. Photo courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/67c7fe78-296c-472d-9ba1-1d6203da5792/Image+3.JPG</image:loc>
      <image:title>Read - How (Not) to Preserve Yourself - Make it stand out</image:title>
      <image:caption>Lan Florence Yee, PROOF-Chinatown Anti-Displacement Garden (detail), hand embroidery on inkjet printed cotton voile, 37” x 51”, 2020. Photo courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/14a3a238-06df-4838-949c-56829cbc89a3/Image+4.jpg</image:loc>
      <image:title>Read - How (Not) to Preserve Yourself - Make it stand out</image:title>
      <image:caption>Lan Florence Yee, PROOF-Bedroom in Scarborough, hand embroidery on inkjet printed cotton voile, 37” x 51”, 2021. Photo courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/in-conversation-with-voices-of-the-land</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/3b6a425a-26f8-4043-8148-c30a033bb388/Danielle+Desjarlais+-+Collage.jpeg</image:loc>
      <image:title>Read - In Conversation with Voices of the Land - Make it stand out</image:title>
      <image:caption>“Nibi Knowledge” collage by Danielle Desjarlais</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/2edee647-e792-4773-b3c8-444b21106145/Desiree+Theriault+-+Waterkeeper.jpeg</image:loc>
      <image:title>Read - In Conversation with Voices of the Land - Make it stand out</image:title>
      <image:caption>“Waterkeeper” collage by Desiree Theriault</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/5c3a0830-6e7b-4db4-bca2-db5e792d1ef0/Danielle+Desjarlais+-+Canoe+Perspective%281%29.jpg</image:loc>
      <image:title>Read - In Conversation with Voices of the Land - Make it stand out</image:title>
      <image:caption>Canoe perspective rendering of “Nibi Studio” by Danielle Desjarlais</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/25ccf712-a09c-4619-bc0e-0c1a52a988f3/IDPSA-CourtneyChampagne-44.jpg</image:loc>
      <image:title>Read - In Conversation with Voices of the Land - Make it stand out</image:title>
      <image:caption>Print copies of Voices of the Land</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/20ce0d26-1608-44f1-b1aa-4f8d41552559/IDPSA-CourtneyChampagne-14.jpg</image:loc>
      <image:title>Read - In Conversation with Voices of the Land - Make it stand out</image:title>
      <image:caption>The four editors of Voices of the Land, (L-R) Reanna Merasty, Naomi Ratte, Desiree Theriault, and Danielle Desjarlais</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/designing-local-bodies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/c07a2fe0-2653-42f3-91ad-15146a57b2f6/%2805%29.GuideDress.jpg</image:loc>
      <image:title>Read - Designing Local  Bodies for a Global Image: Performing Modernity at  Mexico ‘68 - Make it stand out</image:title>
      <image:caption>The isomorphic patterns of the Olympic hostess dress and the urban background blend into one another. Image reproduced with the permission of Lance Wyman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/d68e64e6-49e8-438a-96e8-6f8308f26931/%2817%29.Mexico68+Stadium.jpg</image:loc>
      <image:title>Read - Designing Local  Bodies for a Global Image: Performing Modernity at  Mexico ‘68 - Make it stand out</image:title>
      <image:caption>A model of the Mexico '68 Olympic Stadium at the main campus of the National Autonomous University of Mexico (UNAM), featuring the radiating line patterns of the Olympic design program</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/edf0cd41-6fe9-4c50-a32a-13b31ed5cb7d/Mexico68poster-15.jpg</image:loc>
      <image:title>Read - Designing Local  Bodies for a Global Image: Performing Modernity at  Mexico ‘68 - Make it stand out</image:title>
      <image:caption>The Mexico ‘68 logo channels the aesthetics of the Op Art movement</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/09936efd-3975-48fd-bc30-16a438c65937/MajentaGuide.jpg</image:loc>
      <image:title>Read - Designing Local  Bodies for a Global Image: Performing Modernity at  Mexico ‘68 - Make it stand out</image:title>
      <image:caption>Through the eye-catching graphics of their dress, the Olympic hostesses stand out as representations of modern Mexican femininity. Image reproduced with the permission of Lance Wyman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/ee69f614-4d68-45e9-9702-701f9853add0/WallMural.jpg</image:loc>
      <image:title>Read - Designing Local  Bodies for a Global Image: Performing Modernity at  Mexico ‘68 - Make it stand out</image:title>
      <image:caption>The Mexico ’68 logo painted on a wall in Mexico City. Image reproduced with the permission of Lance Wyman</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/vibrant-vertical-aging</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714943716129-2DKDZCCANBG4S50UJZQP/IMAGE_1.jpg</image:loc>
      <image:title>Read - Vibrant Vertical Aging</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714943720037-0MGNADQW0OR6WYPDAPXO/IMAGE_2.jpg</image:loc>
      <image:title>Read - Vibrant Vertical Aging</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714943720660-D3TD6BGHM55L40WULSE7/IMAGE_3.jpg</image:loc>
      <image:title>Read - Vibrant Vertical Aging</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714943722550-H7J2TKNYLRX4PGZPGRR0/IMAGE_4.jpg</image:loc>
      <image:title>Read - Vibrant Vertical Aging</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714943735686-LF1HGCG7ZNZYGGHR388Q/IMAGE_5.jpg</image:loc>
      <image:title>Read - Vibrant Vertical Aging</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714943736666-DWCHV8DF6UIP0834Z0PB/IMAGE_6.jpg</image:loc>
      <image:title>Read - Vibrant Vertical Aging</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714943743163-UYHV1BP1TNMMNXP9L6R2/IMAGE_7.jpg</image:loc>
      <image:title>Read - Vibrant Vertical Aging</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714943744492-U3DQTL4VEQZ3OOWS74Y1/IMAGE_8.jpg</image:loc>
      <image:title>Read - Vibrant Vertical Aging</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714943764298-01OKEB7JIFUKH92OEU18/IMAGE_9.jpg</image:loc>
      <image:title>Read - Vibrant Vertical Aging</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714943765032-X3MWPSKWEFC816YVHTBR/IMAGE_10.jpg</image:loc>
      <image:title>Read - Vibrant Vertical Aging</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714943775514-ZMTPNWFHJQVX9WUWWM16/IMAGE_11.jpg</image:loc>
      <image:title>Read - Vibrant Vertical Aging</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714943776101-9BIIV11OH2MTUKMATTTV/IMAGE_12.jpg</image:loc>
      <image:title>Read - Vibrant Vertical Aging</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714943959344-MS3BPODSFIBN9PS0ZH10/IMAGE_13.jpg</image:loc>
      <image:title>Read - Vibrant Vertical Aging</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714943960461-R5YUUOP1FTE9NVDFUQ5T/IMAGE_14.jpg</image:loc>
      <image:title>Read - Vibrant Vertical Aging</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714944077359-JX6VJMCO0RNNZN752M9I/IMAGE_15.jpg</image:loc>
      <image:title>Read - Vibrant Vertical Aging</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/new-investigations-in-collective-form</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714948303655-6A5H0LC2XM670GYFSMWG/Pages+from+Pages+from+NICF_Body-6.jpg</image:loc>
      <image:title>Read - New Investigations in Collective Form:  The Open Workshop</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714948306361-XA7GV1NLP10QXLBY7RWY/Pages+from+Pages+from+NICF_Body-4.jpg</image:loc>
      <image:title>Read - New Investigations in Collective Form:  The Open Workshop</image:title>
    </image:image>
    <image:image>
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      <image:title>Read - New Investigations in Collective Form:  The Open Workshop</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714948304774-KGVPLLED4KHPX482RKR1/Pages+from+Pages+from+NICF_Body-5.jpg</image:loc>
      <image:title>Read - New Investigations in Collective Form:  The Open Workshop</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714948310888-G8RI38SEST2Q94RJUTK8/Pages+from+Pages+from+NICF_Body1.jpg</image:loc>
      <image:title>Read - New Investigations in Collective Form:  The Open Workshop</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714948309026-NBN7LVL1WQP60JXH8QR8/Pages+from+Pages+from+NICF_Body-2.jpg</image:loc>
      <image:title>Read - New Investigations in Collective Form:  The Open Workshop</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1714948302839-BEIVNPOQ327FIXVM1DTJ/Pages+from+Pages+from+NICF_Body-7.jpg</image:loc>
      <image:title>Read - New Investigations in Collective Form:  The Open Workshop</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/snapshotsinthecontextofforever</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/9d290baa-7d18-48a3-8b1d-726cb1df6f31/230504_C9_NOR_SITEMAG_ConceptArt2.png</image:loc>
      <image:title>Read - Snapshots in the Context of Forever - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/ab79b1d3-c1c2-4b33-9246-d743bb93769e/230504_C9_NOR_SITEMAG_ConceptArt3.png</image:loc>
      <image:title>Read - Snapshots in the Context of Forever - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/5c55a160-8f3b-443e-9059-c6e9fdf896bd/230504_C9_NOR_SITEMAG_ConceptArt1.png</image:loc>
      <image:title>Read - Snapshots in the Context of Forever - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/between-form-and-formlessness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/4863161f-996d-4888-9824-e3365a1e83b0/PXL_20210418_184112617.jpg</image:loc>
      <image:title>Read - Between Form and Formlessness - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/9a65a69c-e18f-46ef-8861-14fc7dc0bdb6/PXL_20210418_183745490.jpg</image:loc>
      <image:title>Read - Between Form and Formlessness - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/0bd29f92-6ac5-4609-bdb5-3b82a6f17ced/PXL_20210418_184842578.jpg</image:loc>
      <image:title>Read - Between Form and Formlessness - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/healing-spaces</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-25</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/juhani-pallasmaa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-22</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/umwelten</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/eee958ad-914b-424a-8bba-3ebf5b3cc6b9/Streetview_1.jpg</image:loc>
      <image:title>Read - Umwelten: The Animal People - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/5cbb1ac1-892e-40a5-9e6e-b8412a1bda68/Underwater.jpg</image:loc>
      <image:title>Read - Umwelten: The Animal People - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/d1ceef65-edc1-4c96-9bf7-adac04a6fd7c/Streetview_2.jpg</image:loc>
      <image:title>Read - Umwelten: The Animal People - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/4e42c57a-2114-491c-bba6-b5de65ee8f29/Aerial_view.jpg</image:loc>
      <image:title>Read - Umwelten: The Animal People - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/jeanne-gang-actionable-idealism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1629327266129-ONM7MM81E58W9V723O3D/zoo.jpg</image:loc>
      <image:title>Read - Studio Gang's "Actionable Idealism" - Make it stand out</image:title>
      <image:caption>Nature Boardwalk at Lincoln Park Zoo, Chicago. Photograph by Tom Harris. © Tom Harris Photography The Nature Boardwalk at Chicago’s Lincoln Park Zoo is a public park that transforms the zoo’s picturesque south pond, first built at the turn of the 19th century, into an ecological habitat for wildlife, including migrating species. By filtering and collecting rainwater, the park takes pressure off Chicago’s hard infrastructure. The boardwalk meanders through different ecological zones, providing an outdoor learning environment for urban residents and zoo visitors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1629327123519-59YS7KT0BL2TFJ1HNQ19/ford+calumet.jpg</image:loc>
      <image:title>Read - Studio Gang's "Actionable Idealism" - Make it stand out</image:title>
      <image:caption>Ford Calumet Environmental Centre. Image © Studio Gang The Ford Calumet Environmental Center is a 28,000-square-foot research and education building designed for the City of Chicago. The project won an international competition and was fully designed but never built. Located near a former steel-making site, it envisioned a way of building that uses local, abundant, and discarded materials: salvaged steel from the Calumet industrial region and other remnant, recyclable materials such as slag, glass bottles, bar stock, and rebar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1629327737181-XHD1P1UZA59K6WSK59NK/1_New-Tom-Lee-Park_Aerial_%28c%29-Studio-Gang-and-SCAPE.jpg</image:loc>
      <image:title>Read - Studio Gang's "Actionable Idealism" - Make it stand out</image:title>
      <image:caption>Tom Lee Park, Memphis, Tennessee. Images ©Studio Gang and SCAPE Tom Lee Park is a project that Studio Gang is currently designing in collaboration with SCAPE. The project will transform a 30-acre site along the Mississippi River into a signature waterfront park for Memphis, connected to a city-wide trail network and to civic and cultural institutions including the Cossitt Library and National Civil Rights Museum. The project’s design process engaged many stakeholders and community groups, including local high school students through Studio Gang’s Youth Design Leadership initiative launched in 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1629327470449-3PZOQNSX07Z6UCSQ08S9/arcus.jpg</image:loc>
      <image:title>Read - Studio Gang's "Actionable Idealism" - Make it stand out</image:title>
      <image:caption>Arcus Center. Photography by Steve Hall © Hedrich Blessing The Arcus Center for Social Justice Leadership was built in 2014 in Kalamazoo, Michigan. It is an educational and cultural facility on the campus of Kalamazoo College that serves as a meeting space for students, faculty, visiting scholars, and leaders in the fields of human rights and social justice. The building’s exterior walls are constructed using wood masonry to achieve a high-performing, low carbon façade.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1629327426915-KNDL7QH4MVDJYZ7XLVV2/Polis-Station_Neighborhood-Axon_%28c%29-Studio-Gang.jpg</image:loc>
      <image:title>Read - Studio Gang's "Actionable Idealism" - Make it stand out</image:title>
      <image:caption>Polis Station, Chicago. Images © Studio Gang Polis Station was a self-initiated research project created by Studio Gang in 2015 that explored how design might play a role in building healthier police-community relationships. Through conversations with local residents and community groups, as well as police officers, the project proposed a series of physical and programmatic steps that could be taken to adapt existing police station buildings into sites of social connection with new neighborhood services and amenities.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/memorials</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1629324548322-BFSF5KKI7OXOFE2FNBP0/Quilt+1%5B1%5D+%281%29.jpeg</image:loc>
      <image:title>Read - Memorials - Make it stand out</image:title>
      <image:caption>AIDS Quilt unfolded at the National Arts Centre, Ottawa, as part of World AIDS Day activities with the AIDS Committee of Ottawa, December 1, 2019. Photograph by Kelly Puddister</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1629324486685-CGSUO7M3N4F8CPZ67QQO/ARC-OF-MEMORY---VIEW-1.jpg</image:loc>
      <image:title>Read - Memorials - Make it stand out</image:title>
      <image:caption>Arc of Memory, digital rendering. Image courtesy of Paul Raff Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1629324680296-C8XB95LFHP00CXMJYQEW/IMG_0056_HYA.jpg</image:loc>
      <image:title>Read - Memorials - Make it stand out</image:title>
      <image:caption>Detail of the Memorial to Enslaved Laborers inner wall, with names and memory marks honoring members of UVA’s enslaved community, after the rain. Photograph by Höweler + Yoon Architecture</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1629324840830-FMTGMU3C7BWT7YXB18SI/Botanical-Garden_AERIAL-RENDER-.jpg</image:loc>
      <image:title>Read - Memorials - Make it stand out</image:title>
      <image:caption>Digital rendering of New Haven Botanical Garden of Healing, August 2018. Image courtesy of Svigals + Partners</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1629324751059-VC3X4C6SLTSE2R80JGCR/Famine%2C-Dublin.jpg</image:loc>
      <image:title>Read - Memorials - Make it stand out</image:title>
      <image:caption>Famine, Custom House Quay, Dublin, Ireland. Photograph by Liam Blake. Courtesy of Rowan Gillespie</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1629324995083-2V97JP71IVL6KZ7XXK3K/GVMP.jpg</image:loc>
      <image:title>Read - Memorials - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/black-healing-in-the-digital-space</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1628021939390-PIS2HIJYFDKVLNH52C0D/Image+1.jpg</image:loc>
      <image:title>Read - Black Healing in the Digital Space - Make it stand out</image:title>
      <image:caption>View of Hogan’s Alley, Vancouver, British Columbia, 1958. Photograph by Major James Skitt Mattthews. Courtesy of City of Vancouver Archives AM54-S4-: Bu P508.53</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1628021786325-9C2Z3474T55UD80CYCEA/Image+2.jpg</image:loc>
      <image:title>Read - Black Healing in the Digital Space - Make it stand out</image:title>
      <image:caption>Map of the lands included in the Central Park, from a topographical survey, June 17th, 1856; [Also:] Plan for the improvement of the Central Park, adopted by the Commissioners, June 3rd, 1856. Lionel Pincus and Princess Firyal Map Division, The New York Public Library. Courtesy of New York Public Library Digital Collections</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1628022908112-6G66MOYBJCAA8XQ7DIG2/Image+4.PNG</image:loc>
      <image:title>Read - Black Healing in the Digital Space - Make it stand out</image:title>
      <image:caption>Black Stories in the Digital Space, Instagram, 2020. Screenshot taken from @gumbomedia</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/template-3dwrw-eydea-d3kr7-jls8h</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1628024586572-88SGLD6W9ZOIW865YAOO/Image+2_Day+and+Mantha-Blythe.jpg</image:loc>
      <image:title>Read - Drawing Non-Conforming Bodies: Representation as a Tool For Change - Make it stand out</image:title>
      <image:caption>Case Study: Farmer’s Market, 2020. Line drawing by Brynn Day and Vic Mantha-Blythe</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1628024878165-3N2NGME287M14MA7SIE1/Image+3_Day+and+Mantha-Blythe.jpg</image:loc>
      <image:title>Read - Drawing Non-Conforming Bodies: Representation as a Tool For Change - Make it stand out</image:title>
      <image:caption>Case Study: Urban Public Park, 2020. Line drawing by Brynn Day and Vic Mantha-Blythe</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1628024097146-Z8TY1C4OG1186IF2V7AD/Image+1_Day+and+Mantha-Blythe.jpg</image:loc>
      <image:title>Read - Drawing Non-Conforming Bodies: Representation as a Tool For Change - Make it stand out</image:title>
      <image:caption>Case Study: Public Pool Changing Room, 2020. Line drawing by Brynn Day and Vic Mantha-Blythe</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/design-insights-into-addiction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1629323016844-N5S3479U9WZ5HNP9GP1X/Image-2.jpg</image:loc>
      <image:title>Read - Without Space We Cannot Heal: Design Insights into Addiction - Make it stand out</image:title>
      <image:caption>Image 2/ Message Board, Biltmore Hotel, Vancouver, Canada, 2017. Photograph by Hannah Leyland</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1629322801423-A4O3LQBKJO6382HSU3Z6/Image-1.jpg</image:loc>
      <image:title>Read - Without Space We Cannot Heal: Design Insights into Addiction - Make it stand out</image:title>
      <image:caption>Image 1/ Injection Room, Insite, Vancouver, Canada, 2017. Photograph by Hannah Leyland</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/the-breathing-grid</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1632434388726-GUL1J3XOJV95FPDT5OAI/1.site.gaber-strickland.jpg</image:loc>
      <image:title>Read - The Breathing Grid</image:title>
      <image:caption>Seen here, just hours before the performance, is the rigorous seating ordinance at the centre of the room and, beyond that, the reproductions. In the foreground, the authors’ coveralls lie still, awaiting critical collaboration. Photograph by Braeden Martel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1632434391518-KBRL0YMPC9U8F39KBS2V/2.site.gaber-strickland.jpg</image:loc>
      <image:title>Read - The Breathing Grid</image:title>
      <image:caption>During set-up, the authors tested their projection from the constructed black box, appropriating both the space and the technologies of the classroom. In the foreground the imposed ordinance on the floor and the chair arrangement were calibrated to the existing ordinance of the room. Photograph by Braeden Martel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1632434396576-HD0GL3VTXA31TGHW7FES/3.site.gaber-strickland.jpg</image:loc>
      <image:title>Read - The Breathing Grid</image:title>
      <image:caption>The scene of the performance mere moments before it began. While audience members glance around the room, a square of light can be seen beneath the black box housing the authors. Moments later, paint would spill from the box and go largely unnoticed by the audience members, who were instead transfixed by the images on the screen. Photograph by Braeden Martel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1632434463580-TFX7HSU5OV2NML4LGCDG/4.site.gaber-strickland.jpeg</image:loc>
      <image:title>Read - The Breathing Grid</image:title>
      <image:caption>In the final moments before the installation performance, one of the authors probes the view from the constructed black box. Photograph by Braeden Martel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1632434402828-WNIA2BT46QIJ3SCGWBHR/5.site.gaber-strickland.jpg</image:loc>
      <image:title>Read - The Breathing Grid</image:title>
      <image:caption>In this image the authors are filmed from above applying the blue and red paint to each other. The intimate shared struggle of the authors/performers is here mediated for the audience through the lens of a camera installed on the ceiling. Photograph by Braeden Martel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1632434476258-5S1QYVITHLK4JGZQ4UNT/6.site.gaber-strickland.jpg</image:loc>
      <image:title>Read - The Breathing Grid</image:title>
      <image:caption>Having painted each other in binary colours, the authors face each other in front of the historical and contemporary ideal male bodies that have prescribed normative architectural proportions. Photograph by Braeden Martel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1632434554320-6OSIU98K89WCODOKTBOS/7.site.gaber-strickland.jpg</image:loc>
      <image:title>Read - The Breathing Grid</image:title>
      <image:caption>The authors each engage with and critique the normative architectural proportions based on the ideal male body. Photograph by Braeden Martel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1632434561947-JRTDAJ9TUNEG9M8OS7VB/8.site.gaber-strickland.jpg</image:loc>
      <image:title>Read - The Breathing Grid</image:title>
      <image:caption>The performance of inscribing the painted, non-ideal, ideal body on the “standards” engages critique of what is “ideal” and how/why we utilize this notion in the proportions of architecture. Photograph by Braeden Martel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1632434624856-PRWURA1ISOS7WKC0RFBH/9.site.gaber-strickland.jpg</image:loc>
      <image:title>Read - The Breathing Grid</image:title>
      <image:caption>Once the performance is complete and the authors have exited the room, the audience is left to engage with and consider the inscribed installation. Photograph by Braeden Martel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1632434656354-KR9DBO4WTRK8RZKUPJ7C/10.site.gaber-strickland.jpg</image:loc>
      <image:title>Read - The Breathing Grid</image:title>
      <image:caption>Remaining on the projected live screens are the remnants of the paint utilized by the authors. The audience remained in silent contemplation until the doors to the room were opened. Photograph by Braeden Martel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1632434699620-8XXOPI37DS7C17G336TF/11.site.gaber-strickland.jpg</image:loc>
      <image:title>Read - The Breathing Grid</image:title>
      <image:caption>The augmented “standards” were left on display for the remainder of the evening as people migrated into the room and shared versions of their experiences or other people’s experiences of the one-time performance. Photograph by Braeden Martel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1632434665435-H0VH6SG8Y9PULAK5ZR67/12.site.gaber-strickland.png</image:loc>
      <image:title>Read - The Breathing Grid</image:title>
      <image:caption>Post-performance, the audience is seen circulating around the room. The remnants of the film from above, the stained, paint-covered floor beneath the black box, are reflected on the audience members, who will soon become the performers. Photograph by Braeden Martel</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/portals</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1628026741336-B3JXSGXJB6FUGCJK64ZT/192.jpg</image:loc>
      <image:title>Read - Portals - Make it stand out</image:title>
      <image:caption>Haynes Inlet Portal with Juncus effusus thatch, 2019. Photograph by David Paul Bayles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1632438346443-PXRSCIMMCBXG8ZH9TF39/erin+moore+259.jpg</image:loc>
      <image:title>Read - Portals - Make it stand out</image:title>
      <image:caption>Portal construction detail, 2019. Photograph by David Paul Bayles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/5e6ec79e-3f59-4e80-a03c-60ede3159304/C01116_ErinMoore_Portal_0252.jpg</image:loc>
      <image:title>Read - Portals - Make it stand out</image:title>
      <image:caption>Portal construction detail, 2019. Photograph by David Paul Bayles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/0b5cc8ae-e1d0-45b9-b019-9fce9a8b0679/erin+moore+117.jpg</image:loc>
      <image:title>Read - Portals - Make it stand out</image:title>
      <image:caption>FLOAT’s Haynes Inlet Portal at low tide, 2019. Photograph by David Paul Bayles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1632438717587-YQV9DQOGGHZRQSL2X9XI/erin+moore+250.jpg</image:loc>
      <image:title>Read - Portals - Make it stand out</image:title>
      <image:caption>Haynes Inlet Portal for shelter of humans and other species, 2019. Photograph by David Paul Bayles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/140ab9be-fa50-416b-af69-cbedd8daa8c4/C01116_ErinMoore_Portal_0246.jpg</image:loc>
      <image:title>Read - Portals - Make it stand out</image:title>
      <image:caption>Portal construction detail, 2019. Photograph by David Paul Bayles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/bddd4924-5eff-4368-82ce-a6a382e6d5bf/C01116_ErinMoore_Portal_0223.jpg</image:loc>
      <image:title>Read - Portals - Make it stand out</image:title>
      <image:caption>Portal construction detail, 2019. Photograph by David Paul Bayles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/7c1862c3-fbd1-4561-bc94-e167902bfc21/C01116_ErinMoore_Portal_0191.jpg</image:loc>
      <image:title>Read - Portals - Make it stand out</image:title>
      <image:caption>Haynes Inlet Portal, 2019. Photograph by David Paul Bayles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/370d3659-7515-432a-9225-1ad888b42fce/C01116_ErinMoore_Portal_0347.jpg</image:loc>
      <image:title>Read - Portals - Make it stand out</image:title>
      <image:caption>Children with birds and fish at the Haynes Inlet Portal, 2019. Photograph by David Paul Bayles</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/drawing-creepy-places</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1617825120072-8FPFD6MQQJUUMU5KWOIV/Sechaba+Maape+The+Site+Magazine</image:loc>
      <image:title>Read - Drawing Creepy Places</image:title>
      <image:caption>Exploration of phenomenology of place and ritual. Drawing by Sechaba Maape</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1617825481718-81HWA60M5T5W4O2J1ZWJ/Sechaba+Maape+The+Site+Magazine</image:loc>
      <image:title>Read - Drawing Creepy Places</image:title>
      <image:caption>Cosmological worldview of Kuruman and the ritual posture. Drawing by Sechaba Maape</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1617824778406-2FVQBVQNIBODEYUIDZS0/Sechaba+Maape+The+Site+Magazine</image:loc>
      <image:title>Read - Drawing Creepy Places</image:title>
      <image:caption>Cosmological worldview of Kuruman. Drawing by Sechaba Maape.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1619109488818-Y2XE5517MV2I5GUKKIUV/sechaba+maape+the+site+magazine+drawing+creepy+places.jpg</image:loc>
      <image:title>Read - Drawing Creepy Places</image:title>
      <image:caption>Study of mythical snake 1,2,3. Drawings by Sechaba Maape.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/queenofcrypto</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1618350905043-AYOUF7JGL23ANBX308H5/Unus+safardiar+nft+the+site+magazine</image:loc>
      <image:title>Read - Queen of Crypto</image:title>
      <image:caption>Venus by Unus Safardiar</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/exhausted-geographies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589940586879-KJ4JSFM1OJ1LEU6IAHL7/Image+4_Exhausted+Geographies.jpg</image:loc>
      <image:title>Read - Exhausted Geographies</image:title>
      <image:caption>Image 4 | “What is the visual architecture of longing in projections of Karachi?” Yaminay Chaudhri uses the map to excavate memories from the buildings and streets of her neighbourhood, the Darakhshan Township in Karachi. The disjointed arrangement and fragmented construction of the homes themselves offers a visualization of the architecture of longing. Yaminay Chaudhri, “Separation’s Geography,” Exhausted Geographies 1, 2015. Image courtesy of Exhausted Geographies</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589940686871-BTG0P38EE1SDLMA1KFNJ/Image+5_Exhausted+Geographies.jpg</image:loc>
      <image:title>Read - Exhausted Geographies</image:title>
      <image:caption>Image 5 | “What is the visual architecture of longing in projections of Karachi?” Yaminay Chaudhri uses the map to excavate memories from the buildings and streets of her neighbourhood, the Darakhshan Township in Karachi. The disjointed arrangement and fragmented construction of the homes themselves offers a visualization of the architecture of longing. Yaminay Chaudhri, “Separation’s Geography,” Exhausted Geographies 1, 2015. Image courtesy of Exhausted Geographies</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589940445878-DKTQPZ8E1NDIBWPRE2MY/Image+1_Exhausted+Geographies.jpg</image:loc>
      <image:title>Read - Exhausted Geographies</image:title>
      <image:caption>Image 1 | This map is a visualization of the narrative geography of Sindh (the province within which Karachi is located) written by the poet Mir Ali Sher Qani in 1767. Rather than depicting borders or physical features, the map focuses on the people of Sindh, noting the names of individuals and recording their movements. It traces the lives of people and the interconnectedness of Sindh with other cities and regions. Shayan Rajani, “Essay On Naqsha-I Vilayat-I Sindh,” Exhausted Geographies 1, 2015. Image courtesy of Exhausted Geographies</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589940737495-8T1T6GD443ZUN9CKCHX3/Image+6_Exhausted+Geographies.jpg</image:loc>
      <image:title>Read - Exhausted Geographies</image:title>
      <image:caption>Image 6 | Exhausted Geographies Vol.II exhibited as part of “groundtruthing” at Gandhara Art Gallery, Karachi, 2018. Photograph courtesy of Exhausted Geographies</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589940758140-420ZVKDBX6BFR9Y1ACUI/Image+7_Exhausted+Geographies.jpg</image:loc>
      <image:title>Read - Exhausted Geographies</image:title>
      <image:caption>Image 7 | Along the peripheries of the city, neighbourhoods such as Gadap are the chosen sites for “kill and dump” and “encounters”—the terms used for the processes by which citizens are abducted and killed. “Borders” Exhausted Geographies 2, 2018. Image courtesy of Exhausted Geographies</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589940544443-AP36U9P9ELSKAQICFQK5/Image+3_Exhausted+Geographies.jpg</image:loc>
      <image:title>Read - Exhausted Geographies</image:title>
      <image:caption>Image 3 | Fazal Rizvi maps Karachi through a series of personal experiences, located within the city and communicated via unsent letters to his mother. Fazal Rizvi, “Uncanny / Unhomely,” Exhausted Geographies 1, 2015. Image courtesy of Exhausted Geographies</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589940523144-OJ52QW5II53TYHZ5Q914/Image+2_Exhausted+Geographies.jpg</image:loc>
      <image:title>Read - Exhausted Geographies</image:title>
      <image:caption>Image 2 | Exhausted Geographies Vol.II is a collection of paired image and text booklets engaging with landscapes at the intersection of infrastructure, war, and ecological crisis in Karachi. Photograph courtesy of Exhausted Geographies</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/a-plan-for-all-londoners</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589939111548-E7NVZ767TVX3VZTN5B2A/Image+1_ChiNguyen.jpg</image:loc>
      <image:title>Read - A Plan for All Londoners?</image:title>
      <image:caption>Image 1 | Mayor of London, “The London Plan: The Spatial Development Strategy for Greater London.” Draft for public consultation, London: Greater London Authority, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589939304985-I6A9AN0AO7CHK0JV6RUC/Image+3_ChiNguyen.jpg</image:loc>
      <image:title>Read - A Plan for All Londoners?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589939300667-9RR1SKHH9PW7EODMTZIU/Image+4_ChiNguyen.jpg</image:loc>
      <image:title>Read - A Plan for All Londoners?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589939305216-095V04JN87SC0ZNETUEY/Image+5_ChiNguyen.jpg</image:loc>
      <image:title>Read - A Plan for All Londoners?</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589939312283-0DXQE5QYANWL7LQH0UNK/Image+6_ChiNguyen.jpg</image:loc>
      <image:title>Read - A Plan for All Londoners?</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589939308968-1EP4I7EAE7NPS9T598UH/Image+7_ChiNguyen.jpg</image:loc>
      <image:title>Read - A Plan for All Londoners?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589939311906-TCMD2RSZI01NMUTBSP8X/Image+8_ChiNguyen.jpg</image:loc>
      <image:title>Read - A Plan for All Londoners?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589939295995-H1N6MPMN5FEYKO4Y6MES/Image+9_ChiNguyen.jpg</image:loc>
      <image:title>Read - A Plan for All Londoners?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589939152308-7R1MWE7RBJM3ENVUUJ54/Image+2_ChiNguyen.jpg</image:loc>
      <image:title>Read - A Plan for All Londoners?</image:title>
      <image:caption>Image 2 | Chi Nguyen, Word Count: The London Plan and the Textually Absent, 2019, 6” x 9”. Visual representation of the inclusion of minority communities within the draft London Plan, highlighting the number of times the terms “inclusive,” “LGBT+,” and “BAME” appear in the text</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/empathetic-design</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-21</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/scan-the-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589936691126-KX1FD9N7NOOOCAI62R9S/Image+5_JonBeck.jpg</image:loc>
      <image:title>Read - Scan the World</image:title>
      <image:caption>Image 5 | 3D scanning at the Nationalmuseum, Sweden, 2019. Photograph courtesy of Scan the World</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589936574758-T37A4ASAC121NL4M9GAL/Image+3_JonBeck.jpg</image:loc>
      <image:title>Read - Scan the World</image:title>
      <image:caption>Image 3 | 3D scanning at the Statens Museum for Kunst, Denmark, 2019. Photograph courtesy of Scan the World</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589936674427-51JRYIM7ZWB1499F67RU/Image+4_JonBeck.jpg</image:loc>
      <image:title>Read - Scan the World</image:title>
      <image:caption>Image 4 | Digital visualization of Niklas Byström’s Juno with the Infant Hercules produced from a 3D scan of the artwork at the Nationalmuseum, Sweden, 2019. Image courtesy of Scan the World</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589936469720-WG5E06SO8R426O5P1KA5/Image+1_JonBeck.jpg</image:loc>
      <image:title>Read - Scan the World</image:title>
      <image:caption>Image 1 | 3D scanning Head of a Giant with an Artec Eva scanner at the Statens Museum for Kunst, Denmark, 2019. Photograph courtesy of Nick Furbo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589936553359-MDMBVAPCNDVFJ8TLDWVH/Image+2_JonBeck.jpg</image:loc>
      <image:title>Read - Scan the World</image:title>
      <image:caption>Image 2 | Digital visualization of The Chiaramonti Niobid produced from 3D scan at made at the Statens Museum for Kunst, Denmark, 2019. Image courtesy of Scan the World</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/disperse-editorial</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589935824404-ET0UYIKMYEGP69D102J3/Image1_Editorial+intro.jpg</image:loc>
      <image:title>Read - Volume 40.4 Disperse</image:title>
      <image:caption>Image 1 | British container created for parachuting a carrier pigeon during military operations, 20th century. Photograph by Emilie Cambier, © RMN-Grand Palais / Art Resource, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1589935871420-AQBEFOATUQO2MY4AASF0/Image2_Editorial+intro.jpg</image:loc>
      <image:title>Read - Volume 40.4 Disperse</image:title>
      <image:caption>Image 2 | Adolphe Haas and his employer, Abbott Johnston, of MacDougall Settlement in the Province of New Brunswick, operate a tractor-drawn combination fertiliser and grass seed drill on Mr. Johnston’s 325-acre farm. Haas was one of a group of twenty young Belgian farmers who spent nine months in Canada to gain experience in Canadian farming methods, 1930–1960. Image courtesy of Department of Manpower and Immigration (Canada) / Library and Archives Canada</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/translating-the-city</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588867494409-XO3BVCDIMANK5Y9IZKBT/Image+2_Altman+Interview.jpg</image:loc>
      <image:title>Read - Translating the City</image:title>
      <image:caption>Image 2 | Dana Claxton’s A Forest of Canoes on the opening of Cite: a celebration of skateboard arts and culture, July 01, 2018. Photograph by Denise Militzer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588867414674-92A1R9FJAJ7BTG93TZLB/Image+1_Altman+Interview.jpg</image:loc>
      <image:title>Read - Translating the City</image:title>
      <image:caption>Image 1 | Enjoying the spashpad, September 15, 2018. Photograph by Nic Lehoux</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588867667437-YDYW0H18IFEYS06GK2ZF/Image+4_Altman+Interview.jpg</image:loc>
      <image:title>Read - Translating the City</image:title>
      <image:caption>Image 4 | Skating on The Bentway Skate Trail, February 1, 2018. Photograph by Denise Militzer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588867551616-BG8LLATWT6WDIE383KWK/Image+3_Altman+Interview.JPG</image:loc>
      <image:title>Read - Translating the City</image:title>
      <image:caption>Image 3 | Daan Roosegaarde’s Waterlicht installation at The Bentway, October 13, 2018. Photograph by Nicola Betts</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/videogame-urbanism</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588865775232-F8H2L8D497MM50VP5E4F/03_Greatest+Grids.jpg</image:loc>
      <image:title>Read - Videogame Urbanism</image:title>
      <image:caption>Image 3 | Greatest Grids, 2018. Digital screenshot drawing from game. Mingpei Liu, Yingying Zhu, Yu Zhu, Bartlett School of Architecture, UCL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588865531641-KIQR3A12RH8T36B4088T/01_Beyond+the+Bubble.jpg</image:loc>
      <image:title>Read - Videogame Urbanism</image:title>
      <image:caption>Image 1 | Beyond ‘The Bubble,’ 2017. Digital screenshot drawing from game. Yingying Zhu, Bartlett School of Architecture, UCL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588865807190-GL1YQIKWWEHO2C6VLUHN/04_Playing+the+Picturesque+-+an+exhibition+by+You+%2B+Pea+%28c%29+Tristan+Fewings%2C+Getty+Images+for+RIBA.jpg</image:loc>
      <image:title>Read - Videogame Urbanism</image:title>
      <image:caption>Image 4 | Playing the Picturesque, 2019. Photograph of installation at RIBA, You+Pea. Photograph (c) Tristan Fewings, Getty Images for RIBA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588865695114-MKLLBK5SK13IGK7U3NQZ/02_Playable+Planning+Notice.jpg</image:loc>
      <image:title>Read - Videogame Urbanism</image:title>
      <image:caption>Image 2 | The Playable Planning Notice, 2017. Digital screenshot drawing from game. Zhibei Li, Shenghan Wu, Meiwen Zhang, Bartlett School of Architecture, UCL</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/gnomo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588866634296-3GEXSSFJD3YEJ42QSGCY/JonEnns.jpg</image:loc>
      <image:title>Read - Gnomo</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588866681321-XLCGFLEF08E5PG20BKTV/JonEnns2.jpg</image:loc>
      <image:title>Read - Gnomo</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588866650697-DU1RIACGE8OWVYM2OE2T/JonEnns3.jpg</image:loc>
      <image:title>Read - Gnomo</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588866667149-2K0JSLLRD12UWXT3OLZT/JonEnns4.jpg</image:loc>
      <image:title>Read - Gnomo</image:title>
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      <image:title>Read - Gnomo</image:title>
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      <image:title>Read - Gnomo</image:title>
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      <image:title>Read - Gnomo</image:title>
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      <image:title>Read - Gnomo</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/device-for-summoning-rainbows</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588864039973-XKV9U94HY3MBN97PQ6L2/07+Watching+rainbows+-+the+author+observing+Device+for+Summoning+Rainbows%2C+photo+by+Wayne+Garrett.jpg</image:loc>
      <image:title>Read - Device for Summoning Rainbows</image:title>
      <image:caption>Image 7 | Watching rainbows—the author observing the device. Photograph by Wayne Garrett</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588863831628-HTVCQ800EV5DJOTREVV4/04+Marking+the+Drawings%2C+photo+by+Caitlind+Brown.jpg</image:loc>
      <image:title>Read - Device for Summoning Rainbows</image:title>
      <image:caption>Image 4 | Marking the drawings. Photograph by Caitlind Brown</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588863895754-XQ5CIJPFKP16YRIWZ07H/05+A+prototype+for+a+prototype%2C+pre-device%2C+photo+by+Caitlind+Brown.jpg</image:loc>
      <image:title>Read - Device for Summoning Rainbows</image:title>
      <image:caption>Image 5 | A prototype for a prototype, pre-device. Photograph by Caitlind Brown</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588863656967-7YZU8WPJROMWUF9B9COK/01+Prism+Tests%2C+photo+by+Caitlind+Brown.jpg</image:loc>
      <image:title>Read - Device for Summoning Rainbows</image:title>
      <image:caption>Image 1 | Prism tests. Photograph by Caitlind Brown</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588863769850-COMMUXFN18R3NU8BHZYR/03+Testing+an+early+prototype+for+Device+for+Summoning+Rainbows%2C+photo+by+Caitlind+Brown.jpg</image:loc>
      <image:title>Read - Device for Summoning Rainbows</image:title>
      <image:caption>Image 3 | Testing an early prototype for Device for Summoning Rainbows. Photograph by Caitlind Brown</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588863715773-KTJV3V3HHF003IHPQOYN/02+Early+rainbow+experiments%2C+photo+by+Caitlind+Brown.jpg</image:loc>
      <image:title>Read - Device for Summoning Rainbows</image:title>
      <image:caption>Image 2 | Early rainbow experiments. Photograph by Caitlind Brown</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588863986024-DS4ZJXRDNUWV1V5TQPJ7/06+Device+for+Summoning+Rainbows%2C+installed+at+Glow+Festival+in+Calgary+%28February+2019%29%2C+photo+by+Caitlind+Brown.jpg</image:loc>
      <image:title>Read - Device for Summoning Rainbows</image:title>
      <image:caption>Image 6 | Device for Summoning Rainbows installed at Glow Festival in Calgary, February 2019. Photograph by Caitlind Brown</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/translate-editorial</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588862537263-V6DI5RI3O28MASWE4I5D/Img1_Enigma_%28crittografia%29_-_Museo_scienza_e_tecnologia_Milano.jpg</image:loc>
      <image:title>Read - Volume 40.3 Translate</image:title>
      <image:caption>Image 1 | The Enigma machine. Photograph courtesy of Museo Nazionale della Scienza e della Tecnologia Leonardo da Vinci, Milan, Italy (caption by Aisling O’Carroll)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1588862733364-M1ZRLBN8A08C0FEULIIP/Img2_e011166480-v8.jpg</image:loc>
      <image:title>Read - Volume 40.3 Translate</image:title>
      <image:caption>Image 2 | Monument marking a survey point at Palliser Pass, British Columbia, 1916. Photograph courtesy of Government of Canada, Library and Archives Collection (caption by Aisling O’Carroll)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/codedcolours</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1587151613931-NZFIFL4FZIMXTES9KU6P/The+Site+Magazine+Volume+40.2+Collect+Elaine+Ayers+Coded+Colours</image:loc>
      <image:title>Read - Coded Colours</image:title>
      <image:caption>Image 6/ “Chromatometer,” James Sowerby, A New Elucidation of Colours, Original, Prismatic, and Material.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1587151310827-6WK32V1LBWAHMS3DMFY6/The+Site+Magazine+Volume+40.2+Collect+Coded+Colours+Elaine+Ayers</image:loc>
      <image:title>Read - Coded Colours</image:title>
      <image:caption>Image 3/ “Crimson, 8,” Mary Gartside, An Essay on a New Theory of Colours</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1587151019503-7BFBM0TTT8V83ZJL3BPZ/The+Site+Magazine+Volume+40.2+Collect+Coded+Colours+Elaine+Ayers</image:loc>
      <image:title>Read - Coded Colours</image:title>
      <image:caption>Image 1 | Maxillaria skinneri, del. George Ure Skinner, in George Ure Skinner to William Jackson Hooker, 26 October 1840 [Guatemala]. Royal Botanic Gardens, Kew, Library &amp; Archives. Directors’ Correspondence vol. 68, f. 134b</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1587151409600-C0T12FM63CHTZSFQUYDY/The+Site+Magazine+Volume+40.2+Collect+Coded+Colours+Elaine+Ayers</image:loc>
      <image:title>Read - Coded Colours</image:title>
      <image:caption>Image 4/ Tab. 5, James Sowerby, A New Elucidation of Colours, Original, Prismatic, and Material</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1587151550625-EGE9T3WYMCQLHI9TFCUW/The+Site+Magazine+Volume+40.2+Collect+Coded+Colours+Elaine+Ayers</image:loc>
      <image:title>Read - Coded Colours</image:title>
      <image:caption>Image 5/ Tab. 6, James Sowerby, A New Elucidation of Colours, Original, Prismatic, and Material.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/archiveofaffinities</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1587148265743-LV36Q94G9E9VOZQLIMYC/The+Site+Magazine+Volume+40.2+Collect+Archive+of+Affinities+Andrew+Kovacs</image:loc>
      <image:title>Read - Archive of Affinities</image:title>
      <image:caption>Image 1 | Office Kovacs, Archive of Affinities, Architectural Multiverse, installed at the Graham Foundation for Advanced Studies in the Fine Arts, Chicago, Illinois, 2015. Photograph by Andrew Kovacs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1587148532805-9VRMMTKIWOJ94SHCUXG9/The+Site+Magazine+Volume+40.2+Collect+Archive+of+Affinities+Andrew+Kovacs</image:loc>
      <image:title>Read - Archive of Affinities</image:title>
      <image:caption>Image 3 | Floor Plans, 2012. Images courtesy of Office Kovacs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1587148429171-LCCKIV7S05JNCLTMIF2S/The+Site+Magazine+Volume+40.2+Collect+Archive+of+Affinities+Andrew+Kovacs</image:loc>
      <image:title>Read - Archive of Affinities</image:title>
      <image:caption>Image 2 | Proposals for Generic Buildings, 2015. Images courtesy of Office Kovacs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1587148969547-LD1S3ZKA7L7B6YKLKC4Z/The+Site+Magazine+Volume+40.2+Collect+Archive+of+Affinities+Andrew+Kovacs</image:loc>
      <image:title>Read - Archive of Affinities</image:title>
      <image:caption>Image 5 | Office Kovacs, OK Valise, Proposal for Collective Living III, Milan, Italy, 2019. Photographs courtesy of Office Kovacs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1587149760628-2T3NVXN7YIYA3MK31DZL/The+Site+Magazine+Volume+40.2+Collect+Archive+of+Affinities+Andrew+Kovacs</image:loc>
      <image:title>Read - Archive of Affinities</image:title>
      <image:caption>Image 6 | Office Kovacs, Colossal Cacti, Coachella Valley Music and Arts Festival, Indio, California, 2019. Photographs by Phil Donohue</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1587148745637-SSNH5GVW4978FLJ4GPYK/The+Site+Magazine+Volume+40.2+Collect+Archive+of+Affinities+Andrew+Kovacs</image:loc>
      <image:title>Read - Archive of Affinities</image:title>
      <image:caption>Image 4 | Office Kovacs, Proposal for Downtown Alleys, Los Angeles, California, 2017. Images courtesy of Office Kovacs</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/productivedevices</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1587146760780-MTXTPN2GXUEJ419PJWUE/The+Site+Magazine+Volume+40.2+Collect+Productive+Devices+Smout+Allen+Geoff+Manaugh</image:loc>
      <image:title>Read - Productive Devices</image:title>
      <image:caption>Image 3 / Observations of the Ballistic Instruments were read to inform strategies for architectural concealment and revelation. Their performance is interpreted in backlit “paintings” where a balance of projected and reflected light and subtle gradients of colour are revealed within the black silhouette. Ballistic Instrument painting. Photograph courtesy of Smout Allen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1587147519316-U6ZQQC4XEVWK10QIYCH4/The+Site+Magazine+Volume+40.2+Collect+Productive+Devices+Smout+Allen+Geoff+Manaugh</image:loc>
      <image:title>Read - Productive Devices</image:title>
      <image:caption>Image 5 / Surface Tension is a large interactive installation that simulates the undulations, waves, droughts, and surges of the planet’s hydrological cycle. Surface Tension, Landscape Futures exhibition, Nevada Museum of Art, Reno, Nevada, 2011. Photograph courtesy of Smout Allen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1587147444140-VRZG7P1RXE1H8Y827EB8/The+Site+Magazine+Volume+40.2+Collect+Productive+Devices+Smout+Allen+Geoff+Manaugh</image:loc>
      <image:title>Read - Productive Devices</image:title>
      <image:caption>Image 4 / The Drip, Envirographic Instrument with Hinkley Point, 2010. Photograph courtesy of Smout Allen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1587147146608-3HO9V9XUCHZZX7SAKZ8B/The+Site+Magazine+Volume+40.2+Collect+Productive+Devices+Smout+Allen+Geoff+Manaugh</image:loc>
      <image:title>Read - Productive Devices</image:title>
      <image:caption>Image 1 / L.A.T.B.D. “Drift City” (foreground) and “Slow Fountains” (background), installation at Doheny Memorial Library, University of Southern California, 2015. Photograph courtesy of Smout Allen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1587146536602-D6RYPBVQ6MH73QXHQS9Q/The+Site+Magazine+Volume+40.2+Collect+Productive+Devices+Smout+Allen+Geoff+Manaugh</image:loc>
      <image:title>Read - Productive Devices</image:title>
      <image:caption>Image 2 / L.A.T.B.D. “Earth Observatory,” installation at Doheny Memorial Library, University of Southern California, 2015. Drawing by Smout Allen</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/smalladjustments</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1587145571158-PCWU91QMT0T52WPBMGTM/The+Site+Magazine+Volume+40.2+Collect+Small+Adjustments+Sandra+Smirle</image:loc>
      <image:title>Read - Small Adjustments</image:title>
      <image:caption>Field Notes and Test Flights, 2014. Photographs by Sandra Smirle</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1587145502528-NVQ48AGMGOC0HP8M1WMY/The+Site+Magazine+Volume+40.2+Collect+Small+Adjustments+Sandra+Smirle</image:loc>
      <image:title>Read - Small Adjustments</image:title>
      <image:caption>Field Notes and Test Flights, 2014. Photographs by Sandra Smirle</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/collect-editorial</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1587144340984-9NQ9Y8PL7L6J8C90H17B/The+Site+Magazine+Volume+40.X+Collect+Editorial+Introduction</image:loc>
      <image:title>Read - Volume 40.2 Collect</image:title>
      <image:caption>Image 1 | Specially crafted Wardian cases were used to send plant samples from the Buitenzorg Botanical Gardens, West-Java, back to the Netherlands, 1913. Courtesy of the Nationaal Museum van Wereldculturen, TM-10010760</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1587144499529-MRIBLDJKS7GPARWD36TL/The+Site+Magazine+Volume+40.2+Collect</image:loc>
      <image:title>Read - Volume 40.2 Collect</image:title>
      <image:caption>Image 2 | Camera modified to disguise in a buttonhole for surveillance use by the Stasi in the German Democratic Republic. Courtesy of the Stasimuseum Berlin, photograph by John Steer</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/listen-to-the-sky</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1585843824672-D8QM1FT0507TIIAQ1L7Q/Copy-of-Image-5_Tapper.jpg</image:loc>
      <image:title>Read - How to Listen to the Sky</image:title>
      <image:caption>All images courtesy of the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1585843666155-VI0UINN0LSNDANNG9Z76/Copy-of-Image-3_Trapper.jpg</image:loc>
      <image:title>Read - How to Listen to the Sky</image:title>
      <image:caption>All images courtesy of the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/distance-of-the-tactile</loc>
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    <priority>0.5</priority>
    <lastmod>2020-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1585842376642-ZB3LG3JPMBI00G9RS1YC/Copy+of+TheDistanceoftheTactile_IMAGES+spreads_Page_7.jpg</image:loc>
      <image:title>Read - The Distance of the Tactile</image:title>
      <image:caption>All images courtesy of the author.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1585842172292-20H839JL5YHIJNS9XK5J/Copy+of+TheDistanceoftheTactile_IMAGES+spreads_Page_2.jpg</image:loc>
      <image:title>Read - The Distance of the Tactile</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1585842136020-3EHIF8SF35L46M65245R/Copy+of+TheDistanceoftheTactile_IMAGES+spreads_Page_1.jpg</image:loc>
      <image:title>Read - The Distance of the Tactile</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1585842339942-D6I4254NYSJA7CVQ5JGV/Copy+of+TheDistanceoftheTactile_IMAGES+spreads_Page_6.jpg</image:loc>
      <image:title>Read - The Distance of the Tactile</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1585842263046-P374DKUKH6XW0KVT95TO/Copy+of+TheDistanceoftheTactile_IMAGES+spreads_Page_5.jpg</image:loc>
      <image:title>Read - The Distance of the Tactile</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1585842222597-ITO3ZCW9W8RUYHHND0YF/Copy+of+TheDistanceoftheTactile_IMAGES+spreads_Page_4.jpg</image:loc>
      <image:title>Read - The Distance of the Tactile</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1585842197064-ZFDCJGTDLZQR3GKFOPFD/Copy+of+TheDistanceoftheTactile_IMAGES+spreads_Page_3.jpg</image:loc>
      <image:title>Read - The Distance of the Tactile</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/the-blindspot</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1585840403817-X9OTZ4NFQN138Y68V1DI/Copy+of+site+image+4+%281%29.jpg</image:loc>
      <image:title>Read - The Blindspot</image:title>
      <image:caption>Stills from Blindspot Variation VI, created using the Blindspot Machine. Reclaimed activist space near the Ballaro Street Market in Palermo, Italy, 2017 All images courtesy of the author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1585839822799-QJEB4Z7GSVK51OEXX1BD/Copy+of+site+image+1.jpg</image:loc>
      <image:title>Read - The Blindspot</image:title>
      <image:caption>Stills from Blindspot Variation VI, created using the Blindspot Machine. Reclaimed activist space near the Ballaro Street Market in Palermo, Italy, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1585840347691-IE79NXNZDTE8PNHEQ58I/Copy+of+site+image+3.jpg</image:loc>
      <image:title>Read - The Blindspot</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1585840162045-QF464GAUEK1RQWEW1TJ9/Copy+of+site+image+2.jpg</image:loc>
      <image:title>Read - The Blindspot</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/the-centre-cannot-hold</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1585840723242-OAMBNJE7W3IK4BMXFZTB/Copy+of+3-dishes-IMG_1560.jpg</image:loc>
      <image:title>Read - The Centre Cannot Hold</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1585841391066-3KP1YZCHYYFFYYV0W1FF/Copy-of-IMG_1633_.jpg</image:loc>
      <image:title>Read - The Centre Cannot Hold</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1585841352124-ERPHTQJM7UNLQ6AP6TFK/Copy-of-IMG_1619-Back-Wall-crop-CC.jpg</image:loc>
      <image:title>Read - The Centre Cannot Hold</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1585840977869-MV04JTQIE070NVS98YGV/Copy+of+Bunker-B-IMG_1792.jpg</image:loc>
      <image:title>Read - The Centre Cannot Hold</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/perceive-editorial</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1585836652552-NYOFZHFIMD03ZW1LIRWU/Claude+Glass</image:loc>
      <image:title>Read - Volume 40.1 Perceive</image:title>
      <image:caption>Image 1 | Claude Lorrain mirror in shark skin case, believed at one time to be John Dee’s scrying mirror. Front three-quarter view. Case open. Graduated grey background. Science Museum, London, CC BY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1585839027470-M5R3I7JAW5AT0YT768EI/Copy-of-big_ears_on_head.jpg</image:loc>
      <image:title>Read - Volume 40.1 Perceive</image:title>
      <image:caption>Image 2 | A scaled-down version of parabolic reflectors developed as a personal listening device by the Luchtwachtdienst (Dutch Air Watch Service) for military use in tracking and locating incoming aircraft, 1930–35. Photograph courtesy of Museum Waalsdorp, TNO</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/around-a-day</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566325093091-C0UQGILSGKLL6UGEBPU6/LowRes+1_Wake+up+phase_Final_RGB.jpg</image:loc>
      <image:title>Read - Around a Day</image:title>
      <image:caption>Wake-up phase, Around a Day, 2018. Photograph by Tereza Červeňov in collaboration with Delfina Fantini van Ditmar (SMART biologist model) and Helga Schmid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566325241615-XF74VXU0TAAPB642Y4A6/LowRes+2_Concentration+phase_Final_RGB.jpg</image:loc>
      <image:title>Read - Around a Day</image:title>
      <image:caption>Cognitive performance phase, Around a Day, 2018. Photograph by Tereza Červeňov in collaboration with Delfina Fantini van Ditmar (SMART biologist model) and Helga Schmid</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566325296010-FLCKN7OXP0UXTB0MMTYY/LowRes+4_Physical+phase_Final_RGB.jpg</image:loc>
      <image:title>Read - Around a Day</image:title>
      <image:caption>Physical performance phase, Around a Day, 2018. Photograph by Tereza Červeňov in collaboration with Delfina Fantini van Ditmar (SMART biologist model) and Helga Schmid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566325273156-H296LI30RBE9ASQB3IIG/LowRes+3_Nap+Fase_Final_RGB.jpg</image:loc>
      <image:title>Read - Around a Day</image:title>
      <image:caption>Nap phase, Around a Day, 2018. Photograph by Tereza Červeňov in collaboration with Delfina Fantini van Ditmar (SMART biologist model) and Helga Schmid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566325406445-NI9CWD5MZ1NZ116K9E0L/LowRes+7_Sleep_Final_RGB.jpg</image:loc>
      <image:title>Read - Around a Day</image:title>
      <image:caption>Sleep phase, Around a Day, 2018. Photograph by Tereza Červeňov in collaboration with Delfina Fantini van Ditmar (SMART biologist model) and Helga Schmid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566325325442-8EST74Q8Y60IZ6N8G2W3/LowRes+5_Intuative+Fase_Final_RGB.jpg</image:loc>
      <image:title>Read - Around a Day</image:title>
      <image:caption>Intuitive phase, Around a Day, 2018. Photograph by Tereza Červeňov in collaboration with Delfina Fantini van Ditmar (SMART biologist model) and Helga Schmid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566325367559-SPXAVB3FBEWD0UFZS6ER/image-asset.jpeg</image:loc>
      <image:title>Read - Around a Day</image:title>
      <image:caption>Sleepiness phase, Around a Day, 2018. Photograph by Tereza Červeňov in collaboration with Delfina Fantini van Ditmar (SMART biologist model) and Helga Schmid.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/the-grid</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566927641186-TSZ2XMXGSNNZPREW51EN/Sylvia_Nicole_Image+2_Concessions+of+Geometric+Purity.jpg</image:loc>
      <image:title>Read - The Grid</image:title>
      <image:caption>Concessions of Geometric Purity, 2019. Map data: Google</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566927501216-PMCGU0GKUB3MRGKWEQPE/Sylvia_Nicole_Image+1_Logics+of+the+Jefferson+Grid.jpg</image:loc>
      <image:title>Read - The Grid</image:title>
      <image:caption>IMage 1 / Logics of the Jefferson Grid, 2016. Drawn by the Author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566928361458-R0JX1H9R80BO8JNKUTAV/Sylvia_Nicole_Image+3_Continuity+and+Limits.jpg</image:loc>
      <image:title>Read - The Grid</image:title>
      <image:caption>Continuity and Limits, 2018. Map data: Google</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/noah</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566322531806-P74OFASFX8FQA479BA2I/image-asset.jpeg</image:loc>
      <image:title>Read - Noah</image:title>
      <image:caption>Noah and the rain. Photograph by Daniel Irvine and Chad Manley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566322588452-AA4HJU25U1B3D4JHPV0R/Image+5.jpg</image:loc>
      <image:title>Read - Noah</image:title>
      <image:caption>Noah and the salmon. Photograph by Daniel Irvine and Chad Manley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566322494493-ZHTXCE1L0KV12OEQ8Q1D/Image+2.jpg</image:loc>
      <image:title>Read - Noah</image:title>
      <image:caption>Noah and the owl. Photograph by Daniel Irvine and Chad Manley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566322562856-16IC4Q6UOJSF1SN5NZAY/Image+4.jpg</image:loc>
      <image:title>Read - Noah</image:title>
      <image:caption>Noah and the earthquake. Photograph by Daniel Irvine and Chad Manley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566322453909-RYMJ71GQ0JD8L6TQ9J3Q/Image+1.jpg</image:loc>
      <image:title>Read - Noah</image:title>
      <image:caption>Noah and the elk. Photograph by Daniel Irvine and Chad Manley</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/the-stone-archive</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566313569508-Q6FEKFC5A5OIKDS92TUF/sandstone1.jpg</image:loc>
      <image:title>Read - The Stone Archive</image:title>
      <image:caption>Still from The Sandstone + The Sound of Stones, video, 2018, by Kelly Jaclynn Andres</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566313237198-5RVNUJS5BAHPIIBOYGCG/IMAGE+1.jpg</image:loc>
      <image:title>Read - The Stone Archive</image:title>
      <image:caption>Calgary Fire Insurance Map, October 1911. Photographer unknown. Courtesy of Library and Archives Canada</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566313352275-DE68N3IHHWL3YVG62UHN/IMAGE+2.jpg</image:loc>
      <image:title>Read - The Stone Archive</image:title>
      <image:caption>Future site of Hudson’s Bay Company Store, Calgary, Alberta, 1904. Courtesy of Glenbow Archives NA-1042-1</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566313390449-LIDLZI75AL1LG77MGHI4/Image+3.JPG</image:loc>
      <image:title>Read - The Stone Archive</image:title>
      <image:caption>Jennifer Ireland, 6 . 26 . 25 . 2 . W. 5th, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566313472583-H8IDPGWWD9WSBV1B00ZL/IMAGE+4.jpg</image:loc>
      <image:title>Read - The Stone Archive</image:title>
      <image:caption>Macleod Quarrying and Contracting Company, northwest of Monarch, Alberta, 1912. Courtesy of Glenbow Archives NA-3267-53</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/performing-spatial-justice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566327524066-8RW2BHWDGHC9QV65EZRA/Image+3_Body-Scale+Interventions.jpg</image:loc>
      <image:title>Read - Performing Spatial Justice</image:title>
      <image:caption>Body Scale Interventions: Cloaked in Transparency, 2016. Drawing by Cara Michell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566327303145-UC3QHJW7I8E06LXL2ZWF/Image+7_Transparent+Pockets_Photo+by+Nathan+Tyrell.jpg</image:loc>
      <image:title>Read - Performing Spatial Justice</image:title>
      <image:caption>Transparent Pockets, 2017 by Cara Michell. Photo by Nathan Tyrell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566327575267-5S9AKSVSIC5RIOD0F8ND/Image+4_ID+foldout+%28left%29.jpg</image:loc>
      <image:title>Read - Performing Spatial Justice</image:title>
      <image:caption>ID Foldout, 2016 by Cara Michell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566327359291-ZVE68YV0H4Q37M6WIIMR/Image+8_Ballet.jpg</image:loc>
      <image:title>Read - Performing Spatial Justice</image:title>
      <image:caption>Ballet, 2013. Image by Cara Michell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566327408437-BF2EM0IERPZLKAAK8RCJ/Image+2_Alex%2BSoundsuit+-+PERMISSIONS+not+obtained+yet.jpg</image:loc>
      <image:title>Read - Performing Spatial Justice</image:title>
      <image:caption>(left) Alex as Skater, 2018. Self Portrait by Alex Michell; (right) Nick Cave, Soundsuit, 2015 mixed media including wire, bugle beads, buttons, fabric, metal and mannequin © Nick Cave. Courtesy of the artist and Jack Shainman Gallery, New York.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566327727581-XWF1HP2WB6WIOABWHMJY/Image+5_Transparent+Pockets+%28right%29.jpg</image:loc>
      <image:title>Read - Performing Spatial Justice</image:title>
      <image:caption>Transparent Pockets, 2016 by Cara Michell. Photo by Lindsay Woodson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566327701938-BDD0UG247I1ZPXKZMLMX/Image+5_Transparent+Pockets+%28left%29.png</image:loc>
      <image:title>Read - Performing Spatial Justice</image:title>
      <image:caption>Transparent Pockets, 2016 by Cara Michell. Photo by Intelligent Mischief</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566327935107-KAWDQ4XKM0VXFRPPUR9C/Image+6_Stickers.JPG</image:loc>
      <image:title>Read - Performing Spatial Justice</image:title>
      <image:caption>‘Proof of Purchase’ Stickers, 2016 by Cara Michell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566327824681-OJ8L23ZX8926VZP1XHO0/Image+1_ID+Foldout+%28right%29.jpg</image:loc>
      <image:title>Read - Performing Spatial Justice</image:title>
      <image:caption>ID Foldout, 2016 by Cara Michell. Photo by Nathan Tyrell.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/delineations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566319123980-0EEIGXTX7XMYTXRGWWVN/Image+2_MG_20160603_161003229_HDR.jpg</image:loc>
      <image:title>Read - Delineations</image:title>
      <image:caption>Peter von Tiesenhausen, Lifeline, 1990–ongoing. One 8 foot section built per year until the end of the artist's life, allowed to deteriorate. Artist’s property in Demmit, Alberta, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566319239448-6SZQZ3RECD7B7UUUKRTA/Image+4_scan-140.jpg</image:loc>
      <image:title>Read - Delineations</image:title>
      <image:caption>Peter von Tiesenhausen, Ship (background). Woven willow, 110' x 20' x 16'. Vessel (foreground). Woven willow, 18' x 3' x 6'. Artist’s property in Demmit, Alberta, 1994. Photograph by Peter von Tiesenhausen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566319185959-CZWJ15YON8GR03O9G7CY/image-asset.jpeg</image:loc>
      <image:title>Read - Delineations</image:title>
      <image:caption>Demmitt Community Centre. Timber frame, straw bale sustainable hall. Demmit, Alberta, 2014. Photograph by Peter von Tiesenhausen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566319307818-T04D3H4EJLZ3QVXG1HH2/Image+3_scan-020.jpg</image:loc>
      <image:title>Read - Delineations</image:title>
      <image:caption>Peter von Tiesenhausen, Ship (background). Woven willow, 110' x 20' x 16'. Vessel (foreground). Woven willow, 18' x 3' x 6'. Artist’s property in Demmit, Alberta, 1993. Photograph by Randy Adams</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/moving-against-the-grid</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566318390311-2V7R3A0BVDXRBS7GKTZS/Image+2.jpg</image:loc>
      <image:title>Read - Moving Against the Grid</image:title>
      <image:caption>Laying of Hands, Johannesburg-Soweto Line, 1986. Photograph by Santu Mofokeng, ©Santu Mofokeng Foundation. Images courtesy Lunetta Bartz, MAKER, Johannesburg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566318433717-1XV01G1WA6KXSI5PIRGG/Image+4.jpg</image:loc>
      <image:title>Read - Moving Against the Grid</image:title>
      <image:caption>Exhortations, Johannesburg–Soweto Line, 1986. Photograph by Santu Mofokeng, ©Santu Mofokeng Foundation. Images courtesy Lunetta Bartz, MAKER, Johannesburg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566318328540-QNF99IZK8PMX61DVRQDB/Image+1.jpg</image:loc>
      <image:title>Read - Moving Against the Grid</image:title>
      <image:caption>The Book, Johannesburg–Soweto Line, 1986. Photograph by Santu Mofokeng, ©Santu Mofokeng Foundation. Images courtesy Lunetta Bartz, MAKER, Johannesburg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566318479258-2IB1XOJXYYU1SO2R3FBX/Image+3.jpg</image:loc>
      <image:title>Read - Moving Against the Grid</image:title>
      <image:caption>Leading in Song, Johannesburg–Soweto Line, 1986. Photograph by Santu Mofokeng, ©Santu Mofokeng Foundation. Images courtesy Lunetta Bartz, MAKER, Johannesburg.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/of-gifts-and-gleans</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566317033791-NJJG8OBGK4BS5SZOK40P/DrinkingWater-06.jpg</image:loc>
      <image:title>Read - Of Gifts and Gleans</image:title>
      <image:caption>Lisa Hirmer, Water Infrastructure (research image for Drinking Water), 2016. Photograph by Lisa Hirmer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566316858221-RD8EPI8QNR519S0RWRLW/DrinkingWater-04.jpg</image:loc>
      <image:title>Read - Of Gifts and Gleans</image:title>
      <image:caption>Lisa Hirmer, Drinking Water (documentation from Drinking Water, Saskatoon in collaboration with Sete Tele), 2016. Photograph by Lisa Hirmer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566316802289-SO1SGGC3ES0L74P06LUB/DrinkingWater-03.jpg</image:loc>
      <image:title>Read - Of Gifts and Gleans</image:title>
      <image:caption>Lisa Hirmer, Water Gleaners (documentation from Drinking Water in collaboration with Sete Tele), 2018. Photograph by Lisa Hirmer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566316636173-X665LA1IG9IWXKIETE39/DrinkingWater-01.jpg</image:loc>
      <image:title>Read - Of Gifts and Gleans</image:title>
      <image:caption>Lisa Hirmer, Water Gleaners (documentation from Drinking Water in collaboration with Sete Tele), 2018. Photograph by Lisa Hirmer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566316914032-GP3TO3E5FSYMSEX3L6B0/DrinkingWater-05.jpg</image:loc>
      <image:title>Read - Of Gifts and Gleans</image:title>
      <image:caption>Lisa Hirmer, Water Gleaners (documentation from Drinking Water in collaboration with Sete Tele), 2018. Photograph by Lisa Hirmer</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/decolonizing-devices</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566324292734-T0YPBLFVX6P9LM7U594A/IMG_7167.jpg</image:loc>
      <image:title>Read - Decolonizing Devices</image:title>
      <image:caption>the wind has something to say, 2018. Performance, Mount Edziza, Tahltan Territory. Photography by Ocean Van Mirlo and Katie Creyke</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/eurotopie</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566320934998-CUB1RZM5MALZPQ05KUL6/5.jpg</image:loc>
      <image:title>Read - Eurotopie</image:title>
      <image:caption>The pavilion, Eurotopie, 2018. Photograph by Camille Cooken</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566320915973-1599L25ND60UMAISGOV2/4.jpg</image:loc>
      <image:title>Read - Eurotopie</image:title>
      <image:caption>The pavilion, Eurotopie, 2018. Photograph by Camille Cooken</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566320889388-2IF2UY2TDS0HZ8329ZRB/3.jpg</image:loc>
      <image:title>Read - Eurotopie</image:title>
      <image:caption>The pavilion, Eurotopie, 2018. Photograph by Philippe Braquenier</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566321165705-FF3JST9BZ6NRJGEJNPOY/Capture+d%E2%80%99%C3%A9cran+2019-02-09+%C3%A0+20.32.35.png</image:loc>
      <image:title>Read - Eurotopie</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566321165732-BQ2BR4FGUJIKR1MUO3FI/Capture+d%E2%80%99%C3%A9cran+2019-02-09+%C3%A0+20.33.05.png</image:loc>
      <image:title>Read - Eurotopie</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566321169421-8853Y35YN6PK0552WKWR/Capture+d%E2%80%99%C3%A9cran+2019-02-09+%C3%A0+20.33.15.png</image:loc>
      <image:title>Read - Eurotopie</image:title>
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      <image:caption>The pavilion, Eurotopie, 2018. Photograph by Philippe Braquenier</image:caption>
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      <image:caption>Voyage en Eurotopie, 2018. Photograph by Philippe Braquenier</image:caption>
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      <image:caption>The pavilion, Eurotopie, 2018. Photograph by Camille Cooken</image:caption>
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  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/readykea</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
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      <image:caption>READYKEA. Drawing by Antonio Scarponi</image:caption>
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      <image:caption>READYKEA. Drawing by Antonio Scarponi</image:caption>
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      <image:caption>READYKEA. Drawing by Antonio Scarponi</image:caption>
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      <image:caption>READYKEA. Drawing by Antonio Scarponi</image:caption>
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      <image:caption>READYKEA. Drawing by Antonio Scarponi</image:caption>
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  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/front-door-citizens</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566311672061-ZU2LPB67UVYP98Q050KB/image+1.jpg</image:loc>
      <image:title>Read - Front-door Citizens</image:title>
      <image:caption>Cover of Building Standards for the Handicapped, 1965</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566312112989-KO1AIC0PZQFFTWKMBALT/image+2.jpg</image:loc>
      <image:title>Read - Front-door Citizens</image:title>
      <image:caption>Paul Arthur’s wayfinding signage at Expo 67 includes the handicapped symbol seen on the top left. Photographs by John de Visser, Harold Whyte, Peter Varley in This was Expo by Robert Fulford (Toronto: McClelland and Stewart), 1968 © Canadian Centre for Architecture</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566312203227-A1B9JEMMK3XZOJ2M81BS/image+3.jpg</image:loc>
      <image:title>Read - Front-door Citizens</image:title>
      <image:caption>Cover of Your Pocket Counsellor for Expo ’67, 1967. Image courtesy of Bruno Paul Stenson,Private Collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/travel-companions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566315824850-0OHQ6XOCSSOBP92O9XQY/DSC_1357_DxO2.JPG</image:loc>
      <image:title>Read - Travel Companions</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566315971807-QFEX0VH6OULC6BV0Q1TE/DSC_0196.JPG</image:loc>
      <image:title>Read - Travel Companions</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566316012316-44SR7OGALQ945ELU7JIZ/image-asset.jpeg</image:loc>
      <image:title>Read - Travel Companions</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566316024524-HK0NBL4E4DKQLPOU1XX9/DSC_0509_DxO2.jpg</image:loc>
      <image:title>Read - Travel Companions</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566315792872-2YK67JXP115HN127G1WT/DSC_1401.JPG</image:loc>
      <image:title>Read - Travel Companions</image:title>
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      <image:title>Read - Travel Companions</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566316001070-NR6GAGSS41JVZELD6D6N/DSC_0704_DxO2.jpg</image:loc>
      <image:title>Read - Travel Companions</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566315922504-SHH87TWEYECQTHNZMRXM/image-asset.jpeg</image:loc>
      <image:title>Read - Travel Companions</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566315809993-BJEFN8I9W26EB82Z4CW2/DSC_0902.JPG</image:loc>
      <image:title>Read - Travel Companions</image:title>
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      <image:title>Read - Travel Companions</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566315908213-1HKVVC6HQEFCP3O5JZP3/DSC_0112_DxO2.jpg</image:loc>
      <image:title>Read - Travel Companions</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566315952760-2GRJ3A0R2Q9II0W44U4L/image-asset.jpeg</image:loc>
      <image:title>Read - Travel Companions</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566315883182-9DKEK213TZUH5XKJSQ1B/DSC_0714_DxO2.jpg</image:loc>
      <image:title>Read - Travel Companions</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566315726743-GXRWLS9EH29XRCQUXODL/DSC_1376_DxO2.jpg</image:loc>
      <image:title>Read - Travel Companions</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/absolutely-safe-completely-unpredictable</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566319725682-UF2QQLN861ABPSI0P42N/Image+1.JPG</image:loc>
      <image:title>Read - “Absolutely Safe, Completely Unpredictable!”</image:title>
      <image:caption>View toward the centre of the atomic garden field at the Institute of Radiation Breeding (IRB) in Hitachiohmiya, Japan, 2016. Photographs by Govinda Rizal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566320012516-ZTRBCACOCIMKDWIU1CDH/Image+6.jpg</image:loc>
      <image:title>Read - “Absolutely Safe, Completely Unpredictable!”</image:title>
      <image:caption>A blight-resistant mutant cultivar of the Japanese pear tree (Pyrus pyrifolia) developed at the IRB. Images from U.S. patent USPP11656P, Plant 11,656, "Japanese pear tree named `Osa Gold`", Nov. 28, 2000</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566320240903-2C5FMK9BEQ57BCQ9AZXH/Image+9.jpg</image:loc>
      <image:title>Read - “Absolutely Safe, Completely Unpredictable!”</image:title>
      <image:caption>Georges Perec’s “story-making machine” for Life: A User’s Manual, drawing by Misha Das</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566319760062-1K8QEWG9KN2JC9AEI2AN/Image+2.JPG</image:loc>
      <image:title>Read - “Absolutely Safe, Completely Unpredictable!”</image:title>
      <image:caption>The radiation source is lowered into the ground using a mechanical gantry to allow safe access to the field, 2016. Photograph by Govinda Rizal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566319796602-OYSDKD3BTF38S1XXTB4Y/Image+3.JPG</image:loc>
      <image:title>Read - “Absolutely Safe, Completely Unpredictable!”</image:title>
      <image:caption>Short-lived plants like grasses are typically placed closest to the radiation source, 2016. Photograph by Govinda Rizal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566319909102-DEPIWJ3PKJ20M17QCY7U/Image+5.jpg</image:loc>
      <image:title>Read - “Absolutely Safe, Completely Unpredictable!”</image:title>
      <image:caption>Section through a typical atomic garden, drawing by Roy Cloutier with photographs of the IRB by Govinda Rizal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566320283692-AEJCTVUD8VNGON60KA44/Image+10.JPG</image:loc>
      <image:title>Read - “Absolutely Safe, Completely Unpredictable!”</image:title>
      <image:caption>The slug of cobalt is shielded in a lead-lined underground chamber while the field is occupied, 2016. Photograph by Govinda Rizal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566320155587-BI9U67R3IBGRZBFB9HGZ/Image+8.jpg</image:loc>
      <image:title>Read - “Absolutely Safe, Completely Unpredictable!”</image:title>
      <image:caption>Aerial image of the Institute of Radiation Breeding in Hitachiohmiya, Japan, 2019. Map data: Google</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566319872320-1AESGALG9GR06THQHZPU/Image+4.jpg</image:loc>
      <image:title>Read - “Absolutely Safe, Completely Unpredictable!”</image:title>
      <image:caption>Typical atomic garden, drawing by Roy Cloutier</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566320050654-LTKWRTI0G189DJO4TK1V/Image+7.jpg</image:loc>
      <image:title>Read - “Absolutely Safe, Completely Unpredictable!”</image:title>
      <image:caption>A blight-resistant mutant cultivar of the Japanese pear tree (Pyrus pyrifolia) developed at the IRB. Images from U.S. patent USPP11656P, Plant 11,656, "Japanese pear tree named `Osa Gold`", Nov. 28, 2000</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/ungenaubot</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566323412231-YRLTPBHR87EZVS0P4MMO/Figure3.JPG</image:loc>
      <image:title>Read - The UngenauBot</image:title>
      <image:caption>Interaction with the yellow rubber glove, 2019. Photograph by Ilmar Hurkxkens and Fabian Bircher</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566323384711-NUWNKRAMCR2V6N6KDO9K/Figure1.jpg</image:loc>
      <image:title>Read - The UngenauBot</image:title>
      <image:caption>The construction of the Ungenaubot, 2018. Photograph by Ilmar Hurkxkens and Fabian Bircher</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566323459385-AYMSSI9T3Z9CIKEINN34/Figure4.jpg</image:loc>
      <image:title>Read - The UngenauBot</image:title>
      <image:caption>The Ungenaubot handling simple tasks in a take away restaurant, 2018. Photograph by Ilmar Hurkxkens and Fabian Bircher</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566323509909-2G19TTH4Y1X67EBNZVVH/Figure5.jpg</image:loc>
      <image:title>Read - The UngenauBot</image:title>
      <image:caption>The Ungenaubot handling simple tasks in a take away restaurant, 2018. Photograph by Ilmar Hurkxkens and Fabian Bircher</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566323364035-XGX8DAABLA4KD3H0PZB0/Figure2-landscape.jpg</image:loc>
      <image:title>Read - The UngenauBot</image:title>
      <image:caption>The Ungenaubot, 2018. Photograph by Ilmar Hurkxkens and Fabian Bircher</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566323536712-XPWCJ7FDH0BA8ZNHVQQ3/Figure6.jpg</image:loc>
      <image:title>Read - The UngenauBot</image:title>
      <image:caption>The Ungenaubot, 2018. Photograph by Ilmar Hurkxkens and Fabian Bircher</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/drones-domestication-democratization</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566314352234-A0EMG2F8Y4J1QLDLM96D/Image+4.jpg</image:loc>
      <image:title>Read - Drones, Domestication, and Democratization</image:title>
      <image:caption>UAV Stills of the Central Green at Hunter’s Point South Waterfront Park. Images by Bill Tatham/SWA and XL Lab</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566314322547-F764440X4Z1PCNJ4ZRHN/Image+3.jpg</image:loc>
      <image:title>Read - Drones, Domestication, and Democratization</image:title>
      <image:caption>Terrain Detail of Antioch Dunes National Wildlife Refuge. Image by Brett Milligan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566314373146-S5280ZF927EJJ1RXJKW1/Image+5.jpg</image:loc>
      <image:title>Read - Drones, Domestication, and Democratization</image:title>
      <image:caption>Machine Learning Heat Map of Hunter’s Point South Waterfront Park. Image by Bill Tatham/SWA and XL Lab</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566314283125-GTO0QOYXMVMCMHZVP6JL/Image+2.jpg</image:loc>
      <image:title>Read - Drones, Domestication, and Democratization</image:title>
      <image:caption>3D Terrain of Antioch Dunes National Wildlife Refuge. Image by Brett Milligan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566314398401-K4CHRR23Z7FI179D8S4D/Image+6.jpg</image:loc>
      <image:title>Read - Drones, Domestication, and Democratization</image:title>
      <image:caption>Mock-up for Visualizing Environmental Data at South Park. Image by Luke Hegeman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1566314254845-HGOW99ZFX8KWOHT7QR1Q/Image+1.jpg</image:loc>
      <image:title>Read - Drones, Domestication, and Democratization</image:title>
      <image:caption>UAV Evolution. Diagram by XL Lab</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/making-unsharp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1561645942603-MHI0QYMIUEYCFYRHFO1W/Zhang_Linda_MakingUnsharp_07.jpg</image:loc>
      <image:title>Read - Making Unsharp?</image:title>
      <image:caption>Inside the camera obscura boxes, the projection of the exterior is infinitely relayed across mirrored surfaces producing both duplication and delay of the moving images, 2018. Photograph by Linda Zhang</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1561645331310-MWTUTGV6DQDO3W37N765/Zhang_Linda_MakingUnsharp_02.jpg</image:loc>
      <image:title>Read - Making Unsharp?</image:title>
      <image:caption>Viewer looks through installation “window” to find the imagine of the exterior projected three times within three infinity boxes, 2018. Photograph by Benjamin Busch</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1561645400177-FOVBRGO041RY5EDW1OND/Zhang_Linda_MakingUnsharp_03.jpg</image:loc>
      <image:title>Read - Making Unsharp?</image:title>
      <image:caption>Outside the camera obscura boxes, the projection of the exterior finds itself on interior surfaces of the gallery space as well as exterior surfaces of the infinity boxes and even the window foil itself, 2018. Photograph by Benjamin Busch</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1561645766093-QK9WMD3ZDXYUHUD6ODU4/Zhang_Linda_MakingUnsharp_04.jpg</image:loc>
      <image:title>Read - Making Unsharp?</image:title>
      <image:caption>Interior of camera obscura box 1, 2018. Photograph by Benjamin Busch</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1561645458646-KEQPCWR0GJDYFD4H5GKM/Zhang_Linda_MakingUnsharp_05.jpg</image:loc>
      <image:title>Read - Making Unsharp?</image:title>
      <image:caption>Interior of camera obscura box 2, 2018. Photograph by Benjamin Busch</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1561645835588-FRKCHIPTVIUYB9Y1C1TK/Zhang_Linda_MakingUnsharp_06.jpg</image:loc>
      <image:title>Read - Making Unsharp?</image:title>
      <image:caption>Interior of camera obscura box 3, 2018. Photograph by Benjamin Busch</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1561645268215-7MQ44SKAUIAMIBJ70GWM/Zhang_Linda_MakingUnsharp_01.jpg</image:loc>
      <image:title>Read - Making Unsharp?</image:title>
      <image:caption>Studio Pararaum’s Making Unsharp? installation viewed from the exterior on Donaustraße at the Institute of Endotic Research in Berlin, 2018. Photograph by Benjamin Busch</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/v40-table-of-contents</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1561659357206-0JMM69CGEP3DZ7SXKT27/2018-06-25-SITE-Devices-Interior.jpg</image:loc>
      <image:title>Read - v.40 Table of Contents</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1561659457922-9NQHA4NVDLEK4T97FPH0/2018-06-16-SITE-Devices-draft-JonSasaki.jpg</image:loc>
      <image:title>Read - v.40 Table of Contents</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1561659395535-HPGZ1CS2R31XMGTXXNAE/2018-06-25-SITE-Devices-Interior6.jpg</image:loc>
      <image:title>Read - v.40 Table of Contents</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/v40-editors-letter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/gradually-fiercely</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549655477273-FPDBWLPEKNUUZU8PC4PT/Zielnicki_Image-07.jpg</image:loc>
      <image:title>Read - Gradually, Fiercely</image:title>
      <image:caption>Variable Conservation Area Vegetation Establishment Detail</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549655543898-EH7VZQSR7XZJ6JOPVYEN/Zielnicki_Image-09.jpg</image:loc>
      <image:title>Read - Gradually, Fiercely</image:title>
      <image:caption>Climactic Control Zone Detail</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549655627349-KOYM76E3IXJWLJ3BP85I/Zielnicki_Image-10.jpg</image:loc>
      <image:title>Read - Gradually, Fiercely</image:title>
      <image:caption>Variable Conservation Area Soil Transport</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549655222157-M2ZUXPIUT802GSH6CLJ0/Zielnicki_Image-01.jpg</image:loc>
      <image:title>Read - Gradually, Fiercely</image:title>
      <image:caption>Corridor Intersections in the SDF Fulfillment Grid.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549655726154-TGYUJABVYF2MI7WXCSKQ/Zielnicki_Image-12.jpg</image:loc>
      <image:title>Read - Gradually, Fiercely</image:title>
      <image:caption>Typical Data Farm Axonometric</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549655369027-DE9BL8R5Y4HOPB183V7Y/Zielnicki_Image-05.jpg</image:loc>
      <image:title>Read - Gradually, Fiercely</image:title>
      <image:caption>Typical Seasonal Corridor Section</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549655260827-5ODQ24666TXBV7E7IRXR/Zielnicki_Image-02.jpg</image:loc>
      <image:title>Read - Gradually, Fiercely</image:title>
      <image:caption>Typical Corridor Section</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549655522574-0CHM07MEPZ7Q5HE104KZ/Zielnicki_Image-08.jpg</image:loc>
      <image:title>Read - Gradually, Fiercely</image:title>
      <image:caption>Typical Corridor Section Detail</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549655295022-35PEPASEJKLYI3GRPHO6/Zielnicki_Image-03.jpg</image:loc>
      <image:title>Read - Gradually, Fiercely</image:title>
      <image:caption>Variable Conservation Area Vegetation Transport</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549655972503-6Y4ACPQL5EHIX5C3HC2V/Zielnicki_Image-18.jpg</image:loc>
      <image:title>Read - Gradually, Fiercely</image:title>
      <image:caption>Typical Orchard Plan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549655328353-36Q8CTS4QQFIZA1O6XM3/Zielnicki_Image-04.jpg</image:loc>
      <image:title>Read - Gradually, Fiercely</image:title>
      <image:caption>Ground-to-Air Corridor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549655784316-GUTUY2L0LYPAE1VA0A23/Zielnicki_Image-13.jpg</image:loc>
      <image:title>Read - Gradually, Fiercely</image:title>
      <image:caption>Data Farm Section</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549655900942-WLC2SMF0F7FKNUV66Z6X/Zielnicki_Image-16.jpg</image:loc>
      <image:title>Read - Gradually, Fiercely</image:title>
      <image:caption>Typical Forest Plan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549655992293-7TI1CHXNOX1HV0AD2QHL/Zielnicki_Image-19.jpg</image:loc>
      <image:title>Read - Gradually, Fiercely</image:title>
      <image:caption>Typical Corridor Plan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549655866196-B95IBQ7JHHY1482DXHFQ/Zielnicki_Image-15.jpg</image:loc>
      <image:title>Read - Gradually, Fiercely</image:title>
      <image:caption>Typical Waterways Detail</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549655926929-2KKYCB9TEF3VI183DNIO/Zielnicki_Image-17.jpg</image:loc>
      <image:title>Read - Gradually, Fiercely</image:title>
      <image:caption>Corridor Plan at Outlier</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549655678666-VXICEV7OF36CHERZ0HD4/Zielnicki_Image-11.jpg</image:loc>
      <image:title>Read - Gradually, Fiercely</image:title>
      <image:caption>Climactic Control Zone Footing Detail</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549655446806-5WUI7301Q75J3OD5N6DI/Zielnicki_Image-06.jpg</image:loc>
      <image:title>Read - Gradually, Fiercely</image:title>
      <image:caption>Typical Corridor Section Detail</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549655827175-X9G9IGUU01012GD8OJN0/Zielnicki_Image-14.jpg</image:loc>
      <image:title>Read - Gradually, Fiercely</image:title>
      <image:caption>Typical Waterways Axonometric</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/paradigms-of-architectural-knowledge</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549304629550-6NJW17UG8X7ZN9OQ87XN/Porter_Zachary_03.jpg</image:loc>
      <image:title>Read - Paradigms of Architectural Knowledge</image:title>
      <image:caption>Advertisement for Hand Book of Hollow Building Tile Construction. Image from Western Architect 29, Vol. 1 (January 1920).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549306112847-9GUV0XS5Y5KKK2PLDTQD/Porter_Zachary_06.jpg</image:loc>
      <image:title>Read - Paradigms of Architectural Knowledge</image:title>
      <image:caption>Weather file of New York City for Energy Simulation (fragment). Source: EnergyPlus Weather Data.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549304462961-RH2M7EUY6TX3RMVQ3QGY/Porter_Zachary_02.jpg</image:loc>
      <image:title>Read - Paradigms of Architectural Knowledge</image:title>
      <image:caption>Office of Cass Gilbert at 11 East 24th Street, New York City. Image from D. Everrett Waid, “How Architects Work,” The Brickbuilder 20 (1911).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549304931949-LM6KEJHS0GLRJ6X1ALR1/Porter_Zachary_04.jpg</image:loc>
      <image:title>Read - Paradigms of Architectural Knowledge</image:title>
      <image:caption>Technical Diagram of Structural Performance for Segmental Arch-ring. Image from Frank Kidder and Thomas Nolan, Architects’ and Builders’ Pocket-Book, 16th Ed. (New York: John Wiley &amp; Sons, 1916).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549306504662-USXL43C30CX2GHBM9BU2/Porter_Zachary_05.jpg</image:loc>
      <image:title>Read - Paradigms of Architectural Knowledge</image:title>
      <image:caption>Technical Table of Structural Performance for Brick Piers. Image from Frank Kidder and Thomas Nolan, Architects’ and Builders’ Pocket-Book, 16th Ed. (New York: John Wiley &amp; Sons, 1916).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549304210489-FGWU1LU1GRTQESSRWSB5/Porter_Zachary_01.jpg</image:loc>
      <image:title>Read - Paradigms of Architectural Knowledge</image:title>
      <image:caption>Toronto-Dominion Centre, Toronto, Photograph by Brendan Church</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549305956361-2JMZOXWZKTCJHS9MQE27/Porter_Zachary_07.jpg</image:loc>
      <image:title>Read - Paradigms of Architectural Knowledge</image:title>
      <image:caption>Kinetic Light Sculpture on the façade of the Zeil Gallery, which changes in response to temperature, wind and rain, by Christian Möller, Frankfurt, Photograph courtesy of Christian Möller</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/spectacle-square</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549576181419-7QDIDLPKXEAJ5AX7G8Q4/Dvorcovaja1924.jpg</image:loc>
      <image:title>Read - Spectacle Square</image:title>
      <image:caption>After the October Revolution many of the tsarist urban squares became centres for new, sometimes unexpected kinds of activities. Game of human chess played in Palace Square, 1924. Photograph by unknown author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549576795655-ICXIADNWVHP4CV8OOV8C/VETO+2.jpeg</image:loc>
      <image:title>Read - Spectacle Square</image:title>
      <image:caption>Chain of Light in Poznań, Poland,an example of synchronization of political activity in an urban plaza. Constitution Square, Gdynia District Court, July 22, 2017. Photograph by Pawelł Filar</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549576691252-C3M44ZMUVT0CU7K4YGAL/kharkiv-diagram-2-012.jpg</image:loc>
      <image:title>Read - Spectacle Square</image:title>
      <image:caption>The form of the Freedom Square in Kharkiv is reminiscent of a theatre. The location of the tram stop, gates, and a circular lawn inscribe the crowds’ movement. Choreography in Freedom Square, Kharkiv, 2018. Image by Kuba Snopek</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/temple-data-centres</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1557943028393-N9W2BXGO6KTTFKREGGY2/2014-OAC-BK-JPG-logo.jpg</image:loc>
      <image:title>Read - The Temple at Four in the Morning</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549656459761-45HY5N1ZJI4SCZC1LY5F/Temple2-151FrontSt.jpg</image:loc>
      <image:title>Read - The Temple at Four in the Morning</image:title>
      <image:caption>The Toronto Internet Exchange at 151 Front Street West, 2018. Drawing by Parker Kay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549656558096-JN2R40WUWWEXVW2JR9LC/Temple3-905KingStW.jpg</image:loc>
      <image:title>Read - The Temple at Four in the Morning</image:title>
      <image:caption>The Cologix Data Centre at 905 King Street West, 2018. Drawing by Parker Kay</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549656673566-4C8VC6PQ2LZ7U2DUEE7B/Temple1-45ParliamentSt.jpg</image:loc>
      <image:title>Read - The Temple at Four in the Morning</image:title>
      <image:caption>The Equinix Data Centre at 45 Parliament Street. Drawing by Parker Kay</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/pedagogic-city</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549658116385-FBXT6CPX06VE5BGGK0SM/Navidbakhsh_Ali_Pedagogic+City+50x70_Page_3.jpg</image:loc>
      <image:title>Read - Pedagogic City</image:title>
      <image:caption>Graduating Class of 2018. Axonometric Line Drawing by Ali Navidbakhsh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549658324964-6WAUEJ92G96JB4KWS44X/Navidbakhsh_Ali_Pedagogic+City+50x70_Page_5.jpg</image:loc>
      <image:title>Read - Pedagogic City</image:title>
      <image:caption>Studio 2.5. Axonometric Line Drawing by Ali Navidbakhsh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549658021649-45GFJSB0ED874JBGIMIZ/Navidbakhsh_Ali_Pedagogic+City+50x70_Page_1.jpg</image:loc>
      <image:title>Read - Pedagogic City</image:title>
      <image:caption>School of Architecture, 2035. Axonometric Line Drawing by Ali Navidbakhsh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549658078224-T2EP0MRGMZ99EIQ5ZNDF/Navidbakhsh_Ali_Pedagogic+City+50x70_Page_2.jpg</image:loc>
      <image:title>Read - Pedagogic City</image:title>
      <image:caption>Quadrant A, Alberta, Canada, 2016. Axonometric Line Drawing by Ali Navidbakhsh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549658166677-PKOKUSSNNVAY2UYIPVU2/Navidbakhsh_Ali_Pedagogic+City+50x70_Page_4.jpg</image:loc>
      <image:title>Read - Pedagogic City</image:title>
      <image:caption>Studio 2.0. Axonometric Line Drawing by Ali Navidbakhsh</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/new-materials-new-responsibilities</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549644226890-KS2SVJLD145YBC9B8W8Z/Image1B_Small_Palimpsest_BirdsEye_Overview_StJames-01.jpg</image:loc>
      <image:title>Read - Materials and Responsibilities</image:title>
      <image:caption>The Palimpsest. Digital three-dimensional scanning is used to create immersive virtual environments to better understand the role demolished spaces played in the community. Project and images by John Russell Beaumont, Haavard Tveito, and Takashi Torisu; www.johnrussellbeaumont.com/the-palimpsest</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549644416222-T9I2G9HCHZK0MXU1J20O/image_2_OTL.jpg</image:loc>
      <image:title>Read - Materials and Responsibilities</image:title>
      <image:caption>(Left) OnTheLine. The project offers a comprehensive framework for enabling the city as a site of participation, thereby offering a mechanism by which to sense the city and enable its strategic development and management. Project and images by DATAlab, School of Architecture, University of Waterloo (Right) OnTheLine’s Datascape. Two primary data streams, curated and emergent, are combined into a suite of physical installations and digital interfaces</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549641663403-KWS5QODAE8ZX8LCH1FDN/image_3_sentientChamber.jpg</image:loc>
      <image:title>Read - Materials and Responsibilities</image:title>
      <image:caption>Sentient Chamber, National Academy of Sciences Washington, D.C., 2015. The project combines software control systems with digital sensing and physical responsiveness, employing lightweight structures, sensors, and motorized actuators. Project by Living Architecture Systems Group/PBAI, photograph by Philip Beesley</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549644281751-KQR51KN6VB0YN5CFBO2D/Image1C_Small_Palimpsest_VR_Conversation_Apartment.jpg</image:loc>
      <image:title>Read - Materials and Responsibilities</image:title>
      <image:caption>The Palimpsest. The Palimpsest provides a platform to digitally archive, visualize, and experience community spaces. Project and images by John Russell Beaumont, Haavard Tveito, and Takashi Torisu; www.johnrussellbeaumont.com/the-palimpsest</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549643984317-GZG13CB6FOBOUSJXMATY/Image1A_Palimpsest_diagram.jpg</image:loc>
      <image:title>Read - Materials and Responsibilities</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/invisible-feminine-economies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1552926003890-AMQHLUQI3NKWLOZ8A2YC/Image+2+-+Hibarigaoka_Housing_Complex_kitchen%2C_model_of_1962_AD_period_2DK-type_unit%2C_scale_1_to_1_-_Edo-Tokyo_Museum_-_Sumida%2C_Tokyo%2C_Japan_-_DSC06975.jpg</image:loc>
      <image:title>Read - Invisible Feminine Economies</image:title>
      <image:caption>A Japanese kitchen in the Hibarigaoka Housing Complex circa 1962. 1:1 model at the Edo Tokyo Museum. Photo by Daderot, 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1552925788577-9859YSAT771QL0TL4JU7/image+1.jpg</image:loc>
      <image:title>Read - Invisible Feminine Economies</image:title>
      <image:caption>The FX Beauties Club website. Image by Christine Bjerke</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/sidewalks-lab-future-impacts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/sidewalks-lab-control</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/intelligo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549650011292-OP3K5L5QV6B91RER8QYP/Oskar_Koliander-Intelligo-010-Photo_by_David_Stjernholm.jpg</image:loc>
      <image:title>Read - Intelligo</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549650093162-T7FAAE1XU5W2MFBIQ60X/Oskar_Koliander-Intelligo-015-Photo_by_Oskar_Koliander.jpg</image:loc>
      <image:title>Read - Intelligo</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549649886827-LYI1UB0ZJWA0BQH6T9A2/Oskar_Koliander-Intelligo-007-Photo_by_David_Stjernholm.jpg</image:loc>
      <image:title>Read - Intelligo</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549649969099-W5UFCV5UXBHYRBPELWF9/Oskar_Koliander-Intelligo-009-Photo_by_David_Stjernholm.jpg</image:loc>
      <image:title>Read - Intelligo</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549650048433-TZIZRITMID7ELO26NR1F/Oskar_Koliander-Intelligo-017-Photo_by_David_Stjernholm.jpg</image:loc>
      <image:title>Read - Intelligo</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549649803347-U5GCDMF0TWU8Z44L9T9M/Oskar_Koliander-Intelligo-005-Photo_by_David_Stjernholm.jpg</image:loc>
      <image:title>Read - Intelligo</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549649945881-MDRNBF4AMYUISE3VGML8/Oskar_Koliander-Intelligo-008-Photo_by_David_Stjernholm.jpg</image:loc>
      <image:title>Read - Intelligo</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549649831546-V76KUQ6Z9ENQ6GYZETBC/Oskar_Koliander-Intelligo-006-Photo_by_David_Stjernholm.jpg</image:loc>
      <image:title>Read - Intelligo</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/living-house</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549570431038-LEF5VXA18CERREVKOVE4/Image+1.jpg</image:loc>
      <image:title>Read - The Living House</image:title>
      <image:caption>The ‘Tends to Itself’ House, 2018. Drawing by Lane Rick</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549570831527-9UB0FZ09S2WFURN227GR/Image_3_R1.jpg</image:loc>
      <image:title>Read - The Living House</image:title>
      <image:caption>The ‘Never Cook Again’ Dining Room, 2018. Drawing by Lane Rick</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549570505395-XENUXKETR62X3LE48TNY/Image+2.jpg</image:loc>
      <image:title>Read - The Living House</image:title>
      <image:caption>The ‘Anything You Want” Living Room, 2018. Drawing by Lane Rick</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/automated-landscapes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549661421801-MBHA0V46VK72LKGFOZ8H/4_Ashcloud_Axos.jpg</image:loc>
      <image:title>Read - Automated Landscapes</image:title>
      <image:caption>Image 4 / Automation plays a pivotal role in increasing efficiency and productivity in the Ash Cloud factory, not by replacing human labour in assembling processes, but rather in the management of the human worker and the factory by using an Enterprise Resource Planning system. Drawing by Het Nieuwe Instituut, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549661183035-KJ5SQB7IRDJOW1YVZY2H/1_Rappo_Elevation.jpg</image:loc>
      <image:title>Read - Automated Landscapes</image:title>
      <image:caption>Image 1 / Scales and scopes of human and robot collaboration in the Rapoo factory, Shenzhen. Drawing by Het Nieuwe Instituut, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549661310368-OPJFWCK93K2AGSRXBI5N/3_Ashcloud_Overview.jpg</image:loc>
      <image:title>Read - Automated Landscapes</image:title>
      <image:caption>Image 3 / The Ash Cloud factory still depends on human labour and maintains a spatial organization based on assembly lines operating during fixed hours. Drawing by Het Nieuwe Instituut, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549661246559-LN1DOJET92TK5850YC71/2_Rappo_Floorplan.jpg</image:loc>
      <image:title>Read - Automated Landscapes</image:title>
      <image:caption>Image 2 / The spatial configurations of human-machine relationships are organized in rectangular work islands, where levels of automation range from manual to fully automated manufacturing. Drawing by Het Nieuwe Instituut, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549661484901-A51254YYXCX18CQGE83V/5_BYD_axo.jpg</image:loc>
      <image:title>Read - Automated Landscapes</image:title>
      <image:caption>Image 5 / Glass walls separate humans and machines in the workplace. Unless necessary, engineers and even managers never cross the line to the machine zone. As humans disappear, the assembly lines are stacked closer, and assembly and storage areas are reorganized to maximize productivity in the BYD factory. Drawing by Het Nieuwe Instituut, 2018</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/sidewalks-lab-trust-city</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/sidewalks-lab-privacy-data</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/lab-cult</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549646979993-KYGVPCC1WILHF27X03UC/image-asset.jpeg</image:loc>
      <image:title>Read - Lab Cult</image:title>
      <image:caption>The Social Life of Small Urban Spaces, 1979. Film still by William H. Whyte © Municipal Art Society of New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549647310890-YL3G8PHN71MVP5QWTNZJ/Milosz_Image8.jpg</image:loc>
      <image:title>Read - Lab Cult</image:title>
      <image:caption>Schrittersparnis (Frankfurt Kitchen),1926. Drawing by Margarete Schütte-Lihotzky © Dorothea Stransky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549646282243-LZ811NPDPZFCEPDC64LX/Milosz_Image1.jpg</image:loc>
      <image:title>Read - Lab Cult</image:title>
      <image:caption>Generator, site model with key to cube functions, 1976–1979. Photograph by Cedric Price Fonds, Canadian Centre for Architecture © CCA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549646925527-LIPT24MLMUM6G5Y4N5CN/image-asset.jpeg</image:loc>
      <image:title>Read - Lab Cult</image:title>
      <image:caption>Dr. Arnold Gesell studying behaviour of six months old baby, 1947. Photograph by Herbert Gehr © Times Inc. All rights reserved</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549647398255-05PZRGQ3DFBMHJ4LDXG7/Milosz_Image10.jpg</image:loc>
      <image:title>Read - Lab Cult</image:title>
      <image:caption>Victor and Aladar Olgyay working at the Princeton Architectural Laboratory, 1953. Photograph by Alan W. Richards. Larry DuPraz Digital Archives, Princeton University © The Daily Princetonian</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549646687423-JHLUGTX88B2LTSR7APC6/Milosz_Image4.jpg</image:loc>
      <image:title>Read - Lab Cult</image:title>
      <image:caption>Nikolai Ladovsky with the students in his workshop, 1925. Higher State Artistic Technical Studios/Higher Technical Institute</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549647351774-7Q24BWBH702OCGBK5P56/Milosz_Image9_.jpg</image:loc>
      <image:title>Read - Lab Cult</image:title>
      <image:caption>Detail of a contact sheet of original photographs showing smoke machines in operation, 1901. Photograph by Étienne-Jules Marey and Stéphane Dabrowski. No. ML 10, Collection of the Cinémathèque française, Paris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549646651206-7FZMYY721R5YIUI4RPWU/Milosz_Image3.jpg</image:loc>
      <image:title>Read - Lab Cult</image:title>
      <image:caption>Psychological Laboratory in Dane Hall, 1892. Harvard University Archives</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549647053818-MCLOJIFDDM21SQCTXJWC/Milosz_Image7.jpg</image:loc>
      <image:title>Read - Lab Cult</image:title>
      <image:caption>Inefficient Work Operation (top) and Efficient Work Operation (bottom), 1919. Photographs by Frank B. and Lillian M. Gilbreth, Courtesy of the George Eastman Museum, Rochester, NY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549646521058-407DBNH9KO6XYN0A1TO4/Milosz_Image2.jpg</image:loc>
      <image:title>Read - Lab Cult</image:title>
      <image:caption>Marvin Minsky, MIT Artificial Intelligence Laboratory, 1968. MIT Museum © J. Paul Getty Trust</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/clio-scans</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549645391830-YG7JP33BMDEYG8BDAZGP/c_image+1_9_24.jpg</image:loc>
      <image:title>Read - The Clio Scans</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549645614263-9BMM4MFFVHL4IDRWA8JP/Experiments_4.jpg</image:loc>
      <image:title>Read - The Clio Scans</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549645659988-K1Y01T798IFPAJ1SIFQW/c_image+5_9_24.jpg</image:loc>
      <image:title>Read - The Clio Scans</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549645436741-9J1QIX9YUNB1IAGF9XB2/image-asset.jpeg</image:loc>
      <image:title>Read - The Clio Scans</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549645712748-EVJR7U1K9GOJWXO4VW0Q/c_image+7_9_24.jpg</image:loc>
      <image:title>Read - The Clio Scans</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549645534271-FVCH3MUOWS43Q5KN4404/Experiments_3.jpg</image:loc>
      <image:title>Read - The Clio Scans</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549645684173-29D2637MSO9RCQCLDP69/c_image+6_9-24.jpg</image:loc>
      <image:title>Read - The Clio Scans</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/incidental-internet-infrastructures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549572245164-ND8BKQ58R222SADP8EPD/Fiona+3.jpg</image:loc>
      <image:title>Read - Incidental Internet Infrastructures</image:title>
      <image:caption>Hanover Quay, Dublin, 2017. Photograph by Neil J. Smyth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549573789966-HQHJBZWAU75JBI4SWON5/McDermott_Image+7.jpg</image:loc>
      <image:title>Read - Incidental Internet Infrastructures</image:title>
      <image:caption>Benson Street, Dublin, 2017. Photograph by Neil J. Smyth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549574332235-WG3G9KBN1768R9IISX14/McDermott_Image+8.jpg</image:loc>
      <image:title>Read - Incidental Internet Infrastructures</image:title>
      <image:caption>Hanover Quay, Dublin, 2017. Photograph by Neil J. Smyth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549571889997-QK477FMUXY4CX258P6XX/Fiona+2.jpg</image:loc>
      <image:title>Read - Incidental Internet Infrastructures</image:title>
      <image:caption>Grand Canal Square, Dublin, 2017. Photograph by Neil J. Smyth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549574536214-4GO2BXEIHMVZC5A74G5D/McDermott_Image+4.jpg</image:loc>
      <image:title>Read - Incidental Internet Infrastructures</image:title>
      <image:caption>Hanover Quay, Dublin, 2017. Photograph by Neil J. Smyth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549572880278-QHWMRQXPUXS8UN4MJ4T1/McDermott_Image+10.jpg</image:loc>
      <image:title>Read - Incidental Internet Infrastructures</image:title>
      <image:caption>Hanover Quay, Dublin, 2017. Photograph by Neil J. Smyth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549572666820-029V46FPSU5ZWYX8XX9F/McDermott_Image+11.jpg</image:loc>
      <image:title>Read - Incidental Internet Infrastructures</image:title>
      <image:caption>Merrion Square, Dublin, 2017. Photograph by Neil J. Smyth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549573231042-YJLLRLBF4R752OKCFI5O/McDermott_Image+9.jpg</image:loc>
      <image:title>Read - Incidental Internet Infrastructures</image:title>
      <image:caption>Pearse Street, Dublin, 2017. Photograph by Neil J. Smyth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549574083996-R24UVS0GWJ5WB4LL3S2C/McDermott_Image+6.jpg</image:loc>
      <image:title>Read - Incidental Internet Infrastructures</image:title>
      <image:caption>Blood Stoney Road, Dublin, 2017. Photograph by Neil J. Smyth.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/patronage-public-art-rafael-rozendaal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549640289606-ZAYGFCGB3D8PNFUR586P/4_February+2015+Midnight+Moment-+Much+Better+Than+This++by+Times+Square+NYC.jpg</image:loc>
      <image:title>Read - A Patronage Model for New Public Art</image:title>
      <image:caption>During the month of February 2015, much better than this .com was exhibited from 11:57 pm to midnight. Rafaël Rozendaal, much better than this .com, 2006. February 2015, Midnight Moment: Much Better Than This, © Times Square Arts, Times Square, New York. Photograph by Ka-Man Tse</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549640143485-Z604CZSKW09K5OBELAY9/2_electric+boogie+woogie+.com.png</image:loc>
      <image:title>Read - A Patronage Model for New Public Art</image:title>
      <image:caption>An homage to Piet Mondrian’s Broadway Boogie Woogie, 1943. Rafaël Rozendaal, electric boogie boogie .com, 2010. Website, dimensions variable, duration infinite, unique. Collection of Almar van der Krogt, courtesy of Rafaël Rozendaal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549640070208-NBJAY5ENSNM4L6KBL1A7/1_if+no+yes+.com+.png</image:loc>
      <image:title>Read - A Patronage Model for New Public Art</image:title>
      <image:caption>Rafaël Rozendaal, if no yes .com, 2013. Website, dimensions variable, duration infinite, unique. Collection of Benjamin Palmer, courtesy of Rafaël Rozendaal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1550861220552-TLSJNM1WK0MXLV97FJ8U/image.jpg</image:loc>
      <image:title>Read - A Patronage Model for New Public Art</image:title>
      <image:caption>Rafaël Rozendaal, much better than this .com, 2006. Website, dimensions variable, duration infinite, unique. Collection of Almar and Margot van der Krogt, courtesy of Rafaël Rozendaal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549640245914-RVDF44K7GH2H800H7DJR/3_Piet_Mondrian_1942_Broadway_Boogie_Woogie.jpg</image:loc>
      <image:title>Read - A Patronage Model for New Public Art</image:title>
      <image:caption>Piet Mondrian, Broadway Boogie Woogie, 1943. Courtesy Wikipedia Commons</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1549640343324-XQCUFE5B2350QTKD4EBB/5_BYOB_Powerball_2014_BestofToronto_by+Nick+Lee.jpg</image:loc>
      <image:title>Read - A Patronage Model for New Public Art</image:title>
      <image:caption>BYOB – Bring Your Own Beamer, Power Ball, June 5 2014, The Power Plant. Photograph by Nick Lee.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/reverberations-of-feedback-loops</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1548874442204-NOPDY9N3EXA3YRLRFU1S/Boyadjiev_Image3.png</image:loc>
      <image:title>Read - On Reverberations of Feedback Loops</image:title>
      <image:caption>City as a Model, 2018. 2018. Image by Anastasia Kubrak</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1548874709960-LSCWE5MD197H6GY9RSYR/Boyadjiev_Image5.jpg</image:loc>
      <image:title>Read - On Reverberations of Feedback Loops</image:title>
      <image:caption>GoogleUrbanism, 2016. Image by Don Toromanoff</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1548874342348-EDYXA9539KONDA5CM1G5/Boyadjiev_Image2.png</image:loc>
      <image:title>Read - On Reverberations of Feedback Loops</image:title>
      <image:caption>Citizen vs. User, 2018. Image by Anastasia Kubrak</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1548874270494-L7Y0HLMMBTMM5K0RI1C7/Boyadjiev_Image1.png</image:loc>
      <image:title>Read - On Reverberations of Feedback Loops</image:title>
      <image:caption>Citizen, Consumer, User, 2018. Image by Anastasia Kubrak</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1548874522751-J4UM2Q1M9P99TOK7E0A6/Boyadjiev_Image4.jpg</image:loc>
      <image:title>Read - On Reverberations of Feedback Loops</image:title>
      <image:caption>GoogleUrbanism, 2016. Image by GoogleUrbanism team</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/sidewalks-lab-tech-design</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/sidewalks-lab-design</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/sidewalks-lab-smart-city</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/sidewalk-labs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/tomorrow-belongs-to-everybody</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/scripting-the-neoliberal-city</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1542739374195-C6YUS890GB4T8CQO5HX4/Cooper_Matson_Parametric+Diagrams_10.jpg</image:loc>
      <image:title>Read - Scripting the Neoliberal City</image:title>
      <image:caption>Zannah Mae Matson and Paloma García Simon, Jamaica Bay Landform Operations, 2014.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/v39-table-of-contents</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1542738112333-CK2UPJ5CY9BV2AFY4KPW/markets</image:loc>
      <image:title>Read - v.39 Table of Contents</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1542738814174-ZL6EI0KQLRI4ACC3GFWC/eth.jpg</image:loc>
      <image:title>Read - v.39 Table of Contents</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1542738513410-2OVOGPH2U3MP2U20MLM6/experimentations</image:loc>
      <image:title>Read - v.39 Table of Contents</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1543297054112-II9TCM6JOX5OPUX1RVVB/interfaces</image:loc>
      <image:title>Read - v.39 Table of Contents</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/v39-editors-letter</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1542824334770-ANZA17A3EOOMDV0NRAU2/v.39+letter+from+the+editors</image:loc>
      <image:title>Read - Navigating Civics and Space in our Digital World</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/girls-at-dhabas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541703679806-DD02OVN2E8NWPK9U297V/Karagiannaki_Lydia_Conspiracy_02.png</image:loc>
      <image:title>Read - Girls at Dhabas</image:title>
      <image:caption>Video still from the YouTube streamed interview with Sadia Khatri, https://youtu.be/mwnZxpI_NbU</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541703479719-70SXYEFY45K6PZGWW25T/Karagiannaki_Lydia_Conspiracy_03.jpg</image:loc>
      <image:title>Read - Girls at Dhabas</image:title>
      <image:caption>Floor plans of the Fahad Square apartment block. Drawing by Lydia Karagiannaki and Vytautas Lelys.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541703744829-OV6U9VJUEZ56I4M4SLUR/Karagiannaki_Lydia_Conspiracy_05.jpg</image:loc>
      <image:title>Read - Girls at Dhabas</image:title>
      <image:caption>“The Cursing Booth.” Drawing by Lydia Karagiannaki and Vytautas Lelys.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541703809467-UPE9XHJBTJXPZU0QM0CZ/Karagiannaki_Lydia_Conspiracy_04.jpg</image:loc>
      <image:title>Read - Girls at Dhabas</image:title>
      <image:caption>“The Hortus Conclusus.” Drawing by Lydia Karagiannaki and Vytautas Lelys.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541703427337-HO0MS1TSBR5QI5IMB50H/Karagiannaki_Lydia_Conspiracy_01.jpg</image:loc>
      <image:title>Read - Girls at Dhabas</image:title>
      <image:caption>Screenshot from Girls at Dhabas’ Instagram page, October 2017</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/an-afterword-for-in-memoriam</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541607447734-X47REY7XXKOV1QS2CTWH/Image-2.jpg</image:loc>
      <image:title>Read - An Afterword for in memoriam…</image:title>
      <image:caption>Invited Indigenous, Alberta-based youth musicians, left to right, Curtis Lefthand, seth cardinal, Jaynine Lena McCrae, Marek Tyler, and Cristóbal Martínez (of Postcommodity) perform in memoriam... Mary Cecil, Victoria Callihoo (née Belcourt), and Eleanor (Helene) Thomas Garneau at the Francis Winspear Centre for Music in Edmonton, July 18, 2017. Photograph by Kelsey McMillian, Laughing Dog Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541607511965-SQKCW8KSTECU52OR135U/Image-3.jpg</image:loc>
      <image:title>Read - An Afterword for in memoriam…</image:title>
      <image:caption>Raven Chacon, of Postcommodity, takes part in the performance of in memoriam... Mary Cecil, Victoria Callihoo (née Belcourt), and Eleanor (Helene) Thomas Garneau at the Francis Winspear Centre for Music in Edmonton, July 18, 2017. Photograph by Kelsey McMillian, Laughing Dog Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541607546668-URGXW85V4F1L6SBB1HA7/Image-4.jpg</image:loc>
      <image:title>Read - An Afterword for in memoriam…</image:title>
      <image:caption>Postcommodity, Alex Waterman, invited Alberta Indigenous youth musicians, and Ociciwan perform in memoriam... Mary Cecil, Victoria Callihoo (née Belcourt), and Eleanor (Helene) Thomas Garneau at the Francis Winspear Centre for Music in Edmonton, July 18, 2017. Photograph by Kelsey McMillian, Laughing Dog Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541607394777-YZNA8BDARSGPF7FQODPS/Image-1.jpg</image:loc>
      <image:title>Read - An Afterword for in memoriam…</image:title>
      <image:caption>Postcommodity, Alex Waterman, invited Alberta Indigenous youth musicians, and Ociciwan perform in memoriam... Mary Cecil, Victoria Callihoo (née Belcourt), and Eleanor (Helene) Thomas Garneau at the Francis Winspear Centre for Music in Edmonton, July 18, 2017. Photograph by Kelsey McMillian, Laughing Dog Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541607585511-3N50H5TFAL9EHX7XXIUG/Image-5.jpg</image:loc>
      <image:title>Read - An Afterword for in memoriam…</image:title>
      <image:caption>Jared Tailfeathers, one of eight invited Indigenous, Alberta-based youth musicians, takes part in the in memoriam... Mary Cecil, Victoria Callihoo (née Belcourt), and Eleanor (Helene) Thomas Garneau performance at the Francis Winspear Centre for Music in Edmonton, July 18, 2017. Photograph by Kelsey McMillian, Laughing Dog Photography</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/in-memoriam</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541611968196-ADW12NDKJN3GJ9NK3RFC/2018-03-07-SITE-Fem-InMemoriam-3-7a.gif</image:loc>
      <image:title>Read - in memoriam…</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541611984180-0X2ES4DM3OH4MLC7GUFK/2018-03-07-SITE-Fem-InMemoriam-3-8.gif</image:loc>
      <image:title>Read - in memoriam…</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541611375567-438IGG4TE3XK6R1PGMNM/2018-03-07-SITE-Fem-InMemoriam-3-6.gif</image:loc>
      <image:title>Read - in memoriam…</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541611188648-VDO86MZ0XUIMNHVZJVN5/2018-03-07-SITE-Fem-InMemoriam-3-4.gif</image:loc>
      <image:title>Read - in memoriam…</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541611398363-3QTGWQPW647BN00OHFWI/2018-03-07-SITE-Fem-InMemoriam-3-7.gif</image:loc>
      <image:title>Read - in memoriam…</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541612004011-QMGJI263EJRL3VMKVBG0/image-asset.gif</image:loc>
      <image:title>Read - in memoriam…</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541619479353-G2MPXL4TLMQW1FAZOITE/Ociciwan_FINAL_PRINT-11.gif</image:loc>
      <image:title>Read - in memoriam…</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541611206401-SVF2YYO8WML6Q524ACE3/2018-03-07-SITE-Fem-InMemoriam-3-5.gif</image:loc>
      <image:title>Read - in memoriam…</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541612020640-UHOE62UCZJ13KHS08TJ6/2018-03-07-SITE-Fem-InMemoriam-3-10.gif</image:loc>
      <image:title>Read - in memoriam…</image:title>
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  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/founding-the-feminist-utopia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541618401888-WE1M25JQB70X8GAQNDRJ/IMAGE+6.jpg</image:loc>
      <image:title>Read - Founding the Feminist Utopia</image:title>
      <image:caption>Image 4/ Plan of Llano del Rio, ca. 1916</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541617880599-CUBKLV6GBTMCBZPOVP41/Image+1.jpg</image:loc>
      <image:title>Read - Founding the Feminist Utopia</image:title>
      <image:caption>Image 1 / Illumination representing the three virtues Rectitude, Reason, and Justice overseeing the construction of the “Cité des Dames,” c 1410-c 1414</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541618176488-5GLMKG9VKU3ZHQZV2N8Z/IMAGE+4.jpg</image:loc>
      <image:title>Read - Founding the Feminist Utopia</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541618425257-3OZMLK9E4SQ5ZTKO7I6B/IMAGE+7.jpg</image:loc>
      <image:title>Read - Founding the Feminist Utopia</image:title>
      <image:caption>Image 6 / Alice Constance Austin showing models to Llano del Rio colonists in 1916</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541618279751-LHQ3JXO4WFO2FCB69AT4/IMAGE+5.jpg</image:loc>
      <image:title>Read - Founding the Feminist Utopia</image:title>
      <image:caption>Image 5/ Elevation of Llano del Rio, ca. 1916</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541618515841-MJUB9IJ8PTKA3MBVN9TP/IMAGE+8.jpg</image:loc>
      <image:title>Read - Founding the Feminist Utopia</image:title>
      <image:caption>Image 7 / Drawing of Cluster City, 1952. Drawing by Alison and Peter Smithson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541617943456-7K18WYKIKD2I3DU25QXQ/IMAGE+2.jpg</image:loc>
      <image:title>Read - Founding the Feminist Utopia</image:title>
      <image:caption>Image 2 / Cover of The Shore of Women by Pamela Sargent, Benbella Books, 2004</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1541618055550-VGP5704EM31LBXUMADWP/IMAGE+3.jpg</image:loc>
      <image:title>Read - Founding the Feminist Utopia</image:title>
      <image:caption>Image 3 / Urban block with 24 kitchenless houses ca. 1890, Philadelphia</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/casting-the-dollhouse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536633039849-QS5KTPH67CUUDYP85Z2Y/IMAGE+16.jpg</image:loc>
      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 16 / Clemente Susini, Anatomical Venus, “open” position, 1782. Wax anatomical model. La Specola, Florence</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536629893099-91FB15YR3RWR0B08KR4X/IMAGE+1+%282%29.jpg</image:loc>
      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 1 / Girl playing with dollhouse, c. 1940. Print ad</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536633377889-JT2UFF2SYZNK0332VXI7/IMAGE+18.jpg</image:loc>
      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 18 / Frederick Hollick, The Origin of Life, c. 1902. Anatomy flap book. Duke University Libraries</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536631417375-SY1X4QM14OAHLJDZDNKM/IMAGE+7.jpg</image:loc>
      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 7 / Ludovic O'Followell, X-ray of woman wearing corset, 1908</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536631799721-ZEALNCXJ1V23KA6K4QGF/IMAGE+10.jpg</image:loc>
      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 10 / "Aids That Every Woman Appreciates," 1918. Print ad. Sears Catalogue</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536630684865-FSGDBNTVX0JVI2H68SX9/IMAGE+3.jpg</image:loc>
      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 3 / Victorian girls playing with their dolls and dollhouse, 1862. Getty Images</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536633480012-YEEGVSCIFXRAI4U7T1KZ/IMAGE+19.jpg</image:loc>
      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 19 / “Scientific Peep Show Tells How Our Bodies Work,” Popular Science Feb. 1938: 54. Print</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536631628498-WJY55WIP3MKULLSX9NOQ/IMAGE+8.jpg</image:loc>
      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 8 / Victorian fainting couch. Image from http://www.periodcharmrentals.com/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536633003335-QKSXSTTXDBG3TWBWA04E/IMAGE+15.jpg</image:loc>
      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 15 / Clemente Susini, Anatomical Venus, “closed” position, 1782. Wax anatomical model. La Specola, Florence</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536633672261-NG4NMHSRCDNZQ9CYVX00/IMAGE+20.jpg</image:loc>
      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 20 / Leonardo da Vinci, Vitruvian Man, c. 1490. Pen and ink with wash over metalpoint on paper. Gallerie dell’Accademia, Venice, Italy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536630565185-MJ5HPZY9PIZ7ODCJ0QYJ/IMAGE+2+%281%29.jpg</image:loc>
      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 2 / Woman (formerly Venus) of Willendorf, 22–24,000 BCE. Statuette. Museum of Natural History, Vienna</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536632851868-MAJ5CAZTICT7ODVMU2SO/IMAGE+13.jpg</image:loc>
      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 13 / 3B Scientific “Deluxe Torso.” Educational anatomical model. 20-part, 87 x 38 x 25 cm, 7.6 kg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536633776994-MSVHW07P5S11EN06T7TL/IMAGE+21.jpeg</image:loc>
      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 21 / Louise Bourgeois, Femme Maison, 1947. Ink and pencil on paper. Solomon R. Guggenheim Museum, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536631141461-UWIRSE7UMHAGYIPY5T2R/IMAGE+5.jpg</image:loc>
      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 5 / Victory high-wheel touring bicycle, 1889. Museums Victoria, Melbourne</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536631706683-FVH342EIAYS7KUMFAK8S/IMAGE+9.jpg</image:loc>
      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 9 / Hysterical attack, Rummo, two plates from the Iconografia fotografica del grande Isterismo (1890), dedicated to Charcot. In Georges Didi-Huberman, Invention of Hysteria: Charcot and the Photographic Iconography of the Salpêtrière, MIT Press, 2003, 120</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536632326901-JE3QV66MP1KBL64QS24S/IMAGE+12.jpg</image:loc>
      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 12 / Jan van Riemsdyk, The Anatomy of the Human Gravid Uterus, 1764. Copperplate engraving. National Library of Medicine</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536631298171-NW48T9UP8OM6MTJQQ8U8/IMAGE+6+%281%29.jpg</image:loc>
      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 6 / The Material Miss, pattern-sewn doll. Photograph by theballentines</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536632972108-G3336TS7EM0XZIWIO3TY/IMAGE+14.jpg</image:loc>
      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 14 / Parts list, “My Dreamy Dollhouse” assembly kit by Kidkraft</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536632151920-T0Q9HHQWN4VP9K5OJVZD/IMAGE+11.jpg</image:loc>
      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 11 / Fetus in Womb, 1908. Plaster cast. American Museum of Natural History, New York</image:caption>
    </image:image>
    <image:image>
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      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 17 / Anatomical theatre at Padua. Diorama. Wellcome Library, London.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536631022200-76Q0BBD5VLKB1RI6G5BY/IMAGE+4.jpg</image:loc>
      <image:title>Read - Casting the Dollhouse</image:title>
      <image:caption>Image 4 / Toy catalogue, Household toys by Butler Boys (City Corps Co.), 1914</image:caption>
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  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/unlocking-care</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536091405903-TFYJCNC80C3NLXT50UMW/Image+4_Duwamish_Don+Brubeck.jpg</image:loc>
      <image:title>Read - Unlocking Care</image:title>
      <image:caption>Image 4 / Snowberries, oil spill plume, and fog on the Duwamish river. Image by Don Brubeck (flickr creative commons)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536091198611-U8IFEL6UO0J07DXFJ959/image+2_ballard+locks_youtube_300dpi.jpg</image:loc>
      <image:title>Read - Unlocking Care</image:title>
      <image:caption>Image 2 / Boats are carried through the Ballard Locks while salmon climb the adjacent fish ladder to the freshwater of Salmon Bay. Image by Gummi Ibsen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536091246768-HK6F1SGNUWM4ENDNWGYR/Image3_Fish+Ladder_Nicky+Bloom_300dpi.jpg</image:loc>
      <image:title>Read - Unlocking Care</image:title>
      <image:caption>Image 3 / Boats are carried through the Ballard Locks while salmon climb the adjacent fish ladder to the freshwater of Salmon Bay. Image by Nicky Bloom.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536091058349-NNOYNA6N2P24DT7KA13M/image+01_seattle+map_300dpi.jpg</image:loc>
      <image:title>Read - Unlocking Care</image:title>
      <image:caption>Image 1 / Map of Seattle’s urban landscape and waterways. Image by Sara Jacobs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1536091480470-HIOZET8ZZ6UD3GGL0WOT/Image+5_NOAA_300dpi.jpg</image:loc>
      <image:title>Read - Unlocking Care</image:title>
      <image:caption>Image 5 / The new restoration site constructed by Boeing will vastly expand the amount of suitable habitat for salmon on the Duwamish River. Photograph by the National Oceanic and Atmospheric Administration.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/nushu</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-09</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/balkansrevisited</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1534302389217-1GIB6TH1SO97B5S1QMB4/Ioanna_Sakellaraki_4.JPG</image:loc>
      <image:title>Read - Balkans Revisited</image:title>
      <image:caption>A forgotten, empty billboard in a Bulgarian town.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1534301915927-IGXX3P4MWGH5ECEPIMND/Ioanna_Sakellaraki_1.JPG</image:loc>
      <image:title>Read - Balkans Revisited</image:title>
      <image:caption>Remains of a burnt house on the outskirts of a Croatian town.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1534301989176-CEBHUSD88H48PFRLSU2F/image-asset.jpeg</image:loc>
      <image:title>Read - Balkans Revisited</image:title>
      <image:caption>A still of ongoing life in a Bosnian town.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1534302054814-XC4VSXCU7JK6LQNSSL5O/Ioanna_Sakellaraki_10.JPG</image:loc>
      <image:title>Read - Balkans Revisited</image:title>
      <image:caption>On the road to Sarajevo, on the outskirts of a Bosnian town.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1534301950286-RDL9MGZY5ZWHIROJLC2X/Ioanna_Sakellaraki_3.JPG</image:loc>
      <image:title>Read - Balkans Revisited</image:title>
      <image:caption>Dichotomy between new and old building construction in a Serbian village close to the city of Niš.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1534302004388-OP97ENGEWB04ZKZ549KY/image-asset.jpeg</image:loc>
      <image:title>Read - Balkans Revisited</image:title>
      <image:caption>Façade of a house in a Serbian village close to the city of Niš.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1534301968522-UGJMKZS8HS57N90SLT0D/Ioanna_Sakellaraki_5.JPG</image:loc>
      <image:title>Read - Balkans Revisited</image:title>
      <image:caption>The Three Fists Monument situated in Bubanj Memorial Park in the city of Niš in Serbia. Designed by Ivan Sabolić and Mihajlo Mitrović, it commemorates the more than 10,000 Serbian, Jewish, and Roma people who were executed here from February 1942 to September 1944 by the Nazi occupiers.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1534301934843-1VR8LBTK3S8K7VL8DAHS/image-asset.jpeg</image:loc>
      <image:title>Read - Balkans Revisited</image:title>
      <image:caption>Monument created in 1970 by the architect Petar Krstic, located in the city of Sanski Most in Bosnia and Herzegovina. It commemorates the location where civilians were executed by Axis forces during the National Liberation War.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1534302019317-FBP7S7A7Z3TX6V8FAYZJ/Ioanna_Sakellaraki_8.JPG</image:loc>
      <image:title>Read - Balkans Revisited</image:title>
      <image:caption>Monument to the Fallen Soldiers of the Kosmaj Partisan Detachment located in the Kosmaj Mountain Park in Serbia. Designed by Vojin Stojić and Gradimir Medaković, it commemorates the Partisan regiment from the Kosmaj area and Sava region and honours those who died during the National Liberation War.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1534302038636-0X4B0EDNT8V4565Z8ZHH/Ioanna_Sakellaraki_09.JPG</image:loc>
      <image:title>Read - Balkans Revisited</image:title>
      <image:caption>Forgotten basketball court in a Croatian town in the outskirts of the city of Zagreb.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/supporting-intentions-of-a-sofa-cushion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-10</lastmod>
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      <image:title>Read - Supporting Intentions of a Sofa Cushion</image:title>
      <image:caption>Image 03</image:caption>
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      <image:title>Read - Supporting Intentions of a Sofa Cushion</image:title>
      <image:caption>Image 05</image:caption>
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      <image:title>Read - Supporting Intentions of a Sofa Cushion</image:title>
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      <image:title>Read - Supporting Intentions of a Sofa Cushion</image:title>
      <image:caption>Image 04</image:caption>
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      <image:title>Read - Supporting Intentions of a Sofa Cushion</image:title>
      <image:caption>Image 06</image:caption>
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      <image:title>Read - Supporting Intentions of a Sofa Cushion</image:title>
      <image:caption>Image 01</image:caption>
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      <image:title>Read - Supporting Intentions of a Sofa Cushion</image:title>
      <image:caption>Image 02</image:caption>
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  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/what-is-street</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-08-19</lastmod>
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      <image:title>Read - What is Street?</image:title>
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    <image:image>
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      <image:title>Read - What is Street?</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1533873632769-WXKQ22WZHBH7QXKR6WY0/At+Night+We+Awaken+%281+of+1%29-8.jpg</image:loc>
      <image:title>Read - What is Street?</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1533874753356-A84KW70OTIUTHBTR4DAC/3.jpg</image:loc>
      <image:title>Read - What is Street?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1533877020444-ECXSFVSD4HZBPWYU2IVR/2+Second+Best.jpg</image:loc>
      <image:title>Read - What is Street?</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1533873716365-1V2W5BL31RJMQIXU06QX/At+Night+We+Awaken+%281+of+1%29-9.jpg</image:loc>
      <image:title>Read - What is Street?</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/sites-unseen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1533699623884-Y952PT0DCFQEXA3XJ6TB/Pavka_Image+1.jpg</image:loc>
      <image:title>Read - Sites Unseen</image:title>
      <image:caption>Architect Albert Speer (far left), interior designer Gerdy Troost, Hitler, and others inspecting the Haus der Kunst construction site in Munich on June 29, 1935, on the occasion of the topping-out ceremony. Photograph by Heinrich Hoffman, Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1533700519239-JIWYNQ13IRPUDXH7S0OW/Pavka_Image+2.jpg</image:loc>
      <image:title>Read - Sites Unseen</image:title>
      <image:caption>Library on the second floor of the Old Chancellery in Berlin after the renovation by the Atelier Troost, c. 1934. Photograph by Heinrich Hoffman, Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1533701724167-7KMVN1I0WL86ECSFUR71/Pavka_Image+4.jpg</image:loc>
      <image:title>Read - Sites Unseen</image:title>
      <image:caption>Waiting Room on the ground floor of the Old Chancellery in Berlin after the renovation by the Atelier Troost, c. 1934. Photograph by Heinrich Hoffman, Library of Congress</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1533701641825-ZMV0S267AIG5UTUEU627/Pavka_Image+3.jpg</image:loc>
      <image:title>Read - Sites Unseen</image:title>
      <image:caption>Reception Hall on the ground floor of the Old Chancellery in Berlin after the renovation by the Atelier Troost, c. 1934. Photograph by Heinrich Hoffman, Library of Congress</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/registrars-office</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1533702385967-ONRIGZFS4SBXDJI2P4IF/Arsenale+Perspective_view+2.jpg</image:loc>
      <image:title>Read - The Registrar’s Office: A Call for Data</image:title>
      <image:caption>Installation rendering, The Registrar’s Office, Venice Arsenale, 2017. Acre Architects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1533702786427-KXWU5EIYGFEJAC2OR5I1/ACRE_THE+REGISTRARS+OFFICE_SPREADS_05+JAN+2018-01.jpg</image:loc>
      <image:title>Read - The Registrar’s Office: A Call for Data</image:title>
      <image:caption>Registrar’s Log sample spread, Monica Adair, 2017. Acre Architects</image:caption>
    </image:image>
    <image:image>
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      <image:title>Read - The Registrar’s Office: A Call for Data</image:title>
      <image:caption>Coded buoys for Shirley Blumberg, 2017. Acre Architects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1533702644814-L9SBTDVC8FC84PXREB8B/ACRE_THE+REGISTRARS+OFFICE_BUOY+SPREADS_05+JAN+2018-05.jpg</image:loc>
      <image:title>Read - The Registrar’s Office: A Call for Data</image:title>
      <image:caption>Coded buoys for Monica Adair, 2017. Acre Architects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1533702705006-ZVBLYCVS32KYFUE2KBV1/ACRE_THE+REGISTRARS+OFFICE_BUOY+SPREADS_05+JAN+2018-07.jpg</image:loc>
      <image:title>Read - The Registrar’s Office: A Call for Data</image:title>
      <image:caption>Coded buoys for Jill Higgins, 2017. Acre Architects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1533702679189-516C9MWC6OT6BZJKY6F9/ACRE_THE+REGISTRARS+OFFICE_BUOY+SPREADS_05+JAN+2018-06.jpg</image:loc>
      <image:title>Read - The Registrar’s Office: A Call for Data</image:title>
      <image:caption>Coded buoys for Taryn Sheppard, 2017. Acre Architects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1533702826857-MU9D7035K8OWS5XFF5C0/ACRE_THE+REGISTRARS+OFFICE_SPREADS_05+JAN+2018-02.jpg</image:loc>
      <image:title>Read - The Registrar’s Office: A Call for Data</image:title>
      <image:caption>Registrar’s Log sample spread, Taryn Sheppard, 2017. Acre Architects</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/performing-the-city</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-08-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1529896900610-8ZOLT8E1K2PWBJSGIUDH/Image4_Nigam_online.jpg</image:loc>
      <image:title>Read - Performing the City</image:title>
      <image:caption>A Cirquantique performance at Bain Mathieu, 2014. Photograph by Sunita Nigam</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1529896518964-M894H9U5GA957BBK6N8P/Image1_Nigam_online.jpg</image:loc>
      <image:title>Read - Performing the City</image:title>
      <image:caption>Funeral for the Main, Clark Street, south of St. Catherine in the Quartier des Spectacles, 2012. Photograph by Stéphanie Amesse</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/womens-right-to-the-city</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-08-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1529899385650-SP4ME9DT5XVG1KK0YO90/Nelischer_Image+6.jpg</image:loc>
      <image:title>Read - Women's Right to the City</image:title>
      <image:caption>Women’s car on the Keio Line at Shinjuku Station, Tokyo. Wiki commons</image:caption>
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    <image:image>
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      <image:title>Read - Women's Right to the City</image:title>
      <image:caption>Child in stroller on Bombardier train. Photograph by Oran Viriyincy</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1529899334762-RAIE9R9QDATHSO0585VD/Nelischer_Image+5.jpg</image:loc>
      <image:title>Read - Women's Right to the City</image:title>
      <image:caption>Woman on subway escalator, New York City. Photography by Steven Pisano</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1529898997010-46M294ZA02N6PZ85LETP/Nelischer_Image+1.jpg</image:loc>
      <image:title>Read - Women's Right to the City</image:title>
      <image:caption>Women cross the street in New York City. Photograph by Christopher Burns (Unsplash)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1529899068531-28R6HPK3PEJI6IOQPPMA/Nelischer_Image+2.jpg</image:loc>
      <image:title>Read - Women's Right to the City</image:title>
      <image:caption>Women in shorts cause car to “crash” into pole, Toronto, 1937. Photograph by Alexandra Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1529899128041-2J43QCPJGF7JA83CLJ7Z/Nelischer_Image+3.jpg</image:loc>
      <image:title>Read - Women's Right to the City</image:title>
      <image:caption>The first Slut Walk protest in Toronto, April 2, 2011. Photograph by Anton Bielousov</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/feminist-placemaking</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-08-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532221360993-RETSEIXDI3A1N25FBFBC/XYXimage9b.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
      <image:caption>Transformation timeline, Melbourne, 2017. Photograph by XYX Lab  </image:caption>
    </image:image>
    <image:image>
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      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532221742768-2AAXQRVJ7ZHYL6K7FW97/XYXimage10b.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532221994859-UXAUMIJYEHJ6PN46TT6H/XYXimage10c.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532222007455-MKLK5QNKPJYJ2T6HBYB2/XYXimage10d.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532222305415-RY5G9F6UN19HYXAVXC9R/XYXimage10e.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532222359816-MKSTG5O91NRRLD76N05F/XYXimage10f.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532222581446-AVEBGT6RJ0SQKZ3NWZNX/XYXimage10g.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532222581257-NGT09S8XMRVTXOMYIO6A/XYXimage10h.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532222646860-RR4WIT6FUXHZ5HDK6GNN/XYXimage10i.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532220691030-56R32CBPV2N7FPY0OEMP/XYXimage8.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532220690276-Q344HJ1SK72SYW47DCLW/XYXimage8b.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532220756608-W80QV645LKYJSA12BFVM/XYXimage8c.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532220756424-KU6NM28N977E50AJWUKQ/XYXimage8d.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532220818517-8MR5JQD0L4B04994YCH3/XYXimage8e.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532220813163-U4VAJWBYBIBFH83VQ4JY/XYXimage8f.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532223423543-XBDLONB6DXOYBDAS4P8I/XYXimage3.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532223405332-I7VVE5O51VGJWMQF33RR/XYXImage4.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532223614940-ZAM6XTI94YCUG7KYB5WV/XYXimage4b.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532223648265-UL2C4Y2E6TR363XKJQHO/XYXimage4c.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532223730403-Q5BI1GUDU07C3NEJPYXF/XYXimage5.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532218813116-RWWW5I9CBW5RKG8MKJ4D/XYXimage7.jpg</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
      <image:caption>Brand &amp; Advertising Analysis by Dr. Pamela Salen, Melbourne, 2017. Photograph by Pamela Salen  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532218242474-RFEKZHWKCX4O9XOBYV7I/XYXimage6.png</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
      <image:caption>Analysis of Free to Be data by Dr. Gill Matthewson, Melbourne, 2017. Photograph by Gill Matthewson  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1532217073896-GZES9FBRSQPNYSJLMK7B/XYXimage2.png</image:loc>
      <image:title>Read - What Does Feminist Placemaking Look Like?</image:title>
      <image:caption>Free to Be Archive Map -- happy and sad places, Melbourne, 2017. Data from Crowdspot  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/queering-architecture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1529903101911-7F07YV5A4W1OXRNKAXPN/Constant_New_Babylon.jpg</image:loc>
      <image:title>Read - Queering Architecture: (Un)Making Places</image:title>
      <image:caption>New Babylon, Constant Nieuwhenhuys, 1963</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/the-candy-shop</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-25</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/architectswhomakeafuss</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1529889136967-JNVVB0RLJ60PVJXLQ1KQ/Mathers_Image+12.jpg</image:loc>
      <image:title>Read - Architects Who Make A Fuss</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1530550010286-CYY2FTYXJALCDTOD732X/Mathers_Image%2B3+blacked+out.jpg</image:loc>
      <image:title>Read - Architects Who Make A Fuss</image:title>
      <image:caption>Document 1, dated May 20, 2015. E-Mail correspondence, subject header: “Parity”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1529886165650-2HPRQDLSIFW0419HEMCT/Mathers_Image+1.jpg</image:loc>
      <image:title>Read - Architects Who Make A Fuss</image:title>
      <image:caption>Nikolai Zagrekov, “Girl with the t-square” (portrait of Ursula Nachtlicht, daughter of the Jewish architect Leo Nachtlicht), cover image for Die Jugend 44, 1929</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1529886816724-WUXCEYHN0ICRB65HGVG8/Mathers_Image+5.jpg</image:loc>
      <image:title>Read - Architects Who Make A Fuss</image:title>
      <image:caption>Document 3, n.d.: Poster for “Parity Talks,” designed by Ursina Völlm and Martina Walthert</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1529886432920-2ND23ULSUA98XXMVZA2Y/Mathers_Image+4+jpeg.jpg</image:loc>
      <image:title>Read - Architects Who Make A Fuss</image:title>
      <image:caption>Document 2, dated June 10, 2015: “5 Measures for Parity at D-ARCH”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1529889590880-E3MCF3910DZB4VDQJJYL/Mathers_Image+14.jpeg</image:loc>
      <image:title>Read - Architects Who Make A Fuss</image:title>
      <image:caption>Unknown, “A heart for parity,” postcard and action, November 2017, ETHZ</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1529886836860-U0WW7GXNKF4EGNR6HS8M/Mathers_Image+6.jpg</image:loc>
      <image:title>Read - Architects Who Make A Fuss</image:title>
      <image:caption>Document 4, March 8, 2016: “Parity Talks” photos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1529886983408-5VUATB5IU4ZS3TMGZ3QI/Mathers_Image+8.jpg</image:loc>
      <image:title>Read - Architects Who Make A Fuss</image:title>
      <image:caption>Document 6, dated June 8, 2016: special issue of Archithese “Architektur, die [fem.], Baukultur ist auch weiblich!,” no. 2 (2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1529888919136-7B0S24KEGX4RSLTGJDQB/image-asset.png</image:loc>
      <image:title>Read - Architects Who Make A Fuss</image:title>
      <image:caption>Document 7, dated April 20, 2016: “9 Points for Parity”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1529889043401-UR8U3WWHINAXL3N9U69W/Mathers_Image+11.jpg</image:loc>
      <image:title>Read - Architects Who Make A Fuss</image:title>
      <image:caption>Document 9, dated January 31, 2017 &amp; February 8, 2017: e-mail correspondence “WE DON’T HAVE A GENDER PROBLEM”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1529887174928-WRM6JOQEPC9JDOEHTT7B/Mathers_Image+10.jpg</image:loc>
      <image:title>Read - Architects Who Make A Fuss</image:title>
      <image:caption>Document 8, dated March 8, 2017: “Parity Talks II” photos</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1529889484310-5DWQS8V366NVWQJ9Z2GP/Mathers_Image+13.png</image:loc>
      <image:title>Read - Architects Who Make A Fuss</image:title>
      <image:caption>Document 10, dated May 3, 2017: “Proposal for the implementation of the Gender Action Plan at D-ARCH”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1529886958494-TU3RM4BZYCHUFBPACQ0S/Mathers_Image+7.jpg</image:loc>
      <image:title>Read - Architects Who Make A Fuss</image:title>
      <image:caption>Document 5, dated March 3, 2017: NOMAS power lunch “Women in Academia” at MIT</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/feministstuff</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-12</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/shameless</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1528865386669-KEHGK5TMRCW5655F7IJX/issues_400_501.JPG</image:loc>
      <image:title>Read - SHAMELESS</image:title>
      <image:caption>The current issue of Shameless is The Do It Yourself, Do It Together Revolution Issue. Photograph by Wesley Fok</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/remembering-what-is-not-gone</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1528338851851-C79LJZC5A1D5CM0POJ76/Copy+of+Woytiuk_Image+5.jpg</image:loc>
      <image:title>Read - Remembering What is Not Gone: Towards a Feminist Counter Monument</image:title>
      <image:caption>Installation of moccasin vamps for Walking With Our Sisters at the McEwan School of Architecture, Laurentian University, Sudbury, ON, 2018. Photograph by Tracy Bear</image:caption>
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      <image:caption>Esther Shalev-Gerz and Jochen Gerz, Monument Against Fascism (1986), permanent installation, Hamburg, Germany, installation view, 1993. The panel at left includes documentation of the column at various stages of its descent and the artists’ invitation, in seven languages, for people to write on and inscribe the monument. Photograph courtesy of Esther Shalev-Gerz</image:caption>
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      <image:title>Read - Remembering What is Not Gone: Towards a Feminist Counter Monument</image:title>
      <image:caption>Esther Shalev-Gerz and Jochen Gerz, Monument Against Fascism (1986), permanent installation, Hamburg, Germany 1986. Photograph courtesy of Esther Shalev-Gerz</image:caption>
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      <image:caption>Wheatfield – A Confrontation: Battery Park Landfill in Downtown Manhattan – With Agnes Denes Standing in the Field, 1982. Photograph by John McGrail. Copyright Agnes Denes, Courtesy Leslie Tokonow Artworks + Projects, New York</image:caption>
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  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/between-women</loc>
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    <lastmod>2018-08-19</lastmod>
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    <loc>https://www.thesitemagazine.com/read/indigenous-perspectives</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2018-08-19</lastmod>
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      <image:caption>A Gathering Place for The Aboriginal Learning Centre (now called Niitsitapi Learning Centre), Calgary, Alberta. Beck Vale Architects, with Wanda Dalla Costa acting as Indigenous consultant</image:caption>
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      <image:title>Read - Indigenous Perspectives on the Notions of Architecture</image:title>
      <image:caption>Golden House, interior. Kelly Edzerza-Bapty for Azziza: Indigenous Design Studio, 2017. Photograph by Kelly Edzerza-Bapty</image:caption>
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    <loc>https://www.thesitemagazine.com/read/jennifercutbill</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2018-05-07</lastmod>
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      <image:caption>Jennifer Cutbill and Jane Cox at a VDW event on September 4, 2017 in Vancouver. Photo by Sergio Vera for The Globe and Mail.</image:caption>
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    <loc>https://www.thesitemagazine.com/read/work-impact</loc>
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    <lastmod>2018-08-19</lastmod>
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      <image:caption>The Aviary is a co-working space for Architects and Designers in Vancouver's Fraserhood. Photo courtesy of The Aviary. www.theaviary.ca</image:caption>
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    <loc>https://www.thesitemagazine.com/read/stories-impact</loc>
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    <lastmod>2018-08-19</lastmod>
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    <lastmod>2018-08-19</lastmod>
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    <loc>https://www.thesitemagazine.com/read/power-lunch</loc>
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    <lastmod>2018-05-06</lastmod>
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    <loc>https://www.thesitemagazine.com/read/towards-a-feminine-peace</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-08-19</lastmod>
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      <image:caption>Image 4 Women’s Garden, Bamyan, 2016. Photograph by Safira Lakhani</image:caption>
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      <image:caption>Image 1 Aerial view of village clusters in central Afghanistan, 2016. Photograph by Safira Lakhani</image:caption>
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      <image:caption>Image 2 Plan of Bamyan Park and surrounding development, depicting Western planning principles. Drawing by Safira Lakhani</image:caption>
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      <image:caption>Image 3 Women’s Garden, Bamyan, 2016. Photograph by Safira Lakhani</image:caption>
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    <loc>https://www.thesitemagazine.com/read/launching-volume-38-feminisms</loc>
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    <lastmod>2018-08-19</lastmod>
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    <lastmod>2018-08-19</lastmod>
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    <lastmod>2018-04-17</lastmod>
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      <image:caption>Image 1: Dunnage bags of gold ore from Furtei, Canadian Pavilion, 2016. Photograph by Zannah Matson</image:caption>
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      <image:caption>Image 3: Tailings Pond, Furtei, 2016. Photograph by Christopher Alton</image:caption>
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      <image:caption>Image 2: Pit, Furtei, &amp; the Campidano Plain, 2016. Photograph by Christopher Alton</image:caption>
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    <loc>https://www.thesitemagazine.com/read/the-digital-cloud</loc>
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    <lastmod>2018-04-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1523825626338-I1QI8ZAQ7L9OIHS5LAYC/Image0001.jpg</image:loc>
      <image:title>Read - The Digital Cloud and the Great Outdoors</image:title>
      <image:caption>On the modifications of clouds : London 1803. Mit e. Einl. u. 3 Taf. Wolkenbilder in Facs. Author: Howard, Luke. Reprint Nendeln/Liechtenstein : Kraus, 1969</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1523825709275-B30ZUKVMOYM3L5X6TSJV/Image0002.jpg</image:loc>
      <image:title>Read - The Digital Cloud and the Great Outdoors</image:title>
      <image:caption>On the modifications of clouds : London 1803. Mit e. Einl. u. 3 Taf. Wolkenbilder in Facs. Author: Howard, Luke. Reprint Nendeln/Liechtenstein : Kraus, 1969</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/mallopoly-toronto</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520710622768-ZH5XMG6DULLNLXRLDDXC/Copy+of+Image+3+-+Drawing-Regional+Map.jpg</image:loc>
      <image:title>Read - Mallopoly</image:title>
      <image:caption>Image 3 / GTA Regional Map and its Malls, 2015. Illustration by Emma Dunn, Michael Piper, and Zoe Renaud</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520711352552-M9B0PKJWJYK17CDW8U4M/Copy+of+Image+12+-+Diagram-Mall+Growth.jpg</image:loc>
      <image:title>Read - Mallopoly</image:title>
      <image:caption>Image 12 / Mall Growth—Scarborough Agglomeration Step-by-step, 2015. Illustration by Emma Dunn, Michael Piper, and Zoe Renaud</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520710429360-WYNK4O5MWQRH9NM6H23X/Copy+of+Image+1+-+Drawing-Game+Board.jpg</image:loc>
      <image:title>Read - Mallopoly</image:title>
      <image:caption>Image 1 / The Game Board, 2015. Illustration by Emma Dunn, Michael Piper, and Zoe Renaud</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520710546321-ADFO3IDF72R8ZE4W46R1/Copy+of+Image+2+-+Diagram-SiteEvolution.jpg</image:loc>
      <image:title>Read - Mallopoly</image:title>
      <image:caption>Image 2 /  How to Play—Mall Growth Evolution, 2015. Illustration by Emma Dunn, Michael Piper, and Zoe Renaud</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520711313125-STW0AD5TGUOZHWL0D06X/Copy+of+Image+11+-+Diagram-TechniqueCards.jpg</image:loc>
      <image:title>Read - Mallopoly</image:title>
      <image:caption>Image 11 / The Technique Cards, 2015. Illustration by Emma Dunn, Michael Piper, and Zoe Renaud</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520711189787-0H4G9I2QNC4L5298C3YM/Copy+of+Image+9+-+Photo-Game+Pieces-Parking+Deck.JPG</image:loc>
      <image:title>Read - Mallopoly</image:title>
      <image:caption>Image 9 / Parking Deck, 2014. Photograph by Roberto Damiani</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520711063676-NU0DUELBYCZ25734F0DA/Copy+of+Image+7+-+Photo-Game+Pieces-Condo.JPG</image:loc>
      <image:title>Read - Mallopoly</image:title>
      <image:caption>Image 7 / Condo, 2014. Photograph by Zoe Renaud</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520711150862-EJHZWXJR0KRVEZ3KTSXH/Copy+of+Image+8+-+Photo-Game+Pieces-Office.JPG</image:loc>
      <image:title>Read - Mallopoly</image:title>
      <image:caption>Image 8 / Office, 2014. Photograph by Emma Dunn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520711432258-8I0I02CWQ4GC7JCQGT2L/Copy+of+Image+13+-+Drawing-Scarborough+Played.jpg</image:loc>
      <image:title>Read - Mallopoly</image:title>
      <image:caption>Image 13 / Scarborough—Existing Agglomeration as Played in Mallopoly, 2015. Illustration by Emma Dunn, Salome Nikuradze, Michael Piper, Zoe Renaud</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520710942618-WFRRXY10AT0QILKS7RM2/Copy+of+Image+6+-Diagram-GamePieces.jpg</image:loc>
      <image:title>Read - Mallopoly</image:title>
      <image:caption>Image 6 / The Game Pieces—Architectural Types, 2015. Illustration by Emma Dunn, Michael Piper, and Zoe Renaud</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520710869472-9PP2W3MMYI9PRL5OA9A1/Copy+of+Image+5++-Diagram_PropertyValue.jpg</image:loc>
      <image:title>Read - Mallopoly</image:title>
      <image:caption>Image 5 / Property Value Attributes, 2015. Illustration by Emma Dunn, Michael Piper, and Zoe Renaud, using photographs from Google Maps</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520711247691-ZHJK8H0JTQ94SKRPOSHW/Copy+of+Image+10+-+Photo-Game+Pieces-Slab.JPG</image:loc>
      <image:title>Read - Mallopoly</image:title>
      <image:caption>Image 10 / Slab, 2014. Photograph by Roberto Damiani</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520710726160-O8Y3QS66IKMZ921MKF9I/Copy+of+Image+4+-+Diagram-PropertyCards.jpg</image:loc>
      <image:title>Read - Mallopoly</image:title>
      <image:caption>Image 4 / The Property Cards, 2015. Illustration by Emma Dunn, Michael Piper, and Zoe Renaud</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/the-creditor-and-the-debtor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520712227043-5IH9D8JO0TUOB9QYYJH6/vanHoof_Roxane_TheCreditorandTheDebtor02.jpg</image:loc>
      <image:title>Read - The Creditor and the Debtor</image:title>
      <image:caption>The emptiness of the debtor’s square is emphasized by its flatness and the order of the concrete grid. The order of the square is disrupted by the tram line that crosses it, the existing fountain, the entrances to the basement and the director’s house.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520712286938-HB0RQJ88UFFR9ZFJRYCF/vanHoof_Roxane_TheCreditorandTheDebtor03.jpg</image:loc>
      <image:title>Read - The Creditor and the Debtor</image:title>
      <image:caption>The reduction of the actual program to a wall reflects the reduction of the functions of the banking system and the Central Bank to the intangible and the representative. The wall works as an index or catalogue of the representational, a collection of found spaces.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520712324204-Y4OSMWGSA4ISNOSBYSDY/vanHoof_Roxane_TheCreditorandTheDebtor04.jpg</image:loc>
      <image:title>Read - The Creditor and the Debtor</image:title>
      <image:caption>The tower with the archives and the spiral leading to the gold supply are connected to the basement. Inaccessible and obscure they are presented as impregnable objects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520712366032-QFZNJLS5N0LGI3LZOODH/vanHoof_Roxane_TheCreditorandTheDebtor05.jpg</image:loc>
      <image:title>Read - The Creditor and the Debtor</image:title>
      <image:caption>The enfilade of rooms creates a spatial narrative through which visitors are guided. The deeper you penetrate the building, the higher the status of the user and the more the spaces are dedicated to the banker.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520712496884-02RBZG0PAKB9QINTEID0/vanHoof_Roxane_TheCreditorandTheDebtor08.jpg</image:loc>
      <image:title>Read - The Creditor and the Debtor</image:title>
      <image:caption>When entering the courtyard it becomes clear that the enormous building is practically empty inside. An arcade forms the transition between the open lobby and the spaces around it. The constant rhythm of columns unites the disparate rooms and emphasizes the importance of the central hall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520712412104-QI2JYW9JEA40KC1VBEOP/vanHoof_Roxane_TheCreditorandTheDebtor06.jpg</image:loc>
      <image:title>Read - The Creditor and the Debtor</image:title>
      <image:caption>The outer wall is the most important structural element. Concrete elements support a brick facade. The interior is free from constructive restrictions, rooms vary in height and size.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520712456542-0AFE4EPXUAHWSZDQM08Z/vanHoof_Roxane_TheCreditorandTheDebtor07.jpg</image:loc>
      <image:title>Read - The Creditor and the Debtor</image:title>
      <image:caption>The central spaces receive daylight from above, through a roof light, the office receives its light horizontally, through narrow windows that penetrate the wall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1520712120688-1D0W3A5OK4SIZUG0HEL7/vanHoof_Roxane_TheCreditorandTheDebtor01.jpeg</image:loc>
      <image:title>Read - The Creditor and the Debtor</image:title>
      <image:caption>The creditor and the debtor</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/omar-gandhi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1516760877177-N0VC3ZJ32LMFFZ0WBYA6/Image+3+-+Rabbit_Snare_Gorge_Cabin_-_Doublespace_001.jpg</image:loc>
      <image:title>Read - An Interview with Omar Gandhi</image:title>
      <image:caption>Image 3: The cabin’s steel entry hoop takes its shape from the entry windbreaks unique to the Cape Breton and Newfoundland coastal communities. Image by Doublespace.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1516760808271-DBH2Z0BVOV94699N9RM9/Image+4_Rabbit+Snare+Gorge+Cabin_01.jpg</image:loc>
      <image:title>Read - An Interview with Omar Gandhi</image:title>
      <image:caption>Image 4: The first of three cabins at Rabbit Snare Gorge. Image by Doublespace.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1516760603444-BEL501TVZ8X2L7LX9R9Q/Image+1+-+Black+Gables_01.jpg</image:loc>
      <image:title>Read - An Interview with Omar Gandhi</image:title>
      <image:caption>Image 1: Black Gables, a house in Louisdale, Nova Scotia, is made of a composition of black textures. Image by Omar Gandhi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1516760664733-F91ISMS2LOV0Q6VTECHX/Image+2+-+Model01.jpg</image:loc>
      <image:title>Read - An Interview with Omar Gandhi</image:title>
      <image:caption>Image 2: Proposed cabins at Rabbit Snare Gorge in Inverness, Nova Scotia, where Lawrence MacIsaac’s great grandfather used to teach his sons how to snare rabbits, while his great grandmother commonly used the “laundry stone” at the bottom of a small waterfall to wash clothing. Model by Omar Gandhi Architect.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/remembering-the-future</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1516759343234-AFHA4PN3S7I2A5EKB2WP/Web_Laurent+Kronental_Souvenir+d_un+Futur+%2811%29.jpg</image:loc>
      <image:title>Read - Remembering the Future</image:title>
      <image:caption>Les Orgues de Flandre, 19e arrondissement Paris, 2014. Photograph by Laurent Kronental.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1516759252962-FVZDZ5HCWXLYLAYEC2WV/Web_Laurent+Kronental_Souvenir+d_un+Futur+%283%29.jpg</image:loc>
      <image:title>Read - Remembering the Future</image:title>
      <image:caption>José, 89, Les Damiers, Courbevoie, 2012. Photograph by Laurent Kronental.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1516759398844-ST57L42F9PM6VFJ5052Y/Web_Laurent+Kronental_Souvenir+d_un+Futur+%2818%29.jpg</image:loc>
      <image:title>Read - Remembering the Future</image:title>
      <image:caption>Les Tours Aillaud, Cité Pablo Picasso, Nanterre, 2013. Photograph by Laurent Kronental.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1516759464051-UZ270GKTI1ZOBW8921NY/Web_Laurent+Kronental_Souvenir+d_un+Futur+%2827%29.jpg</image:loc>
      <image:title>Read - Remembering the Future</image:title>
      <image:caption>Les Espaces d'Abraxas, Noisy-le-Grand, 2014. Photograph by Laurent Kronental.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1516759283504-WQ6FX0J80C361DRBRXPU/Web_Laurent+Kronental_Souvenir+d_un+Futur+%284%29.jpg</image:loc>
      <image:title>Read - Remembering the Future</image:title>
      <image:caption>Josette, 90, Vision 80, Esplanade de La Défense, 2013. Photograph by Laurent Kronental.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1516759225820-PFRA9H9QE29AY6G7VBP9/Web_Laurent+Kronental_Souvenir+d_un+Futur+%282%29.jpg</image:loc>
      <image:title>Read - Remembering the Future</image:title>
      <image:caption>Joseph, 88, Les Espaces d'Abraxas, Noisy-le-Grand, 2014. Photograph by Laurent Kronental.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1516759319575-GE5X0WSHV6VQ9Y4HOW5C/Web_Laurent+Kronental_Souvenir+d_un+Futur+%288%29.jpg</image:loc>
      <image:title>Read - Remembering the Future</image:title>
      <image:caption>Le Pavé Neuf, Noisy-le-Grand, 2015. Photograph by Laurent Kronental.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1516759433225-SZCNVD8HVTNYE8QVRHZF/Web_Laurent+Kronental_Souvenir+d_un+Futur+%2826%29.jpg</image:loc>
      <image:title>Read - Remembering the Future</image:title>
      <image:caption>Jacques, 82, Le Viaduc et les Arcades du Lac, Montigny-le-Bretonneux, 2015. Photograph by Laurent Kronental.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/toronto-a-brutalist-city</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1516759169898-JTOGQHEGK79KI8ZZHQ5O/UofT+Scarborough.jpg</image:loc>
      <image:title>Read - Toronto – A Brutalist City</image:title>
      <image:caption>Image: Administration Building, Meeting Place with skylights &amp; second, third, fourth floor walkways. University of Toronto Scarborough Campus. Image from the University of Toronto Scarborough UTSC Library</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/architecture-of-people</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1516758546010-KP8KW3UE8JQE8SI9GNKH/_C4B3077.jpg</image:loc>
      <image:title>Read - Architecture of People</image:title>
      <image:caption>“Peoples Architecture”, Arkitektforeningen, Copenhagen 2017. Photo by Aisling O'Carroll</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1516758508901-ZGDENTZLK0WRUQVG6T28/_C4B2972.jpg</image:loc>
      <image:title>Read - Architecture of People</image:title>
      <image:caption>“Peoples Architecture”, Arkitektforeningen, Copenhagen 2017. Photo by Aisling O'Carroll</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1516758580337-0SOGPFN7VDKJ3MSNS7Q5/IMG_6609.JPG</image:loc>
      <image:title>Read - Architecture of People</image:title>
      <image:caption>Yona Friedman in front of “Peoples Architecture”, Arkitektforeningen, Copenhagen 2017. Photo by Aisling O'Carroll</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1516758196979-AN2157AAMLEIWV4HSIZ2/_C4B2789.jpg</image:loc>
      <image:title>Read - Architecture of People</image:title>
      <image:caption>“Peoples Architecture”, Arkitektforeningen, Copenhagen 2017. Photo by Aisling O'Carroll</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/the-five-wounds-of-christ</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512532426012-1TU81NBSHFWBCQB8W2IN/Deto+Nation.jpg</image:loc>
      <image:title>Read - The Five Wounds of Christ</image:title>
      <image:caption>A party but no purpose in a nuclear world. Film still, Five Wounds of Christ</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512531973406-JFO4BFITCZD47BL6WY1S/1+Wasteland+Lagoon.jpg</image:loc>
      <image:title>Read - The Five Wounds of Christ</image:title>
      <image:caption>Cleanup crew at the wasteland lagoon. Film still, Five Wounds of Christ</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512532303576-BGUFXQZNLJVT8IY52QCK/2+base+for+pre+emptive+conservation.jpg</image:loc>
      <image:title>Read - The Five Wounds of Christ</image:title>
      <image:caption>Maintaining the coconut plantation for the Global Conservancy Alliance. Film still, Five Wounds of Christ</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512532370100-REFOSITCOO5ZT4HIME77/3+Footprint+of+Freedome.jpg</image:loc>
      <image:title>Read - The Five Wounds of Christ</image:title>
      <image:caption>New island, new home, in the U.K. Film still, Five Wounds of Christ</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512532479097-IB5I68L29JVIGJWPYMMJ/5+Offshore+Data+Haven.jpg</image:loc>
      <image:title>Read - The Five Wounds of Christ</image:title>
      <image:caption>Security tourists are reassured when they witness the coral spawning. Film still, Five Wounds of Christ</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/legacies-of-conflict</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512335919919-3RWDN54T69QJWHEVN4NJ/Image+2+small.jpg</image:loc>
      <image:title>Read - Legacies of Conflict and [Re] Constructing Urban Futures</image:title>
      <image:caption>Image 2: Timeline of Imperial Influence and Projections, 2017, Zannah Mae Matson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512336205473-M65W2VEYWNEDCPU06F0Z/Image+4+%281%29.jpg</image:loc>
      <image:title>Read - Legacies of Conflict and [Re] Constructing Urban Futures</image:title>
      <image:caption>Image 4: Stages of informal development within the city creep up the hillsides of the region, while IED attacks (represented as dots) take place largely within the formal parts of the city, along major transportation infrastructure, 2017, Zannah Mae Matson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512336061812-E30EMLGR26IWKTMNNAKM/Image+3.jpg</image:loc>
      <image:title>Read - Legacies of Conflict and [Re] Constructing Urban Futures</image:title>
      <image:caption>Image 3: A map of Kabul showing the historic districts of the city in relation to both topography and the most heavily bombed parts of the city during the civil war, 2017, Zannah Mae Matson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512336127051-ARS2XYIZD4OH3W0BW1E6/Image+1.jpg</image:loc>
      <image:title>Read - Legacies of Conflict and [Re] Constructing Urban Futures</image:title>
      <image:caption>Image 1: A conventional view of conflict that sees a peaceful baseline to which conflict is an interruption, versus a contemporary interpretation of conflict that includes a spectrum of violence and an understanding of longer term processes of destruction and construction within the conflict city, 2017, Zannah Mae Matson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512337256710-MTUB197IWNDPOLT2VLFI/Image+7.jpg</image:loc>
      <image:title>Read - Legacies of Conflict and [Re] Constructing Urban Futures</image:title>
      <image:caption>Image 7: A Collage of Sectional Urban Form, 2017, Zannah Mae Matson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512336692282-0C2503QSR3G08CL3KUK0/Image+6.jpg</image:loc>
      <image:title>Read - Legacies of Conflict and [Re] Constructing Urban Futures</image:title>
      <image:caption>Image 6: Informal development has continued within the city to accommodate new waves of migration to Kabul throughout the most recent period of conflict, 2017, Zannah Mae Matson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512336715438-CPI36RI7US0XUX5RGFUM/Image+5.jpg</image:loc>
      <image:title>Read - Legacies of Conflict and [Re] Constructing Urban Futures</image:title>
      <image:caption>Image 5: Contrasting informal and formal development within the city, this map shows the extent of informal development as of 2001, the eve of the most recent international intervention in Kabul, 2017, Zannah Mae Matson</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/building-the-baltic-identity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512334570551-7WIT1M6VM20KBD0RM8EM/Copy+of+000+_Ignalina+I_+Construction+on+the+Ignalina+nuclear+reactor+began+in+1977+meant+to+demonstrate+the+rise+of+the+Soviet+Union+to+modernity.+The+EU+requested+its+decommissioning+for+safety+reasons+in+2009%2C+costi.jpg</image:loc>
      <image:title>Read - Building the Baltic Identity</image:title>
      <image:caption>Construction on the Ignalina nuclear reactor began in 1977 and was meant to demonstrate the rise of the modern Soviet Union. The EU requested its decommissioning for safety reasons in 2009 at a cost of EUR 2.3 billion. Ignalina I, David Grandorge, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512334493172-JTBN5FH8NRNJCD9EI483/Copy+of+000+_Augstkalni+Collective+Farm+I_+David+Grandorge%2C+2016.+The+Soviet+Union+enforced+the+collectivization+of+its+agricultural+sector+between+1928+and+1940+to+boost+production.+Stalin%27s+plan+resulted+in+significa.jpg</image:loc>
      <image:title>Read - Building the Baltic Identity</image:title>
      <image:caption>The Soviet Union enforce the collectivization of its agricultural sector between 1928 and 1940 to boost production. Stalin’s plan resulted in significantly reduced output and widespread famine. Augstkalni Collective Farm I, David Grandorge, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512334518947-M3STH35NRCX16VQXWP36/Copy+of+000+_Elektrenai+Power+Plant+I_+David+Grandorge%2C+2015.+The+Elektrenai+power+plant+was+built+between+1960+and+1972%2C+50km+outside+of+Vilnius.+It+is+the+primary+source+of+electrical+power+in+Lithuania%2C+only+recentl.jpg</image:loc>
      <image:title>Read - Building the Baltic Identity</image:title>
      <image:caption>The Elektrenai power plant was built between 1960 and 1972, 50 km outside of Vilnius. It is the primary source of electrical power in Lithuania, only recently updated to meet EU guidelines. Elektrenai Power Plant I, David Grandorge, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512334203629-SA91MVJQRFQOFNT92OVG/Copy+of+04.+The+new+year%27s+eve+carnival+was+hosted+by+the+DJ+duo+Miks+Mitre%CC%84vics+and+Viesturs+Celmin%CC%A7s%CC%8C%2C+who+by+day+work+as+a+visual+artist+and+social+anthropologist+involved+in+city+planning%2C+respectively.jpg</image:loc>
      <image:title>Read - Building the Baltic Identity</image:title>
      <image:caption>The new year’s eve carnival was hosted by the DJ duo Miks and Viesturs, who by day work as a visual artist and social anthropologist involved in city planning, respectively. Pērle, Riga, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512334735667-QYEWWITLTCA0E9YXFVSP/Copy+of+Untitled+4%2C+In+Vicinity%2C+Paul+Kuimet%2C+Pigment+Print%2C+70X88cm%2C+2009.jpeg</image:loc>
      <image:title>Read - Building the Baltic Identity</image:title>
      <image:caption>Untitled 4, In Vicinity, Paul Kuimet, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512334247830-9HQSXP17GO8URVOXK80P/Copy+of+06.+Another+in+the+regular+Thursday+night+jazz+shows.JPG</image:loc>
      <image:title>Read - Building the Baltic Identity</image:title>
      <image:caption>Another in the regular Thursday night jazz shows. Pērle, Riga, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512334706061-MWGRWXJPR3HKFILS6OK9/Copy+of+Untitled+3%2C+In+Vicinity%2C+Paul+Kuimet%2C+2008.jpg</image:loc>
      <image:title>Read - Building the Baltic Identity</image:title>
      <image:caption>Untitled 3, In Vicinity, Paul Kuimet, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512334803769-U7EUBBF6APP8HUFG2X58/Copy+of+01.+The+official+opening+of+Pe%CC%84rle%2C+August+20%2C+2009.jpg</image:loc>
      <image:title>Read - Building the Baltic Identity</image:title>
      <image:caption>The official opening of Pērle, August 20, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512334632994-W1Q1KKA2XKL8GH9FMKF0/Copy+of+000+_Tallinn+V_%2C+Half+of+all+Estonia%27s+housing+was+nationalized+after+WWII.+Before+the+war+Estonia%27s+standard+of+living+and+economy+was+similar+to+Finland%27s.++David+Grandorge%2C+2016.jpg</image:loc>
      <image:title>Read - Building the Baltic Identity</image:title>
      <image:caption>Half of all Estonia’s housing was nationalized after WWII. Before the war, Estonia’s standard of living and economy was similar to Finland’s. Tallinn V, David Grandorge, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512334596592-FJZGEFCXDL12QS3HBCR4/Copy+of+000+_Narva+II_+The+Narva+Reservoir+was+constructed+in+1955%2C+it+provides+water+to+the+Narva+hydroelectric+station+in+Russia+and+cooling+water+to+the+Estonian+Narva+power+plants.+David+Grandorge%2C+2016.jpg</image:loc>
      <image:title>Read - Building the Baltic Identity</image:title>
      <image:caption>The Narva Reservoir was constructed in 1955. It provides water to the Narva hydroelectric station in Russia and cooling water the the Estonian Narva power plants. Narva II, David Grandorge, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512334661628-GOHKA5GKE8K4BVHINFKD/Copy+of+Untitled+2%2C+In+Vicinity%2C+Paul+Kuimet%2C+2009.jpg</image:loc>
      <image:title>Read - Building the Baltic Identity</image:title>
      <image:caption>Untitled 2, In Vicinity, Paul Kuimet, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1512334776295-QYJ7O9VCUDG2JW7EGLM2/Copy+of+Untitled+17%2C+In+Vicinity%2C+Pigment+Print+Copy%2C+70x70cm%2C+2009.jpg</image:loc>
      <image:title>Read - Building the Baltic Identity</image:title>
      <image:caption>Untitled 17, In Vicinity, Pigment Print Copy, 70x70com, 2009</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/cultural-tensions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1511756655878-ZY7BGRO3VB2KL6FV4Q8X/20170418_173124.jpg</image:loc>
      <image:title>Read - Cultural Tensions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1511755079461-WAZ4TKWAA8EWTDKWTVBL/20170418_173105.jpg</image:loc>
      <image:title>Read - Cultural Tensions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1511757184366-T2ASGAALSKM5Y48I6YAL/20170516_163617_Richtone%28HDR%29.jpg</image:loc>
      <image:title>Read - Cultural Tensions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1511757383217-RJZRX6JKWD1I1QUZ4TYG/20170418_173137.jpg</image:loc>
      <image:title>Read - Cultural Tensions</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/back-to-the-future</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1511147855832-QB0D6IMONHGKN114QEKA/Expo67_Image4_NotreDame2011.jpg</image:loc>
      <image:title>Read - Expo 67: Back to the Future</image:title>
      <image:caption>Image 4: Notre-Dame Island, 2011. (Photograph by Hussein Abdallah)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1511147512391-E3TYQAI9TQR5P7N01F7X/Expo67_Image1_BraveNewWorld.jpg</image:loc>
      <image:title>Read - Expo 67: Back to the Future</image:title>
      <image:caption>Image 1: Expo 67 - Brave New World</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1511147635296-R34HLTJXQ0BTT5HA3BY5/Expo67_Image3_SaintHelens2017.jpg</image:loc>
      <image:title>Read - Expo 67: Back to the Future</image:title>
      <image:caption>Image 3: Saint Helen's Island, 2017. (Photograph by the author)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1511147544548-TAER97CDFII7R98BH4L8/Expo67_Image2_NightView.jpg</image:loc>
      <image:title>Read - Expo 67: Back to the Future</image:title>
      <image:caption>Image 2: The Expo and the City, 1967. (National Archives Canada)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/designing-for-a-buildings-future</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1510110989189-UXKRA5TL24RJG4WU4S30/Athens+Olympics+2004_Sakellaraki.jpg</image:loc>
      <image:title>Read - Designing for a Building's Future</image:title>
      <image:caption>Athens Olympics 2004, Photo by Ioanna Sakellaraki</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1510111497867-TTBDPF0V922ZSJVX8C03/Michigan+Theatre+Detroit_Sakellaraki.jpg</image:loc>
      <image:title>Read - Designing for a Building's Future</image:title>
      <image:caption>Michigan Theatre Detroit, Photo by Ioanna Sakellaraki</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1510112015985-12WQ653S53P6KQN3RCUV/Sarajevo+Winter+Olympics_Sakellaraki.jpg</image:loc>
      <image:title>Read - Designing for a Building's Future</image:title>
      <image:caption>Sarajevo Winter Olympics, Photo by Ioanna Sakellaraki</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1510111758468-HZF2XJXODMMU5ARPQW5P/Woodward+Church+Detroit_Sakellaraki.jpg</image:loc>
      <image:title>Read - Designing for a Building's Future</image:title>
      <image:caption>Woodward Church Detroit, Photo by Ioanna Sakellaraki</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1510111245178-GZSRKGGUF0WIOBJNIEUU/Ex+Communist+Party+House_Sakellaraki.jpg</image:loc>
      <image:title>Read - Designing for a Building's Future</image:title>
      <image:caption>Ex Communist Party House, Photo by Ioanna Sakellaraki</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1510111396337-I8UVABUCFQCR47BXOQSO/Interior+Michigan+Theatre+Detroit_Sakellaraki.jpg</image:loc>
      <image:title>Read - Designing for a Building's Future</image:title>
      <image:caption>Interior Michigan Theatre Detroit, Photo by Ioanna Sakellaraki</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/south-camp-inn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1510023756494-B7Q71D2HSKSXFXM1IS8E/Jull_02.jpg</image:loc>
      <image:title>Read - South Camp Inn</image:title>
      <image:caption>Figure 2: Approach from Southeast. Resolute Bay, NU</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1510024408485-4LMYK6IY4AIKW3J367UX/Jull_06.jpg</image:loc>
      <image:title>Read - South Camp Inn</image:title>
      <image:caption>Figure 6: “Canadian Tire”. Resolute Bay, NU</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1510025192488-9P0A5193QBVZ7I5J9S5I/Jull_11.jpg</image:loc>
      <image:title>Read - South Camp Inn</image:title>
      <image:caption>Figure 11: Apartment 6. Back Door, South Camp Inn. Resolute Bay, NU</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1510023837936-ZOVJO387ASCNSZ3FGV7C/Jull_03.jpg</image:loc>
      <image:title>Read - South Camp Inn</image:title>
      <image:caption>Figure 3: Resolute Bay Town Layout.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1510025014345-0TRMHHRS8I3OBM1K10TH/Jull_13.jpg</image:loc>
      <image:title>Read - South Camp Inn</image:title>
      <image:caption>Figure 13: South Camp Inn meeting room. New addition. Resolute Bay, NU</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1510025695738-ZEEDDA9WB9O2CTAOTZZL/Jull_09.jpg</image:loc>
      <image:title>Read - South Camp Inn</image:title>
      <image:caption>Figure 9: Apartment 7. Kitchen, South Camp Inn, Resolute Bay, NU</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1510024906459-YIXZCV4JLBT87Y2LVPJM/Jull_08.jpg</image:loc>
      <image:title>Read - South Camp Inn</image:title>
      <image:caption>Figure 8: Apartment 6 GF floor plan. South Camp Inn, Resolute Bay, NU</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1510025526339-IN8KVVIP4GGNY1F66IS2/Jull_10.jpg</image:loc>
      <image:title>Read - South Camp Inn</image:title>
      <image:caption>Figure 10: Toilet View. Apt. 6. South Camp Inn. Resolute Bay, NU</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1510025105921-DR1A4C4U0YAGPXZC5JLL/Jull_12.jpg</image:loc>
      <image:title>Read - South Camp Inn</image:title>
      <image:caption>Figure 12: Apartment 10. South Camp Inn, Resolute Bay, NU</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1510024306270-LUS34O7Z6Z825NPBE2LF/Jull_05.jpg</image:loc>
      <image:title>Read - South Camp Inn</image:title>
      <image:caption>Figure 5: Resolute Bay from Signal Hill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1510024008974-LX3QBR5FVAEAK0TU7T86/Jull_04.jpg</image:loc>
      <image:title>Read - South Camp Inn</image:title>
      <image:caption>Figure 4: Illustration of Erskine’s original design for Resolute Bay Town Layout.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1510024476503-4C63YCJKXJD0R3T58KJA/Jull_07.jpg</image:loc>
      <image:title>Read - South Camp Inn</image:title>
      <image:caption>Figure 7: Measuring South Camp Inn.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1510023531961-W2XUH7I1GCIS36SEUJN3/Jull_01.jpg</image:loc>
      <image:title>Read - South Camp Inn</image:title>
      <image:caption>Figure 1: East Facade, South Camp Inn, Resolute Bay, NU</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/new-architecture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1508372636093-GTRJ83A4NKZ2SL831M1H/Drawings+01.jpg</image:loc>
      <image:title>Read - New Architecture in the Baroque Garden</image:title>
      <image:caption>Drawing 1: Drawing by DUAL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1508373262230-4VOPIP0N5VKJ0E1HUMSC/Image+2_Astrid.jpg</image:loc>
      <image:title>Read - New Architecture in the Baroque Garden</image:title>
      <image:caption>Image 2: Photograph by Astrid Maria Busse Rasmussen</image:caption>
    </image:image>
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      <image:title>Read - New Architecture in the Baroque Garden</image:title>
      <image:caption>Image 1: Photograph by Astrid Maria Busse Rasmussen</image:caption>
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      <image:title>Read - New Architecture in the Baroque Garden</image:title>
      <image:caption>Image 6: Photograph by Bjørn Pierri Enevoldsen</image:caption>
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      <image:title>Read - New Architecture in the Baroque Garden</image:title>
      <image:caption>Drawing 02: Drawing by DUAL</image:caption>
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      <image:title>Read - New Architecture in the Baroque Garden</image:title>
      <image:caption>Image 4: Photograph by Astrid Maria Busse Rasmussen</image:caption>
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      <image:title>Read - New Architecture in the Baroque Garden</image:title>
      <image:caption>Image 5: Photograph by Astrid Maria Busse Rasmussen</image:caption>
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      <image:title>Read - New Architecture in the Baroque Garden</image:title>
      <image:caption>Image 3: Photograph by Astrid Maria Busse Rasmussen</image:caption>
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    <image:image>
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      <image:title>Read - New Architecture in the Baroque Garden</image:title>
      <image:caption>Image 7: Photograph by Bjørn Pierri Enevoldsen</image:caption>
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      <image:title>Read - New Architecture in the Baroque Garden</image:title>
      <image:caption>Image 8: Photograph by Aisling O’Carroll</image:caption>
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  <url>
    <loc>https://www.thesitemagazine.com/read/constructing-the-image-of-a-nation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-10</lastmod>
    <image:image>
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      <image:title>Read - Constructing the Image of a Nation</image:title>
      <image:caption>Image 4: Loop showing four tracks on the Canadian Pacific Railway, B.C., reversed glass plate negative, 1889 (Wm Notman &amp; Son/William McFarlane Notman) © McCord Museum</image:caption>
    </image:image>
    <image:image>
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      <image:title>Read - Constructing the Image of a Nation</image:title>
      <image:caption>Image 3: Ice shove, Commissaires Street, Montreal, reversed glass plate negative, about 1884 (Wm Notman &amp; Son) © McCord Museum</image:caption>
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    <image:image>
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      <image:title>Read - Constructing the Image of a Nation</image:title>
      <image:caption>Image 8: Trapping the lynx, Montreal, 1866, silver salts on glass – wet collodion process, 1866 (William Notman) © McCord Museum</image:caption>
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    <image:image>
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      <image:title>Read - Constructing the Image of a Nation</image:title>
      <image:caption>Image 7: A.H. Buxton, Montreal, reversed glass plate negative, 1887 (Wm. Notman &amp; Son) © McCord Museum</image:caption>
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    <image:image>
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      <image:title>Read - Constructing the Image of a Nation</image:title>
      <image:caption>Image 6: Anna and Louisa Spence, reversed glass plate negative, 1883 (Wm Notman &amp; Son) © McCord Museum</image:caption>
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      <image:title>Read - Constructing the Image of a Nation</image:title>
      <image:caption>Image 9: Timber coves at Quebec City, Que., reversed glass plate negative, 1872 (William Notman) © McCord Museum</image:caption>
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    <image:image>
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      <image:title>Read - Constructing the Image of a Nation</image:title>
      <image:caption>Image 5: Jean-Baptiste Rice, albumen print, 1868 (William Notman) © McCord Museum</image:caption>
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    <image:image>
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      <image:title>Read - Constructing the Image of a Nation</image:title>
      <image:caption>Image 2: Installation view of Notman, A Visionary Photographer, McCord Museum, Montreal, 2016 (photo by Marilyn Aitken)</image:caption>
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      <image:title>Read - Constructing the Image of a Nation</image:title>
      <image:caption>Image 1: Chaudière Falls, Ottawa, ON, reversed glass plate negative, 1870 (William Notman) © McCord Museum</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/face-value-a-vernacular-viewing-strategy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-18</lastmod>
    <image:image>
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      <image:title>Read - Face Value</image:title>
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      <image:title>Read - Face Value</image:title>
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      <image:title>Read - Face Value</image:title>
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      <image:title>Read - Face Value</image:title>
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      <image:title>Read - Face Value</image:title>
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      <image:title>Read - Face Value</image:title>
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      <image:title>Read - Face Value</image:title>
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      <image:title>Read - Face Value</image:title>
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      <image:title>Read - Face Value</image:title>
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  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/towards-an-architecture-of-metis-resistance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498453922869-9WKR68Q7POEG4OOJQ8H3/image-asset.jpeg</image:loc>
      <image:title>Read - Towards an Architecture of Métis Resistance</image:title>
      <image:caption>Image 1: IKOY Architects, Batoche Interpretive Center, Batoche National Historic Site, Saskatchewan. Completed 1986. Photograph by Branimir Gjetvaj (www.branimirphoto.ca).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498454089952-BO2XHX15TTHMIMF8FF5B/image-asset.jpeg</image:loc>
      <image:title>Read - Towards an Architecture of Métis Resistance</image:title>
      <image:caption>Image 3: Louis Vallee and his grandson Baptiste in front of his shack. Pelican Lake, Prince Albert National Park. Canada. Dept. of Interior / Library and Archives Canada / PA-049784.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498455640453-ACYS6KCCE2RNC97PYTO9/image-asset.jpeg</image:loc>
      <image:title>Read - Towards an Architecture of Métis Resistance</image:title>
      <image:caption>Image 10: Métis built house. East Prairie Settlement, Alberta. Photograph by David Fortin.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498455970377-8QCQ5M0XR10U4ALRXUJ5/image-asset.jpeg</image:loc>
      <image:title>Read - Towards an Architecture of Métis Resistance</image:title>
      <image:caption>Image 12: Recent Métis-built home interiors. East Prairie Settlement, Alberta, and Fish Lake, Saskatchewan. Photograph by David Fortin and Jason Surkan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498455357486-8FBCBXZX3WM9IY9XZ90T/image-asset.jpeg</image:loc>
      <image:title>Read - Towards an Architecture of Métis Resistance</image:title>
      <image:caption>Image 8: Tectonic Analysis of Métis Folk Home. Image by Jason Surkan.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498455188037-AUKXHZJSJFRW6ZU4VJT1/image-asset.jpeg</image:loc>
      <image:title>Read - Towards an Architecture of Métis Resistance</image:title>
      <image:caption>Image 6: Typical Métis folk home at Batoche National Historic Site, Saskatchewan. Photograph by Jason Surkan.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498452402192-KS7AIQZEQLMETQDDXSQU/image-asset.jpeg</image:loc>
      <image:title>Read - Towards an Architecture of Métis Resistance</image:title>
      <image:caption>Image 4: Farmstead layout comparisons. Image by Jason Surkan. Adapted from David Burley and Gayel A. Horsfall, “Vernacular Houses and Farmsteads of the Canadian Métis,” Journal of Cultural Geography 10 (1) (1989): 28.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498455236222-S3LFYMZI3IAIQGTQ3F7G/image-asset.jpeg</image:loc>
      <image:title>Read - Towards an Architecture of Métis Resistance</image:title>
      <image:caption>Image 7: Typical Métis folk home. Saskatchewan. Photograph by Jason Surkan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498452347517-L5JVWB2UF2HW69UIOMS4/image-asset.jpeg</image:loc>
      <image:title>Read - Towards an Architecture of Métis Resistance</image:title>
      <image:caption>Image 4: Farmstead layout comparisons. Image by Jason Surkan. Adapted from David Burley and Gayel A. Horsfall, “Vernacular Houses and Farmsteads of the Canadian Métis,” Journal of Cultural Geography 10 (1) (1989): 28.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498452454910-ES0812Q6ZA7CUQKEVWA8/image-asset.jpeg</image:loc>
      <image:title>Read - Towards an Architecture of Métis Resistance</image:title>
      <image:caption>Image 4: Farmstead layout comparisons. Image by Jason Surkan. Adapted from David Burley and Gayel A. Horsfall, “Vernacular Houses and Farmsteads of the Canadian Métis,” Journal of Cultural Geography 10 (1) (1989): 28.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498452484041-P1WI811J2A6S61HI6PIV/image-asset.jpeg</image:loc>
      <image:title>Read - Towards an Architecture of Métis Resistance</image:title>
      <image:caption>Image 4: Farmstead layout comparisons. Image by Jason Surkan. Adapted from David Burley and Gayel A. Horsfall, “Vernacular Houses and Farmsteads of the Canadian Métis,” Journal of Cultural Geography 10 (1) (1989): 28.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498455887085-92ALXVHBYKRSOZUNZ208/image-asset.jpeg</image:loc>
      <image:title>Read - Towards an Architecture of Métis Resistance</image:title>
      <image:caption>Image 12: Recent Métis-built home interiors. East Prairie Settlement, Alberta, and Fish Lake, Saskatchewan. Photograph by David Fortin and Jason Surkan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498455097864-QSDRZPG8JAYDIH736KUX/Image+5.JPG</image:loc>
      <image:title>Read - Towards an Architecture of Métis Resistance</image:title>
      <image:caption>Image 5: Typical Métis folk home at Green Lake, Saskatchewan. Photograph by Jason Surkan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498455433566-1OUEUQZD8CG1PEWZ5C8M/image-asset.jpeg</image:loc>
      <image:title>Read - Towards an Architecture of Métis Resistance</image:title>
      <image:caption>Image 9: Group of natives, Buffalo Narrows, Sask. Canada. Dept. of Interior / Library and Archives Canada / PA-044552.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498454051115-8VKZ3CL60HVJN1GV1SU6/image-asset.jpeg</image:loc>
      <image:title>Read - Towards an Architecture of Métis Resistance</image:title>
      <image:caption>Image 2: Interior of a Metis house on the North West-Mounted Police trek west, 1874. Glenbow Archives NA-47-10.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Read - Towards an Architecture of Métis Resistance</image:title>
      <image:caption>Image 11: Métis built house. Fish Lake, Saskatchewan. Photograph by Jason Surkan.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/my-banya</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498621752534-70O7NUEH25VEFKE0R6BI/image-asset.jpeg</image:loc>
      <image:title>Read - My Banya</image:title>
      <image:caption>Image 5:  Fonarnie Bani on Moyka River, 1870; Naberejnaya reki Moyki, 80-82; Architect: Suzor</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498621838925-HG2JD6KIYZWK84WI6UPH/image-asset.jpeg</image:loc>
      <image:title>Read - My Banya</image:title>
      <image:caption>Image 6: Banya in a courtyard of merchant Karl  Ustifievich Fleischhauer, 1872; Alexandro - Nevskaya part, 2nd plot on Obvodny canal N 34; Architects: Klimov, Shestov, Kokovcev</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498621939218-BZWZ73VKZN4SH30CZ8QV/image-asset.jpeg</image:loc>
      <image:title>Read - My Banya</image:title>
      <image:caption>Image 7: Banya in the house of successors of Sorokin, 19th century</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498622399376-EN7HN42NW1XP6SNDEAD3/image-asset.jpeg</image:loc>
      <image:title>Read - My Banya</image:title>
      <image:caption>Image 11:  Competition for rayon thermae in Petrograd, 1920; Architect: Tverskaya</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498622471202-UNDC3DUFTS1QG7Q41VMW/image-asset.jpeg</image:loc>
      <image:title>Read - My Banya</image:title>
      <image:caption>Image 12: Banya “Gigant”, 1928-1930, Zoya Kosmodemyanskaya street 7, Architect: Nikolsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498621297357-PHQKUZA3ZW70T4ULEDWX/image-asset.jpeg</image:loc>
      <image:title>Read - My Banya</image:title>
      <image:caption>Image 1: Typical banya in village, circa 16th century</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498622341305-QQIO4BXQMYZL5DVZB27U/image-asset.jpeg</image:loc>
      <image:title>Read - My Banya</image:title>
      <image:caption>Image 10: Competition for rayon thermae in Petrograd, 1920; Architect: Lamgbard</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498622552723-W9B2WJ9KGHJDWPDXB162/image-asset.jpeg</image:loc>
      <image:title>Read - My Banya</image:title>
      <image:caption>Image 13: Kruglie Bani (Bani v Lesnom), 1927; Karbisheva street 29a/3; Architect: Nikolsky</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498621586903-T2GJ738MCEMMZM1MXNYL/image-asset.jpeg</image:loc>
      <image:title>Read - My Banya</image:title>
      <image:caption>Image 3: Banya, 19th century</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498622068069-5F4UJDCP4NFQX01BFJ16/image-asset.jpeg</image:loc>
      <image:title>Read - My Banya</image:title>
      <image:caption>Image 8: Renovation of Karpovskie Bani, built in 19th century, renovated circa 1930</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498622190095-B78015OXDHYQGXZ9ZYZF/image-asset.jpeg</image:loc>
      <image:title>Read - My Banya</image:title>
      <image:caption>Image 9: Renovation of Finliandskie Bani, Finsky alley, plot No. 9</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498621665627-TREIHXVE3F84E2ML2HXY/image-asset.jpeg</image:loc>
      <image:title>Read - My Banya</image:title>
      <image:caption>Image 4: Banya, mid 19th century</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498621513540-9CIS2GH3W98MMNA8X08L/image-asset.jpeg</image:loc>
      <image:title>Read - My Banya</image:title>
      <image:caption>Image 2: Banya in Neskuchny Garden, 19th century</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498622641360-3PKIU2XIQT92NMZY48S6/image-asset.jpeg</image:loc>
      <image:title>Read - My Banya</image:title>
      <image:caption>Image 14: Typical Individual Banya in apartment, 2000s</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/happy-city</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498615985977-L9DRK9IVKQ3B7DDXS2OE/1+HAPPY+CITY.jpg</image:loc>
      <image:title>Read - Happy City</image:title>
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      <image:title>Read - Happy City</image:title>
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      <image:title>Read - Happy City</image:title>
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      <image:title>Read - Happy City</image:title>
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      <image:title>Read - Happy City</image:title>
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      <image:title>Read - Happy City</image:title>
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      <image:title>Read - Happy City</image:title>
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      <image:title>Read - Happy City</image:title>
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      <image:title>Read - Happy City</image:title>
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      <image:title>Read - Happy City</image:title>
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      <image:title>Read - Happy City</image:title>
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  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/reconsidered-vernacular</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1498459169096-X1ARSJHX5IE31HJSON7X/image-asset.jpeg</image:loc>
      <image:title>Read - Reconsidered Vernacular</image:title>
      <image:caption>Houses are perpetually under construction</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/architectures-of-renewal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/architecture-redux</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-03</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/the-present-vernacular</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-05-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1496208933810-BY5T4E5JSWTOLY5EDZF4/image-asset.jpeg</image:loc>
      <image:title>Read - The Present Vernacular</image:title>
      <image:caption>Image 8B: Sanctuary with dome crafted from a repurposed satellite dish, Photograph by Timothy Hursley</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1496208037993-9TKO4PFP0XU7YQRWRFRP/image-asset.jpeg</image:loc>
      <image:title>Read - The Present Vernacular</image:title>
      <image:caption>Image 1: Thorncrown Chapel, Fay Jones, 1980, Photograph by Timothy Hursley</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1496209667636-TGSN8QXV471VG4BFNSKV/image-asset.jpeg</image:loc>
      <image:title>Read - The Present Vernacular</image:title>
      <image:caption>Image 4: Original metal shop building (before), Photograph by Timothy Hursley</image:caption>
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      <image:title>Read - The Present Vernacular</image:title>
      <image:caption>Image 8A: Satellite dish, acquired for beer, Photograph by Marlon Blackwell Architects</image:caption>
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      <image:caption>Image 5: West Elevation (after), Photograph by Timothy Hursley</image:caption>
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      <image:caption>Image 6: Northwest corner at dusk (after), Photograph by Timothy Hursley</image:caption>
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      <image:title>Read - The Present Vernacular</image:title>
      <image:caption>Image 3: Suburban context; view from interstate, Photograph by Timothy Hursley</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1496209718140-VS9IRGZX65H5ZJW6WHCH/image-asset.jpeg</image:loc>
      <image:title>Read - The Present Vernacular</image:title>
      <image:caption>Image 4B: Original metal shop interior (before), Photograph by Marlon Blackwell Architects</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1496210100851-ZMGDTUPTEWQF17SSTJ29/image-asset.jpeg</image:loc>
      <image:title>Read - The Present Vernacular</image:title>
      <image:caption>Image 9: Southwest Corner in the afternoon (after), Photograph by Timothy Hursley</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1496208334603-XOK9K3XU6LRRG38Y8UI0/image-asset.jpeg</image:loc>
      <image:title>Read - The Present Vernacular</image:title>
      <image:caption>Image 2: Precious Moments Chapel, 1989, http://en.wikipedia.org/wiki/File:PMChapel.jpg</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/another-vernacular</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-05-31</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/vernacular-of-adaptation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
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  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/storefront-worship</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
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      <image:title>Read - Storefront Worship</image:title>
      <image:caption>Image 10 / Church of the Open Doors, Bedford Ave., Photograph by Lane Rick</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1493745064914-076DVQHVZCI97FYMHKD3/image-asset.jpeg</image:loc>
      <image:title>Read - Storefront Worship</image:title>
      <image:caption>Image 7 / Zion House of Prayer, Bedford Ave., Photograph by Lane Rick</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1493744594483-5K565LC04URCOYWIWP4B/image-asset.jpeg</image:loc>
      <image:title>Read - Storefront Worship</image:title>
      <image:caption>Image 1 / Streetview, Brooklyn Ave., 1929. Citation: Irma and Paul Milstein Division of United States History, Local History and Genealogy, The New York Public Library. "Brooklyn: Brooklyn Avenue - Herkimer Street" New York Public Library Digital Collections. Accessed September 14, 2016. http://digitalcollections.nypl.org/items/510d47dc-c73a-a3d9-e040-e00a18064a99</image:caption>
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      <image:caption>Image 3 / Interior view of St. Luke FBH, Photograph by Lane Rick</image:caption>
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      <image:caption>Image 6 / The Tabernacle of God in Christ Jesus, Rogers Ave., Photograph by Lane Rick</image:caption>
    </image:image>
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      <image:title>Read - Storefront Worship</image:title>
      <image:caption>Image 8 / Faith Holy Church of the Living God, Putnam Ave., Photograph by Lane Rick</image:caption>
    </image:image>
    <image:image>
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      <image:title>Read - Storefront Worship</image:title>
      <image:caption>Image 4 / Beulah Church of God in Christ, the former Marcy Cinema, Marcy Ave., Photograph by Lane Rick</image:caption>
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    <image:image>
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      <image:title>Read - Storefront Worship</image:title>
      <image:caption>Image 5 / Interior view of Beulah Church of God in Christ, Photograph by Lane Rick</image:caption>
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      <image:title>Read - Storefront Worship</image:title>
      <image:caption>Image 2 / Present day view of the same corner, showing St Luke Fire Baptized Holiness Church in the former storefront on the right side of the image, Photograph by Lane Rick</image:caption>
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    <image:image>
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      <image:title>Read - Storefront Worship</image:title>
      <image:caption>Image 11 / Greater Zion Shiloh Baptist Church, Fulton St., Photograph by Lane Rick</image:caption>
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    <image:image>
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      <image:title>Read - Storefront Worship</image:title>
      <image:caption>Image 9 / Pilgrim African Methodist Church, Bedford Ave., Photograph by Lane Rick</image:caption>
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  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/empire-of-signages</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-05-07</lastmod>
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      <image:title>Read - Empire of Signages</image:title>
      <image:caption>Image 1/ Remnants of “Signboard Architecture,” Ikeda, Osaka Prefecture, Photograph by CC Williams</image:caption>
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    <image:image>
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      <image:title>Read - Empire of Signages</image:title>
      <image:caption>Image 3 / Any base building may have several of these scaffold extensions or entrances. Two modern pencil buildings and their add-ons, Bakuromachi and Dōtonbori, Osaka, Photograph by CC Williams</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1493750381969-02073Z9P7V6JRYRUFHMC/image-asset.jpeg</image:loc>
      <image:title>Read - Empire of Signages</image:title>
      <image:caption>Image 12 / Shop selling ready-made signage options, Namba, Osaka, Photograph by CC Williams</image:caption>
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    <image:image>
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      <image:title>Read - Empire of Signages</image:title>
      <image:caption>Image 10 / Ikeda, Osaka Prefecture, Photograph by CC Williams</image:caption>
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    <image:image>
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      <image:title>Read - Empire of Signages</image:title>
      <image:caption>Image 9 / Lantern Shack, Dōtonbori, Osaka, Photograph by CC Williams</image:caption>
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      <image:title>Read - Empire of Signages</image:title>
      <image:caption>Image 5/ Noren mimicry, Ikeda, Osaka Prefecture, Photograph by CC Williams</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1493748792647-5B771JYOVLIYBF68RPMS/image-asset.jpeg</image:loc>
      <image:title>Read - Empire of Signages</image:title>
      <image:caption>Image 2/ An Indonesian restaurant projects a roofline extension reminiscent of an indigenous “Indonesian” hut, Minasemba, Osaka, Photograph by CC Williams</image:caption>
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    <image:image>
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      <image:title>Read - Empire of Signages</image:title>
      <image:caption>Image 6 Photo / Noren mimicry, Shinsaibashi, Osaka, Photograph by CC Williams</image:caption>
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    <image:image>
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      <image:title>Read - Empire of Signages</image:title>
      <image:caption>Image 11 / Many shops have little space inside: they’re more like glorified storage cupboards. The major display hangs off the façade and over the sidewalk, Amerika Mura, Osaka, Photograph by CC Williams</image:caption>
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    <image:image>
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      <image:title>Read - Empire of Signages</image:title>
      <image:caption>Image 4 / Any base building may have several of these scaffold extensions or entrances. Two modern pencil buildings and their add-ons, Bakuromachi and Dōtonbori, Osaka, Photograph by CC Williams</image:caption>
    </image:image>
    <image:image>
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      <image:title>Read - Empire of Signages</image:title>
      <image:caption>Image 8 / The little viewed undercroft of the famous Glico Man sign featuring traditional paper lanterns, Dōtonbori, Osaka, Photograph by CC Williams</image:caption>
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      <image:title>Read - Empire of Signages</image:title>
      <image:caption>Image 7 / Tenjinsujibashi, Osaka, Photograph by CC Williams</image:caption>
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  <url>
    <loc>https://www.thesitemagazine.com/read/suitable-accommodation</loc>
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    <lastmod>2017-05-07</lastmod>
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  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/defining-vernacular</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-05-07</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/god-bless-the-usps</loc>
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    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
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  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/editing-vernacular</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
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      <image:title>Read - Editing Vernacular - Image 1:  The intimate interior of the Müze highlights the limits and possibilities of the tool which carved it. November, 2015. Photograph by Jessie Wilcox</image:title>
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    <image:image>
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      <image:title>Read - Editing Vernacular - Image 2: The complex layering of the Sassi offers a labyrinthine experience to the new visitor. September, 2015. Photograph by Jessie Wilcox</image:title>
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      <image:title>Read - Editing Vernacular</image:title>
      <image:caption>Image 7:  A visiting woman stands in the shadow of the now protected Adalaj-ni-vav. While mainly touristic, other wells are being used as temples or have temples associated with them. December, 2015. Photograph by Jessie Wilcox</image:caption>
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      <image:title>Read - Editing Vernacular</image:title>
      <image:caption>Image 3: The layers of Matera, thousands of years in use, as seen from across the Gravina. September, 2015. Photograph by Jessie Wilcox</image:caption>
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      <image:title>Read - Editing Vernacular - Image 4: An example of an old carved dwelling near Göreme. October, 2015. Photograph by Jessie Wilcox</image:title>
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      <image:title>Read - Editing Vernacular - Image 5:  A stone-wheel door provides protection to a church and hermitage near Göreme. November, 2015. Photograph by Jessie Wilcox</image:title>
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    </image:image>
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      <image:title>Read - Editing Vernacular</image:title>
      <image:caption>Image 6:  The two images here of the Ran-ki-vav, or “Queen's Stepwell,” highlight how there is very little above the line of ground that would suggest the complexity of the structure below. December, 2015. Photograph by Jessie Wilcox</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1491801482221-7N6KGHYALHDDO3J1C0IE/image-asset.jpeg</image:loc>
      <image:title>Read - Editing Vernacular</image:title>
      <image:caption>Image 8:  A close up of the detail at Ran-ki-vav makes obvious the tension of carved and uncarved, of light and shadow in this method of building. December, 2015. Photograph by Jessie Wilcox</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/a-place-apart</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1491797970616-6TYSOXQNTYBY66RK5KHS/image-asset.jpeg</image:loc>
      <image:title>Read - A Place Apart</image:title>
      <image:caption>Figure 4: Archival photographs from 1919 showing storefronts added onto residences at Kensington Avenue and Baldwin Street. In the foreground a bay window has been converted to a doorway, indicating that single family homes were being used as apartments. City of Toronto Archives, Series 372, Sub-series 58, Item 834; Series 372, Sub-series 58, Item 835</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1491797637411-XXT9HXRHL7BNL17D75GE/Figure+1.jpg</image:loc>
      <image:title>Read - A Place Apart</image:title>
      <image:caption>Figure 1: Plan showing the street and block patters of the Kensington Market neighbourhood (outlined) and surrounding area as laid out in 1924. The east-west blocks (black) are typical of earlier subdivisions, while the taller blocks (grey) represent later trends. Kensington Market lies at a point of confluence, containing an equal number of each.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1491797842731-C02S35MMM9KOLCN1K3RS/image-asset.jpeg</image:loc>
      <image:title>Read - A Place Apart</image:title>
      <image:caption>Figure 2: Archival Photographs from the 1920s showing the street vendors and live animals common to the Jewish Market. City of Toronto Archives, Fonds 1266, Item 8245; Fonds 1266 Item 8243</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1491797936455-E7PFPWEXVZWVBV3QC879/image-asset.jpeg</image:loc>
      <image:title>Read - A Place Apart</image:title>
      <image:caption>Figure 3: Drawing of a dwelling on Baldwin Street before and after commercial additions. The former is speculative.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1491798179770-M8QZ5SH5O6AY61S0CBMF/image-asset.jpeg</image:loc>
      <image:title>Read - A Place Apart</image:title>
      <image:caption>Figure 6: Map showing the high concentration of T-intersections surrounding the Kensington Market neighbourhood as laid out in 1924. O denotes streets continuous inside and outside the neighbourhood, while X represents a road that ends at the major street.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1491798405777-9Y8MO3NPUFUZQ92EF5ST/image-asset.jpeg</image:loc>
      <image:title>Read - A Place Apart</image:title>
      <image:caption>Figure 8: Drawing of a fixed awning on Augusta Avenue, before and after winterizing the space. The former is speculative.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1491798084842-MPYZWX6TJGE4Q565WILY/image-asset.jpeg</image:loc>
      <image:title>Read - A Place Apart</image:title>
      <image:caption>Figure 5: Scale drawings showing the relative widths of typical commercial right-of-ways in Toronto, compared with Baldwin Street.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1491798348754-IIK47MXA6X4O1NGWL0IT/image-asset.jpeg</image:loc>
      <image:title>Read - A Place Apart</image:title>
      <image:caption>Figure 7: Archival photographs showing Augusta Avenue in 1963. The fixed awnings are in place, though they have yet to be enclosed. City of Toronto Archives, Series 1057, Item 5611; Series 1057, Item 5612</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1491798477897-CRMJ1EDGI7630JYZJ3T2/image-asset.jpeg</image:loc>
      <image:title>Read - A Place Apart</image:title>
      <image:caption>Figure 9: Drawing of a corner market at Baldwin Street and Augusta Avenue, as configured in 1932 and with enclosed café today.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/touching-the-land</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487738316975-KY0WHH6XVPX122K6RDYJ/image-asset.jpeg</image:loc>
      <image:title>Read - Touching the Land</image:title>
      <image:caption>Image 2: Ch’oodèenjik (trans. Porcupine River), Photograph by author</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487817212468-R3RDT4LUBZFE9G9WP8SG/image-asset.jpeg</image:loc>
      <image:title>Read - Touching the Land</image:title>
      <image:caption>Image 7: Gerardus Mercator’s 1595 polar projection depicting a magnetic mountain at the North Pole. (Map courtesy Library and Archives Canada, Mikan no. 3682241)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487816234256-QOMO2MTMWB3SPPGJNQB2/Image3.jpg</image:loc>
      <image:title>Read - Touching the Land - Image 3: Surface foundation system on permafrost (Rendering adapted from CMHC)</image:title>
      <image:caption />
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      <image:title>Read - Touching the Land - Image 4: Deep foundation system on permafrost (Rendering adapted from CMHC)</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487816633038-7X93I3KQ93LRJSM1GJIL/image-asset.jpeg</image:loc>
      <image:title>Read - Touching the Land</image:title>
      <image:caption>Image 5: Camp along the eroding river bank, Photograph by author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487815134515-L7RM9SN4QEG1BJEXAN2J/image-asset.jpeg</image:loc>
      <image:title>Read - Touching the Land</image:title>
      <image:caption>Image 1: Permafrost map of Canada (Data courtesy of National Snow and Ice Data Centre)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487816890170-BJX6Q6KNS3ZQY5JXKISG/image-asset.jpeg</image:loc>
      <image:title>Read - Touching the Land</image:title>
      <image:caption>Image 6: A tree root foundation detail, Photograph by author</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487817303403-D7ZLZGLKBXLPKDDNME8E/image-asset.jpeg</image:loc>
      <image:title>Read - Touching the Land</image:title>
      <image:caption>Image 8: Magnetic north is shifting. This image of the world magnetic model shows changes in main field grid variation. Contour interval is 2 degrees. Red contours positive (east); black negative (west); dotted black zero line. Image by author (Data courtesy of NOAA National Geophysical Data Center)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/new-england-accent</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487731328945-4G1S5S5O5T50NDPPCIKW/image-asset.jpeg</image:loc>
      <image:title>Read - New England Accent</image:title>
      <image:caption>Image 14 (Image credit B. Cannon Ivers, Devin Dobrowolski and Mary Catherine Miller)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487731533341-Z0DY294HTPA2PAC8RAWU/17_Ivers_Dobrowolski_Miller+%2828%29+-+Copy.jpg</image:loc>
      <image:title>Read - New England Accent - Image 15 (Image credit B. Cannon Ivers, Devin Dobrowolski and Mary Catherine Miller)</image:title>
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      <image:title>Read - New England Accent - Image 16 (Image credit B. Cannon Ivers, Devin Dobrowolski and Mary Catherine Miller)</image:title>
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      <image:title>Read - New England Accent - Image 17 (Image credit B. Cannon Ivers, Devin Dobrowolski and Mary Catherine Miller)</image:title>
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      <image:title>Read - New England Accent</image:title>
      <image:caption>Image 2 (Image credit B. Cannon Ivers, Devin Dobrowolski and Mary Catherine Miller)</image:caption>
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      <image:title>Read - New England Accent</image:title>
      <image:caption>Image 6 (Image credit B. Cannon Ivers, Devin Dobrowolski and Mary Catherine Miller)</image:caption>
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      <image:title>Read - New England Accent</image:title>
      <image:caption>Image 9 (Image credit B. Cannon Ivers, Devin Dobrowolski and Mary Catherine Miller)</image:caption>
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      <image:title>Read - New England Accent</image:title>
      <image:caption>Image 1 (Image credit B. Cannon Ivers, Devin Dobrowolski and Mary Catherine Miller)</image:caption>
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      <image:title>Read - New England Accent - Image 10 (Image credit B. Cannon Ivers, Devin Dobrowolski and Mary Catherine Miller)</image:title>
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      <image:title>Read - New England Accent - Image 11 (Image credit B. Cannon Ivers, Devin Dobrowolski and Mary Catherine Miller)</image:title>
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      <image:title>Read - New England Accent - Image 12 (Image credit B. Cannon Ivers, Devin Dobrowolski and Mary Catherine Miller)</image:title>
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      <image:title>Read - New England Accent - Image 13 (Image credit B. Cannon Ivers, Devin Dobrowolski and Mary Catherine Miller)</image:title>
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      <image:title>Read - New England Accent</image:title>
      <image:caption>Image 5 (Image credit B. Cannon Ivers, Devin Dobrowolski and Mary Catherine Miller)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487639586270-9B2RV1ADK4O312X22M8G/image-asset.jpeg</image:loc>
      <image:title>Read - New England Accent</image:title>
      <image:caption>Image 3 (Image credit B. Cannon Ivers, Devin Dobrowolski and Mary Catherine Miller)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487640937680-CJ3P9CCUZHE2EKG60Y01/image-asset.jpeg</image:loc>
      <image:title>Read - New England Accent</image:title>
      <image:caption>Image 4 (Image credit B. Cannon Ivers, Devin Dobrowolski and Mary Catherine Miller)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487641223387-RQJFQNVUYG4RL6YCK6N2/image-asset.jpeg</image:loc>
      <image:title>Read - New England Accent</image:title>
      <image:caption>Image 7 (Image credit B. Cannon Ivers, Devin Dobrowolski and Mary Catherine Miller)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487641610625-XLFM39EAZMSZFGOHFQU5/image-asset.jpeg</image:loc>
      <image:title>Read - New England Accent</image:title>
      <image:caption>Image 8 (Image credit B. Cannon Ivers, Devin Dobrowolski and Mary Catherine Miller)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/fluid-vernacular</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487647951224-RZN4PBZPGZX5SWIT8ZWI/image-asset.jpeg</image:loc>
      <image:title>Read - Fluid Vernacular</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487648285755-VI6BHSN6YFZ9SQHGO535/image-asset.jpeg</image:loc>
      <image:title>Read - Fluid Vernacular</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487648757507-YQIHUXGFQC3BRARL49DA/image-asset.jpeg</image:loc>
      <image:title>Read - Fluid Vernacular</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487648114120-7Z558WY4P5I0DQ4GE1OV/image-asset.jpeg</image:loc>
      <image:title>Read - Fluid Vernacular</image:title>
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      <image:title>Read - Fluid Vernacular</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487649509772-MVTRWJFS2DPDL29ULK40/image-asset.jpeg</image:loc>
      <image:title>Read - Fluid Vernacular</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487647876290-JKGID9C9IECYMHCGZAAP/image-asset.jpeg</image:loc>
      <image:title>Read - Fluid Vernacular</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487648311562-1RFMP6V1ZAOEYK9YYXBN/image-asset.jpeg</image:loc>
      <image:title>Read - Fluid Vernacular</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487648151954-1Q5WDF2OB5BDYBC7K8JV/image-asset.jpeg</image:loc>
      <image:title>Read - Fluid Vernacular</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487647844961-FCUC96NMBRH2Q4Y695TW/image-asset.jpeg</image:loc>
      <image:title>Read - Fluid Vernacular</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/when-the-vernacular-fails</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487651857567-H2U2GPO38G9MY2JJEUNI/figure1_landscape.JPG</image:loc>
      <image:title>Read - When the Vernacular Fails</image:title>
      <image:caption>Figure 1: Nepal landscape. (Photograph by Lise van Overbeeke)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487652097792-MVKZD0BKEDSNSODXMZ9Y/image-asset.jpeg</image:loc>
      <image:title>Read - When the Vernacular Fails</image:title>
      <image:caption>Figure 3: Example of delamination of a wall and collapse of the stone gable. (Photograph by Lise van Overbeeke)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487651984139-1IN76IMX1Z92Q3HCPDPD/image-asset.jpeg</image:loc>
      <image:title>Read - When the Vernacular Fails</image:title>
      <image:caption>Figure 2: A house in the Makwanpur region. This one has access to electricity, is finished with plaster, and is bigger than average. (Photograph by Lise van Overbeeke)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1487652262245-2D7UYE0TDALP3SJUD40Z/image-asset.jpeg</image:loc>
      <image:title>Read - When the Vernacular Fails</image:title>
      <image:caption>Figure 4: The following drawings are a few of the images that we created for the handbook that go into more detail on each of the six points. (Drawings by Lise van Overbeeke)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/marking-land-bordering-systems</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1474938775135-K7M75U8S7G3LTIN12ECY/image-asset.jpeg</image:loc>
      <image:title>Read - Marking Land</image:title>
      <image:caption>Inhabiting the Border (Image: Roy Cloutier)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1474938284089-5JA0M3FGSLQ2PU5U0SZU/image-asset.jpeg</image:loc>
      <image:title>Read - Marking Land</image:title>
      <image:caption>Bordering Preservation (Image: Roy Cloutier)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1474939514607-YMGG5TLVIJG88AZYDJL0/image-asset.jpeg</image:loc>
      <image:title>Read - Marking Land</image:title>
      <image:caption>Perspective (Image: Roy Cloutier)</image:caption>
    </image:image>
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      <image:title>Read - Marking Land</image:title>
      <image:caption>Aerial Perspective (Image: Roy Cloutier)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1474938509056-J8JUEBSKQTFONA80J9BL/image-asset.jpeg</image:loc>
      <image:title>Read - Marking Land</image:title>
      <image:caption>Thickened Edge (Image: Roy Cloutier)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1474939192126-ZVRNYEIGBR574BERZ9WI/image-asset.jpeg</image:loc>
      <image:title>Read - Marking Land</image:title>
      <image:caption>Plan/Section (Image: Roy Cloutier)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1474938187123-SKUFMWRBLTIRLUKTM48M/image-asset.jpeg</image:loc>
      <image:title>Read - Marking Land</image:title>
      <image:caption>Las Vegas: A Foreclosure Epidemic (Image: Roy Cloutier)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1474939300225-QP3QCGV16QBZAAK3G4ZG/image-asset.jpeg</image:loc>
      <image:title>Read - Marking Land</image:title>
      <image:caption>Elevation Oblique (Image: Roy Cloutier)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/reinterpreted-surfaces</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/ocean-as-platform</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
    <image:image>
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      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 21</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1473819398279-BHHC7AV2QK6WIYQCZ0WG/image-asset.jpeg</image:loc>
      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 19b</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1473645818509-HCC2R6A19ZRN18SDN58F/image-asset.jpeg</image:loc>
      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 2b</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1473819467268-DIRTEYU62UGLR2C2FR9L/image-asset.jpeg</image:loc>
      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 20</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1473814675684-VSZ7W96SUZXYXAWYK4VM/image-asset.jpeg</image:loc>
      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 3</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1473814849340-CBNO64WMMJGJE5DMDQP7/image-asset.jpeg</image:loc>
      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 5</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1473215898628-7OKXA36I2JLP5RXBBKRJ/image-asset.jpeg</image:loc>
      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 1</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1473815567239-PR16V16KHTWDGVS7GALN/image-asset.jpeg</image:loc>
      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 9</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1473816346726-HMFR2YTDA8EOV9DDQXAD/image-asset.jpeg</image:loc>
      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 12</image:caption>
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      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 14</image:caption>
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      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 19a</image:caption>
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      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 2</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1473816833678-T4IYDZSWRNZCHJT1RHAR/image-asset.jpeg</image:loc>
      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 17</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1473819035461-UPWUJXP7G0ZK8GJQXT4X/Ocean+as+Platform_Cannon+Ivers+%2819%29.jpg</image:loc>
      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 19</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1473815425973-AXGRNESJ8BTIRQJXSCUZ/image-asset.jpeg</image:loc>
      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 7</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1473815373198-T1SD5E4X88WWGV5ERL0I/image-asset.jpeg</image:loc>
      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 6</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1473815785444-O8TPHJTFHSK9Q2BHR0RZ/image-asset.jpeg</image:loc>
      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 10</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1473817112482-77TAZHERDUEYI8GSXIRL/image-asset.jpeg</image:loc>
      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 18</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1473816185948-NFL22XW6YWRUD98ZWRLO/image-asset.jpeg</image:loc>
      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 11</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1473816428102-17JZHZYTWR790HYMO2PA/image-asset.jpeg</image:loc>
      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 13</image:caption>
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      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 2a</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1473815492739-I61LHXUU48O99BNRPMHE/image-asset.jpeg</image:loc>
      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 8</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1473815872225-06RK2RZESNWQQ19OJU8T/image-asset.jpeg</image:loc>
      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 10a</image:caption>
    </image:image>
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      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 16</image:caption>
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      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 4</image:caption>
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      <image:title>Read - Ocean as Platform</image:title>
      <image:caption>Figure 15</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/block-notes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
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      <image:title>Read - Block Notes</image:title>
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  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/oil-lines</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
    <image:image>
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      <image:title>Read - Oil Lines</image:title>
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      <image:title>Read - Oil Lines</image:title>
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      <image:title>Read - Oil Lines</image:title>
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      <image:title>Read - Oil Lines</image:title>
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      <image:title>Read - Oil Lines</image:title>
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      <image:title>Read - Oil Lines</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/hybrid-thresholds</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1471878277020-LCDB31E7TU6ASJYYX78C/image-asset.jpeg</image:loc>
      <image:title>Read - Hybrid Thresholds</image:title>
      <image:caption>Figure 1: River’s edge: precondition, existing, and proposed condition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1471879058033-1K3WT17F9SCOKZUA0Z6G/image-asset.jpeg</image:loc>
      <image:title>Read - Hybrid Thresholds</image:title>
      <image:caption>Figure 11: Plan detail showing the elevated deck and the treatment cells.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1471878578999-PYPD9LPHHX62KOWKV5A5/image-asset.jpeg</image:loc>
      <image:title>Read - Hybrid Thresholds</image:title>
      <image:caption>Figure 4 (L): Outfalls and the main drainage areas. The stormwater is conveyed first through the natural topography of the site, and then through the outfalls shown on the map. Figure 5 (R): Lower Don Trail Master Plan: suggested programs on the study area.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1471878989604-K7E34XVMX1XAEBDABTF6/image-asset.jpeg</image:loc>
      <image:title>Read - Hybrid Thresholds</image:title>
      <image:caption>Figure 10: Section detail cutting through the cafe and its outdoor sitting area integrated with the water remediation landscape cells. The width of the paths adjacent to the pools varies based on their functions. Some are wider and appropriate for public gathering, while the others are narrower, which encourage walking as opposed to staying.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1471878807675-U5Z74R2XA8ZX9OOKUUHD/image-asset.jpeg</image:loc>
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      <image:caption>Figure 6: Site plan location 1 showing the main fabric of cellular pools and the basic geometrics of social activities.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1471878931437-P44N9GRVY5BAH3OM2FYK/image-asset.jpeg</image:loc>
      <image:title>Read - Hybrid Thresholds</image:title>
      <image:caption>Figure 9: Configuration of the proposed constructed wetlands/bioremediation cells. Each type of plants processes certain type water pollution.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1471878478633-K6H7BF0A6WM957HNBXFU/image-asset.jpeg</image:loc>
      <image:title>Read - Hybrid Thresholds</image:title>
      <image:caption>Figure 2 (L): Site plan: the existing condition of the study area. Figure 3 (R): Locations of the three design interventions highlighted on the study area.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1471878849265-NVFGD24RGBR49LAXMPZW/image-asset.jpeg</image:loc>
      <image:title>Read - Hybrid Thresholds</image:title>
      <image:caption>Figure 7 (L): Site plan location 2 showing the public gathering areas in front of the River’s edge, the elevated deck for yoga activities, and the bridge connecting the program to the existing trail. Figure 8 (R): Site plan location 3 showing the designed pedestrian boardwalk as well as the rest area for pedestrians and cyclists.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/ode-to-joy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1469560184262-3IJKVDT06EZNNN1RDS5T/image-asset.jpeg</image:loc>
      <image:title>Read - Ode to Joy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1469560253218-KERV3VEH6GUG2YB5OI6B/image-asset.jpeg</image:loc>
      <image:title>Read - Ode to Joy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1469559850857-PDKYA2T3ZW6GBFRYY2GC/image-asset.jpeg</image:loc>
      <image:title>Read - Ode to Joy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1469560599924-JUA333NZU8KRIRKH5MRU/image-asset.jpeg</image:loc>
      <image:title>Read - Ode to Joy</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1469559618402-EPOIVKW0PZUHGF571HSZ/image-asset.jpeg</image:loc>
      <image:title>Read - Ode to Joy</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/between-north-and-south</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1469548198088-0I6HNV8POHL5F4UP85D0/image-asset.jpeg</image:loc>
      <image:title>Read - Between North and South</image:title>
      <image:caption>Illuminated southern cities are in stark contrast to the Cree communities that power them.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1469548546990-SZSJ89W7YKIPL689XJ9T/image-asset.jpeg</image:loc>
      <image:title>Read - Between North and South</image:title>
      <image:caption>Ice fishing and kite flying on Loon Lake with George.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1469548945750-V262ODVNJ3MC1FV8AKRE/image-asset.jpeg</image:loc>
      <image:title>Read - Between North and South</image:title>
      <image:caption>The Fuelling Cabin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1469548443541-EQGNT24UB5SL8TOPVFSJ/image-asset.jpeg</image:loc>
      <image:title>Read - Between North and South</image:title>
      <image:caption>History of Hydro Quebec developments in Eeyou Istchee and section through The James Bay Project.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1469548293260-HSF6OKJNI4UC9XPA4D61/image-asset.jpeg</image:loc>
      <image:title>Read - Between North and South</image:title>
      <image:caption>The locations of Cree communities, Hydro Quebec dams, powerlines, and the area of the diverted basin within Eeyou Istchee.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1469549043086-YOIJFOP4WJ25SKOYZEWZ/image-asset.jpeg</image:loc>
      <image:title>Read - Between North and South</image:title>
      <image:caption>The Fuelling Cabin.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/this-aint-toronto</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1591651746389-CQ80FZGHJPUHCPG5NU64/Fig+3+G20+Nations.jpg</image:loc>
      <image:title>Read - This Ain't Toronto</image:title>
      <image:caption>Image 5 | G20 Nations</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1591652537238-QNLI15ZTLZZE2TMKSQ7S/Fig+6+No+Fly+Zones.jpg</image:loc>
      <image:title>Read - This Ain't Toronto</image:title>
      <image:caption>Image 8 | No Fly Zones</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1591651391875-KMI6D4FO8KYOMCPDJU62/Fig+1+Public+Work+Protection+Act+Amendment.jpg</image:loc>
      <image:title>Read - This Ain't Toronto</image:title>
      <image:caption>Image 2 | Public Works Protection Act Amendment</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1591652064609-HF26A2TLT9T374ASZWTD/Fig+5+Security+Zones.jpg</image:loc>
      <image:title>Read - This Ain't Toronto</image:title>
      <image:caption>Image 7 | Security Zones</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1591652801025-Z2BW30HNA6WHBHVEQ18B/Fig+7+CCTV.jpg</image:loc>
      <image:title>Read - This Ain't Toronto</image:title>
      <image:caption>Image 9 | CCTV Cameras</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1591651616676-95ZHB8ERX2XIT1QYX9JC/4736746481_022b2d0a80_o.jpg</image:loc>
      <image:title>Read - This Ain't Toronto</image:title>
      <image:caption>Image 4 | The “controlled access zone” fence demarcates the border between the public space of Toronto and the G20’s security zone. Defence-in-depth is illustrated by the lines of police along the fence and the sparsely populated interdiction zone immediately outside of it. Photograph by Andrei Arkhanguelski</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1591651881251-ZRZIGDL2GOJC02CZ73JZ/Fig+4+The+Fence.jpg</image:loc>
      <image:title>Read - This Ain't Toronto</image:title>
      <image:caption>Image 6 | The Fence</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1591651572007-WJP749YM7TQWHJ87S5CD/Fig+2+Search+and+Arrest.jpg</image:loc>
      <image:title>Read - This Ain't Toronto</image:title>
      <image:caption>Image 3 | Search and Arrest</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1591651056248-ITZLAMOA8OIJQ00NG2BB/4740954117_de04d78f2e_b.jpg</image:loc>
      <image:title>Read - This Ain't Toronto</image:title>
      <image:caption>Image 1 | Riot police form a wall across Yonge St., preventing crowds from moving south towards the fence. Photograph by Kevin Konnyu</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/lost-rivers-divided-bodies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1468866722302-8IJ3J1F7PKF9MIO5OG8Q/image-asset.jpeg</image:loc>
      <image:title>Read - Lost Rivers Divided Bodies</image:title>
      <image:caption>Map of Queer Spaces in Downtown Toronto (Survey Range: North at Dupont, East at Woodbine, and West at Roncesvalles). (By author)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1468865748740-DZ6KJ8UASBE5KSABZBYK/image-asset.jpeg</image:loc>
      <image:title>Read - Lost Rivers Divided Bodies</image:title>
      <image:caption>Queen Street Viaduct (photograph by John Severino)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1468866963906-KTOD1EUQ7H540G6K7NWO/image-asset.jpeg</image:loc>
      <image:title>Read - Lost Rivers Divided Bodies</image:title>
      <image:caption>Map of Riverdale Park West, Riverdale Park East, and the Don River. (By author)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1468865662538-F4GVSTNL7BARJL3NKJL0/image-asset.jpeg</image:loc>
      <image:title>Read - Lost Rivers Divided Bodies</image:title>
      <image:caption>The Dog Bowl in Trinity Bellwoods Park (photograph by John Severino)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1468867061591-XSTOINQA3G0CQSOBFAXE/image-asset.jpeg</image:loc>
      <image:title>Read - Lost Rivers Divided Bodies</image:title>
      <image:caption>Map of Trinity Bellwoods Park with Garrison Creek Line. (By author)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1468865510689-5DRRGKIYPHGJRQLMQ52N/image-asset.jpeg</image:loc>
      <image:title>Read - Lost Rivers Divided Bodies</image:title>
      <image:caption>Wayla Bar + Lounge (photograph by John Severino)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1468865581787-KEKK53VHUIPR65W3K4I2/image-asset.jpeg</image:loc>
      <image:title>Read - Lost Rivers Divided Bodies</image:title>
      <image:caption>Riverdale Park East with Riverdale Park West Beyond (photograph by John Severino)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/landscape-is-not-a-scene</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1468871135514-HL92EWCL4GYBHAJW5IG1/image-asset.jpeg</image:loc>
      <image:title>Read - Landscape is not a scene</image:title>
      <image:caption>Photograph by Rob Cleary</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/limas-urban-black-holes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467747101302-S0VQJYW4C2AUEWSMRAFJ/image-asset.png</image:loc>
      <image:title>Read - Stitching Boundaries</image:title>
      <image:caption>Lima Green Belt &amp; Metropolitan Park System.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467745813349-Q5A66STEOIIBIPYZSQL5/image-asset.jpeg</image:loc>
      <image:title>Read - Stitching Boundaries</image:title>
      <image:caption>Lurin River becoming urbanized by informal development near Pachacamac.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467745694844-4MXAE3DC0K3UF7NK919G/image-asset.jpeg</image:loc>
      <image:title>Read - Stitching Boundaries</image:title>
      <image:caption>Julio Cesar Tello informal settlement encroaching on the eastern edge of Pachacamac.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467770675388-ZIFC1O53UAD1MF4JZ6SP/Final+Plan_FF_sm.jpg</image:loc>
      <image:title>Read - Stitching Boundaries</image:title>
      <image:caption>Site Plan of Archaeological Park, Linear Park.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467747476491-0SIMGDB53GL588I9XNE3/image-asset.png</image:loc>
      <image:title>Read - Stitching Boundaries</image:title>
      <image:caption>Pachacamac,Gastronomic Edge &amp; Linear Park.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467771057500-R34SSQTTQV0TTRVKW47P/image-asset.png</image:loc>
      <image:title>Read - Stitching Boundaries</image:title>
      <image:caption>Scale of Linear Park</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467771135544-38VFR46EZFX6A22SSJHO/image-asset.png</image:loc>
      <image:title>Read - Stitching Boundaries</image:title>
      <image:caption>Scale of Urban Fabric</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467771955712-YMMYFEOED8Z0L928UEQF/image-asset.jpeg</image:loc>
      <image:title>Read - Stitching Boundaries</image:title>
      <image:caption>Overlay collage of chaotic urban expansion driven by tension between informal settlements and pre-Columbian cultural sites.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467745864286-72MD1NQ5OJ55U0UQB06L/image-asset.jpeg</image:loc>
      <image:title>Read - Stitching Boundaries</image:title>
      <image:caption>Site adjacency to agricultural valley, river mouth, Pacific coast and Pachacamac Islands.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467770965494-LA9E7LZB2SN30PR605XS/image-asset.png</image:loc>
      <image:title>Read - Stitching Boundaries</image:title>
      <image:caption>Scale of Open Space</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467745559308-UO66DB9UEHMAT3504JTE/image-asset.png</image:loc>
      <image:title>Read - Stitching Boundaries</image:title>
      <image:caption>Lima’s urban landscape with Pre-Columbian sites as black holes in the urban fabric arranged in relation to river valleys and seasonally fertile hills.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467770837661-GW0NXQEPXHM04AKHUIX6/image-asset.jpeg</image:loc>
      <image:title>Read - Stitching Boundaries</image:title>
      <image:caption>Pachacamac Northern Urban Edge.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467771230612-MYUMQ81WTME1DMDUKOPP/image-asset.jpeg</image:loc>
      <image:title>Read - Stitching Boundaries</image:title>
      <image:caption>Lurin: scale plan 1 : 60k</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467747051455-FZPAH82DM75XSYJ1OI9K/image-asset.png</image:loc>
      <image:title>Read - Stitching Boundaries</image:title>
      <image:caption>Lurin Valley Region &amp; Edge Road.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467745393099-Y6C2TU19109N16MJ06L4/image-asset.jpeg</image:loc>
      <image:title>Read - Stitching Boundaries</image:title>
      <image:caption>Lima’s Urban Growth</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467771376851-5E4OOJ7KXE20UK7WO9LJ/image-asset.png</image:loc>
      <image:title>Read - Stitching Boundaries</image:title>
      <image:caption>Lima: scale plan 1 : 200k</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467771859167-M4DOIR8TTX6BCX66WZVU/image-asset.jpeg</image:loc>
      <image:title>Read - Stitching Boundaries</image:title>
      <image:caption>Overlay collage of Lima as urban archipelago within mosaic of natural landscapes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467745064530-64IU8O6IJ8SXYD8DE74C/image-asset.png</image:loc>
      <image:title>Read - Stitching Boundaries</image:title>
      <image:caption>Relationship between River Valleys and Pre-Columbian Settlements (Archipelago model)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467745147368-52L12HUM6J2O4F68LJYV/image-asset.png</image:loc>
      <image:title>Read - Stitching Boundaries</image:title>
      <image:caption>Modern Lima (Extended urbanization model)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/disjunction-in-the-city</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467743408262-T7HI2OOR4ZSKR22ZGKBZ/image-asset.jpeg</image:loc>
      <image:title>Read - Disjunction in the City</image:title>
      <image:caption>Illustration by Daniel Rossi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1467743496640-6XVMTK0HDTV8CA2C71DN/image-asset.jpeg</image:loc>
      <image:title>Read - Disjunction in the City</image:title>
      <image:caption>Illustration by Daniel Rossi</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/borders-thresholds</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/the-invisible-borders</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1466133881245-L311MB6OLXG0VPRRQWBG/image-asset.jpeg</image:loc>
      <image:title>Read - The Invisible Borders</image:title>
      <image:caption>Zaatari camp, Merve Bedir, Zaatari, Jordan, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1466134229220-8HGLCFE0ZSDL004892XT/image-asset.jpeg</image:loc>
      <image:title>Read - The Invisible Borders</image:title>
      <image:caption>Borders in Cities, Hasanpaşa (one of the neighbourhoods that Syrian refugees settled in Istanbul), Ülkü Oktay, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1466134836010-JLYNI1387WTRXCXY2S6I/image-asset.jpeg</image:loc>
      <image:title>Read - The Invisible Borders</image:title>
      <image:caption>Map of Baghdad rail line, from The Pity of War, Niall Ferguson, Penguin Press, New York, 1998</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1466133957391-YYOVSQ07ADNW3KFLB9UM/image-asset.jpeg</image:loc>
      <image:title>Read - The Invisible Borders</image:title>
      <image:caption>Matbakh-Mutfak Solidarity Kitchen/Garden in Gaziantep, Turkey, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1466135318949-93ZULC0YZNJMULV5QOJH/image-asset.jpeg</image:loc>
      <image:title>Read - The Invisible Borders</image:title>
      <image:caption>Kilis border camp in the distance, Merve Bedir, Gaziantep, Turkey, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1466135826444-DZRDGSMRGQX76QNU1KLQ/image-asset.jpeg</image:loc>
      <image:title>Read - The Invisible Borders</image:title>
      <image:caption>Maritsa river, Turkey-Bulgaria border security, Merve Bedir, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1466135712086-OJX66XUQINM831RU9XLT/image-asset.jpeg</image:loc>
      <image:title>Read - The Invisible Borders</image:title>
      <image:caption>Turkey-Syria border, from “Syria in Transit” series, Kemal Vural Tarlan, 2014</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/new-zidonians</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1466194785166-63FIAAXE7LOUXRBX5W54/image-asset.jpeg</image:loc>
      <image:title>Read - New Zidonians</image:title>
      <image:caption>For the last couple of years, I have tried to collect as many of these stories I could. This is what I got when I put them together.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1466194414674-XJXGNHK0QMQ9NRV9K5FC/image-asset.jpeg</image:loc>
      <image:title>Read - New Zidonians</image:title>
      <image:caption>Rats living in the gap left by their conflict</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1466194551866-SCKJXB5ODVWH7BVWQ8XH/image-asset.jpeg</image:loc>
      <image:title>Read - New Zidonians</image:title>
      <image:caption>Our state exists in the equilibrium created by the convergence of differences and is fostered by the accumulation of these differences.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1466195214389-57CWZ6OQS7LGJLIL6QM6/image-asset.jpeg</image:loc>
      <image:title>Read - New Zidonians</image:title>
      <image:caption>Much more than a simple line, in its complexity this entity seemed to bear new possible dimensions, to hold latent spaces of as yet unknown size.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1466195354322-SELW05UMZBSZGUMJAVNZ/image-asset.jpeg</image:loc>
      <image:title>Read - New Zidonians</image:title>
      <image:caption>The emigrants that I knew, though, didn’t want to cross the border, but rather to inhabit it.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1466195522357-PU473EKCDDA9JH6NZJ1S/image-asset.jpeg</image:loc>
      <image:title>Read - New Zidonians</image:title>
      <image:caption>However, it was impossible to tell which parts were public and which private.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1466194948657-FG9JKI2WOTAVP89IN6AU/image-asset.jpeg</image:loc>
      <image:title>Read - New Zidonians</image:title>
      <image:caption>Impenetrable or porous borders, transparent or opaque screens, projected along the dividing line the actual confusion of the border-makers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1466195451842-7U0B2DBTOQL8Y2S41Q5A/image-asset.jpeg</image:loc>
      <image:title>Read - New Zidonians</image:title>
      <image:caption>They started to use fragments and pieces of the wall to make homes and spaces for hanging out; they started to dig underground halls, passages to communicate and structures to hover upon. They started to create communities.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1466195286523-EL5TU1RYJZDMF3CGY2Z9/image-asset.jpeg</image:loc>
      <image:title>Read - New Zidonians</image:title>
      <image:caption>In the meantime, the new ‘lines’ created a quite wide area, a stripe enclosed between two borders.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/osmotic-territories</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1465344327151-P27R6TYJDMM91M2NI0LS/image-asset.jpeg</image:loc>
      <image:title>Read - Osmotic Territories</image:title>
      <image:caption>Figure 2. Existing trade exchange sequence across the Indian and Pakistani border, in comparison to the proposed exchange that is collapsed into a single border territory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1465346125385-NAKXVP6MGG9TQAIK3WP8/image-asset.jpeg</image:loc>
      <image:title>Read - Osmotic Territories</image:title>
      <image:caption>Figure 10. Section of a proposed border territory along the datum of the border, that operates in the low-lying plains of Poonch.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1465346046275-BNAWNQFUET41ZRYNB9O6/image-asset.jpeg</image:loc>
      <image:title>Read - Osmotic Territories</image:title>
      <image:caption>Figure 9. Plan of a proposed border territory that operates in a dense network, in the low-lying plains of Poonch.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1465345047601-1U34B7FO18484EG4ZI4L/image-asset.png</image:loc>
      <image:title>Read - Osmotic Territories</image:title>
      <image:caption>Figure 5. Integrated landscape strategies that inform the new border territory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1465344872019-5TJLL7PRRSQTNJJSIHBZ/image-asset.jpeg</image:loc>
      <image:title>Read - Osmotic Territories</image:title>
      <image:caption>Figure 4. Three scales of exchange that inform the new border typology.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1465345646056-QQLTRBO9NDW6YNUMQFEO/image-asset.jpeg</image:loc>
      <image:title>Read - Osmotic Territories</image:title>
      <image:caption>Figure 7. Plan of a proposed border territory that operates in a sparse network, in the mountainous regions of the Gurez valley.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1465345517000-W0AKGPYCVIZND0B3PLMC/image-asset.jpeg</image:loc>
      <image:title>Read - Osmotic Territories</image:title>
      <image:caption>Figure 6. Range of potential sites along the border that re-open historic trade routes through new border territories.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1465346282557-SGBAJ2N2629QLBAZ7NWD/image-asset.jpeg</image:loc>
      <image:title>Read - Osmotic Territories</image:title>
      <image:caption>Figure 11. Entrance and truck path of the new border territory.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1465346407115-3U756PHK2A3HK7YBUQSC/image-asset.jpeg</image:loc>
      <image:title>Read - Osmotic Territories</image:title>
      <image:caption>Figure 12. Market and trading area on the lower level of the shared border building.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1465344026245-YRWRIPXC2UFV68C2AV22/image-asset.jpeg</image:loc>
      <image:title>Read - Osmotic Territories</image:title>
      <image:caption>Figure 1. Line of Control dividing the greater Jammu and Kashmir region, in comparison to the historic Salt Hedge dividing the South Asian region.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1465346550794-QLQ2U99KCBDAH0PU9Y6F/image-asset.jpeg</image:loc>
      <image:title>Read - Osmotic Territories</image:title>
      <image:caption>Figure 13. Porch and terrace on the upper level of the shared border building.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1465346691463-M9WRSII10IEBNLEHIKJ5/image-asset.jpeg</image:loc>
      <image:title>Read - Osmotic Territories</image:title>
      <image:caption>Figure 14. Gardens and fields adjacent to the shared border building.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1465344772056-8Z40NRTOZT0FE81DLASO/image-asset.jpeg</image:loc>
      <image:title>Read - Osmotic Territories</image:title>
      <image:caption>Figure 3. Proposed border typology mapping rural nodes that will build the new border network.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1465345705458-V2TP04ORMSL5L7LW3N5T/image-asset.jpeg</image:loc>
      <image:title>Read - Osmotic Territories</image:title>
      <image:caption>Figure 8. Section of a proposed border territory along the datum of the border, that operates in the mountains regions of the Gurez valley.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1465346965136-1VGS1FHMV1S2KXA9DAMN/image-asset.jpeg</image:loc>
      <image:title>Read - Osmotic Territories</image:title>
      <image:caption>Figure 15. Cross-section of a typical shared border building that is partially sunken into the ground and opens up to the landscape along the datum of the border.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/fluid-boundaries</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1465332267540-G03LO39G9ZBDZ3LY0PEM/image-asset.jpeg</image:loc>
      <image:title>Read - Fluid Boundaries</image:title>
      <image:caption>Rivers and wetlands along the Carolina coast. (Image by Author).</image:caption>
    </image:image>
    <image:image>
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      <image:title>Read - Fluid Boundaries</image:title>
      <image:caption>1880s photograph of cottonwood snag-catchers built by the Corps of Engineers on the Mississippi River near Plum Point to catch debris drifting downstream. (Photographs and Prints Division, National Archives and Records Administration, College Park, Maryland)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1464792601100-I48CM9YEKTY9LH47CK9N/image-asset.jpeg</image:loc>
      <image:title>Read - Fluid Boundaries</image:title>
      <image:caption>The Tatanka Wind Farm, amidst prairie wetlands on the border between North and South Dakota. (Krista Lundgren/US Fish and Wildlife Service)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/garden-of-the-forking-paths</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1464035184463-GYADT00KLUVMPD6BBZB5/image-asset.jpeg</image:loc>
      <image:title>Read - Garden of the Forking Paths</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1464035133678-QVVSNESKXH8VVJDM968K/image-asset.jpeg</image:loc>
      <image:title>Read - Garden of the Forking Paths</image:title>
    </image:image>
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      <image:title>Read - Garden of the Forking Paths</image:title>
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    <image:image>
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      <image:title>Read - Garden of the Forking Paths</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1464035074848-3B5PPEYD05EEV8SC29K0/image-asset.jpeg</image:loc>
      <image:title>Read - Garden of the Forking Paths</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1464035234801-U1SHHVT0D6I8TIPKC1S6/image-asset.jpeg</image:loc>
      <image:title>Read - Garden of the Forking Paths</image:title>
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      <image:title>Read - Garden of the Forking Paths</image:title>
      <image:caption>Map of enclaves as drawn by the Lebanese army and given to UNIFIL (depicted by Author)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1464035412350-YOTR4HC5SGOY2K4ZF6UQ/image-asset.jpeg</image:loc>
      <image:title>Read - Garden of the Forking Paths</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1464034811845-4GXL76ODI8BOHMPN6DHW/image-asset.jpeg</image:loc>
      <image:title>Read - Garden of the Forking Paths</image:title>
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      <image:title>Read - Garden of the Forking Paths</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1464035378259-UZLQ9PITN7AFK6HE2CQ0/image-asset.jpeg</image:loc>
      <image:title>Read - Garden of the Forking Paths</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1464035643740-0Y320RB4TU7OIR4UUEOO/image-asset.jpeg</image:loc>
      <image:title>Read - Garden of the Forking Paths</image:title>
      <image:caption>Four details of the border between Lebanon (left) and Israel (right)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/the-first-iteration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
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      <image:title>Read - The First Iteration</image:title>
      <image:caption>[Image 5: Dongsei Kim assisted by Jack Isles. Detailed crop of “Uncovering the Agency of Unknown Armistice Maps: The First Iteration” 2015 Print on canvas, 4756 x 841 mm. Image credit © Dongsei Kim, 2015]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1463711412468-DGRLVV2HNC5MDLK6D4V8/image-asset.jpeg</image:loc>
      <image:title>Read - The First Iteration</image:title>
      <image:caption>[Image 6: Photo of “Uncovering the Agency of Unknown Armistice Maps: The First Iteration” installation in the Making Border: Afterimages and Projections exhibition. DNA Gallery, Berlin, Germany, 2015. Curated by Seoyoung Kim. Photo credit: Rosalie Bourgeois de Boynes, Seoyoung Kim, Jeonghoon Lee. Courtesy of DNA Gallery]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1463711001576-HLCIRW8CKYPH1HRLDMJ5/image-asset.jpeg</image:loc>
      <image:title>Read - The First Iteration</image:title>
      <image:caption>[Image 1: UN delegate Lieut. Gen. William K. Harrison, Jr. (seated left), and Korean People’s Army and Chinese People’s Volunteers delegate Gen. Nam Il signing the Korean War armistice agreement at Panmunjom, Korea, July 27, 1953. Source U.S. Department of Defense (F. Kazukaitis. U.S. Navy)]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1463711294561-AVRSRBEPMZAJRZ9FN38X/image-asset.jpeg</image:loc>
      <image:title>Read - The First Iteration</image:title>
      <image:caption>[Image 4: Dongsei Kim assisted by Jack Isles. Detailed crop of “Uncovering the Agency of Unknown Armistice Maps: The First Iteration” 2015. Print on canvas, 4756 x 841 mm. Image credit © Dongsei Kim, 2015]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1463711129595-VAGO57G7NMZH8B4KODXL/image-asset.jpeg</image:loc>
      <image:title>Read - The First Iteration</image:title>
      <image:caption>[Image 2: Dongsei Kim assisted by Jack Isles. Detailed of “Uncovering the Agency of Unknown Armistice Maps: The First Iteration” 2015. Print on canvas, 4756 x 841 mm. Image credit © Dongsei Kim, 2015]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1463711491750-1W4KW9P6NYHF7PB94PXZ/image-asset.jpeg</image:loc>
      <image:title>Read - The First Iteration</image:title>
      <image:caption>[Image 7: Photo of “Uncovering the Agency of Unknown Armistice Maps: The First Iteration” and the “A Construct The Koreas (Never) Made Together: Deconstructing the DMZ For The Imaginary” (Kim 2014) installations in the Making Border: Afterimages and Projections exhibition. DNA Gallery, Berlin, Germany, 2015. Curated by Seoyoung Kim. Photo credits: Rosalie Bourgeois de Boynes, Seoyoung Kim, Jeonghoon Lee. Courtesy of DNA Gallery]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1463711201518-C0XDZ0BU63ZJ8EPTMF3L/image-asset.jpeg</image:loc>
      <image:title>Read - The First Iteration</image:title>
      <image:caption>[Image 3: Detailed crop of “Uncovering the Agency of Unknown Armistice Maps: The First Iteration” 2015. Print on canvas, 4756 x 841 mm. Starting from top left corner, left to right.  A. “Cover of the 1953 Armistices Agreement, Volume II – Maps.”  B. “First Page of the 1953 Armistice Agreement Volume II – Maps.” C. “Index of the 1953 Armistice Agreement Volume II – Maps.”  D. “1953 Armistice Agreement, Volume I – Text of Agreement – Article I in English.”  E. “1953 Armistice Agreement, Volume I – Text of Agreement – Article I in Korean.”  F. “1953 Armistice Agreement, Volume I – Text of Agreement – Article I in Korean.” Source: Holdings of the National Archives and Records Administration. 1953. Armistice Agreement, Vol. II, Maps. Washington, DC; Record Group 11 - General Records of the U.S. Government; TIAS 2782. Image credit: Holdings of the National Archives and Records Administration.]</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.thesitemagazine.com/read/dimensionsofaborderline</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-21</lastmod>
    <image:image>
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      <image:title>Read - Dimensions of a Border Line</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1462329248433-CKRRTFXRTRPU0MOZNYJ1/image-asset.jpeg</image:loc>
      <image:title>Read - Dimensions of a Border Line</image:title>
    </image:image>
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      <image:title>Read - Dimensions of a Border Line</image:title>
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      <image:title>Read - Dimensions of a Border Line</image:title>
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      <image:title>Read - Dimensions of a Border Line</image:title>
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      <image:title>Read - Dimensions of a Border Line</image:title>
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    <lastmod>2021-09-23</lastmod>
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      <image:title>The Breathing Grid</image:title>
      <image:caption>Seen here, just hours before the performance, is the rigorous seating ordinance at the centre of the room and, beyond that, the reproductions. In the foreground, the authors’ coveralls lie still, awaiting critical collaboration. Photograph by Braeden Martel</image:caption>
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    <image:image>
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      <image:title>The Breathing Grid</image:title>
      <image:caption>Seen here, just hours before the performance, is the rigorous seating ordinance at the centre of the room and, beyond that, the reproductions. In the foreground, the authors’ coveralls lie still, awaiting critical collaboration. Photograph by Braeden Martel</image:caption>
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    <image:image>
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      <image:title>The Breathing Grid</image:title>
      <image:caption>During set-up, the authors tested their projection from the constructed black box, appropriating both the space and the technologies of the classroom. In the foreground the imposed ordinance on the floor and the chair arrangement were calibrated to the existing ordinance of the room. Photograph by Braeden Martel</image:caption>
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    <image:image>
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      <image:title>The Breathing Grid</image:title>
      <image:caption>The scene of the performance mere moments before it began. While audience members glance around the room, a square of light can be seen beneath the black box housing the authors. Moments later, paint would spill from the box and go largely unnoticed by the audience members, who were instead transfixed by the images on the screen. Photograph by Braeden Martel</image:caption>
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      <image:title>The Breathing Grid</image:title>
      <image:caption>In the final moments before the installation performance, one of the authors probes the view from the constructed black box. Photograph by Braeden Martel</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1632434402828-WNIA2BT46QIJ3SCGWBHR/5.site.gaber-strickland.jpg</image:loc>
      <image:title>The Breathing Grid</image:title>
      <image:caption>In this image the authors are filmed from above applying the blue and red paint to each other. The intimate shared struggle of the authors/performers is here mediated for the audience through the lens of a camera installed on the ceiling. Photograph by Braeden Martel</image:caption>
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    <image:image>
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      <image:title>The Breathing Grid</image:title>
      <image:caption>Having painted each other in binary colours, the authors face each other in front of the historical and contemporary ideal male bodies that have prescribed normative architectural proportions. Photograph by Braeden Martel</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1632434554320-6OSIU98K89WCODOKTBOS/7.site.gaber-strickland.jpg</image:loc>
      <image:title>The Breathing Grid</image:title>
      <image:caption>The authors each engage with and critique the normative architectural proportions based on the ideal male body. Photograph by Braeden Martel</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5671ee0a0ab3774b3457b1ad/1632434561947-JRTDAJ9TUNEG9M8OS7VB/8.site.gaber-strickland.jpg</image:loc>
      <image:title>The Breathing Grid</image:title>
      <image:caption>The performance of inscribing the painted, non-ideal, ideal body on the “standards” engages critique of what is “ideal” and how/why we utilize this notion in the proportions of architecture. Photograph by Braeden Martel</image:caption>
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    <image:image>
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      <image:title>The Breathing Grid</image:title>
      <image:caption>Once the performance is complete and the authors have exited the room, the audience is left to engage with and consider the inscribed installation. Photograph by Braeden Martel</image:caption>
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      <image:title>The Breathing Grid</image:title>
      <image:caption>Remaining on the projected live screens are the remnants of the paint utilized by the authors. The audience remained in silent contemplation until the doors to the room were opened. Photograph by Braeden Martel</image:caption>
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      <image:title>The Breathing Grid</image:title>
      <image:caption>The augmented “standards” were left on display for the remainder of the evening as people migrated into the room and shared versions of their experiences or other people’s experiences of the one-time performance. Photograph by Braeden Martel</image:caption>
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      <image:title>The Breathing Grid</image:title>
      <image:caption>Post-performance, the audience is seen circulating around the room. The remnants of the film from above, the stained, paint-covered floor beneath the black box, are reflected on the audience members, who will soon become the performers. Photograph by Braeden Martel</image:caption>
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      <image:title>V35: Borders</image:title>
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      <image:title>V35: Borders</image:title>
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      <image:title>V35: Borders</image:title>
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      <image:title>V35: Borders</image:title>
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      <image:title>V35: Borders</image:title>
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      <image:title>V35: Borders</image:title>
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      <image:title>V35: Borders</image:title>
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      <image:title>V35: Borders</image:title>
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      <image:title>V35: Borders</image:title>
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      <image:title>V35: Borders</image:title>
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      <image:caption>Photo courtesy of World Vision, 2020</image:caption>
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